Wild Wild West

WILD WILD WEST

Story by

Jim Thomas & John Thomas

Screenplay by

S.S. Wilson & Brent Maddock

and Jeffrey Price & Peter S. Seaman

Based on the Television Series "Wild Wild West"

REVISED FINAL DRAFT

May 14, 1998 WARNER BROS.                           © 1998 4000 Warner Boulevard                  WARNER BROS. Burbank, California 91522               All Rights Reserved

Rev. 4/9/99

THE WILD WILD WEST

FADE IN:

A1  EXT. ALFALFA FIELD - NIGHT                                   A1

A slight breeze gently sways the green and purple crop. The CHIRP of CICADA is the only sound.

SUPERIMPOSE:  1868 - ST. TAMMANY PARISH, LOUISIANA

But suddenly the CHIRPING GETS LOUDER and LOUDER -- BZZZZZ! -- until we realize it's not the cicadas, but a --

SWOOOSH! A lethal, razor-sharp DISC BUZZES up over the horizon, swoops TOWARD the CAMERA and OUT OF FRAME!

The CAMERA SPINS AROUND to see the disc flying away, chasing a man, THADDEUS MORTON, wearing a strange metallic collar -- exhausted, horrified, about to die.

NEW ANGLE - MORTON

He looks over his shoulder, panting -- he's been running forever.

MORTON (mumbling) Madman... Hideous spider... Run...               Run! Warn the President...

Morton zig-zags through a grove of trees, a desperate attempt to avoid the horrible serrated disc. But the ruse is futile. The disc goes straight through the trees, slicing a path straight as the crow flies.

NEW ANGLE - OLD WAGON

dilapidated, broken down, weathering away in the field. Morton runs around the wagon -- but the DISC BUZZES straight through the sideboards! Wood shavings spit everywhere! There's no stopping this thing.

NEW ANGLE - MORTON

running for his life -- stops, turns. He turns, incomprehensibly mumbling, pleading for his life, cowering.

MORTON Noooooooo!!!!!

(CONTINUED)

WILD WILD WEST - Rev. 4/9/99                               2.

A1  CONTINUED:                                                       A1

And the DISC SWOOSHES TOWARD the CAMERA -- BZZZZZZZ!

CUT TO:

BLACK

DISSOLVE TO:

NIGHT SKY FULL OF STARS - LOW ANGLE

A man leans INTO FRAME. This is GENERAL McGRATH. And he's there to collect the silver death disc.

McGRATH (to the unseen,                         dead Morton) And they says you scientists are supposed to be smart.

1   EXT. DUSTY ROAD - LOW ANGLE - NIGHT                             1

HOOVES THUNDER by. Then bouncing, skidding wagon wheels. Up on the empty buckboard is a pair of murderous ex-Rebs. As the Rebs pass a pint of whisky, lash the six-horse team on, PAN WITH the wagon to see it's headed for...

2   EXT. WATER TOWER - NIGHT                                        2

SALOON GIRL (O.S.) The legendary Captain James West and I finally got him all to                 myself.

3   INT. WATER TOWER - NIGHT                                        3

WEST is bathing with the beatiful SALOON GIRL.

WEST That's right, sugar, and you should feel free to treat him just bad.

She moves in and kisses him, long and hard. West hears the CLATTER of the APPROACHING WAGONS. He stops the kiss and peeks out the knothole.

4   EXT. WAREHOUSE - WEST'S POV THROUGH KNOTHOLE - NIGHT

Down below, West sees the wagon with the Rebs.

WILD WILD WEST - Rev. 4/9/99                           3.

5  INT. WATER TOWER - NIGHT                                     5

WEST (to himself) General McGrath's boys. I thought y'all was never gonna show up.

SALOON GIRL Mister West, you wouldn't be here workin' tonight, now would you?

WEST No, no. 'Course not. Not tonight. Would you be working if you were up             here with you?

SALOON GIRL Good.

They start kissing again. He surreptitiously peeks out the knothole, while continuing his kiss.

6  INT. FAT-CAN CANDY'S - NIGHT                                 6

This two-story, Victorian building across town is a   "gentlemen's sporting house" in name only. Drunken roughnecks and ex-Confederate soldiers goose and maul the rouged-up tarts.

AT BAR - WOMAN

shrinks back from the moronic ribaldry. The Toulouse Lautrec lighting only accentuates her garish hair and makeup, identifying her as a SOILED DOVE. A whore -- not to put too fine a point on it. She's trying not to make eye contact with two men seated at a table across the parlor.

SOILED DOVE'S POV - GEN. McGRATH AND HUDSON

HUDSON is a fearsome-looking Indian in a well-tailored suit. Long black braids descend incongruously from under a homburg hat. As for his companion...

McGRATH is a mountain of drunken pus. Six foot, sweating like a Devonshire hog with his tattered, undersized Confederate dress jacket buttoned all the way to the top. His ear has been hacked off and replaced by what looks to   be a miniature leather Victrola horn. McGrath smiles at   our Soiled Dove and makes a little kissing gesture.

(CONTINUED)

WILD WILD WEST - Rev. 4/9/99                           4.

6  CONTINUED:                                                   6

ANGLE ON SOILED DOVE

Eyes widened in revulsion. What evil abides in this Godforsaken place? Now a drunkenly EYE-CROSSED REB licks Dora's ear, then whispers something in it. Something unspeakably vile, by Dora's expression.

DORA I'm sorry. That won't be                possible. I have... tonsillitis.

7  EXT. WAREHOUSE - WEST'S POV THROUGH KNOTHOLE - NIGHT        7

The Rebs load the boxes onto the wagon. We see the wheel of the wagon up against the rotted leg of the water tower.

BIG REB Pack'er up good, Virgil. Next stop N'Orleans.

8  INT. WATER TOWER - NIGHT                                    8

West is unaware that she's watching him, not watching her.

SALOON GIRL (admonishing) Jim!

WEST Ah, this hole is a safety issue. I'm thinking, what if it starts to                rain and the water level goes up. It could suck you right up. I'm                protecting you. (variations)

Saloon Girl frustrated, has grabbed West's boxer shorts (with little horses on them) and plugs the hole with them.

SALOON GIRL Problem solved.

WEST Belle, you don't just ram a man's                underbritches into a knothole. You wanna plug the hole, you ram your own britches in there.

West is at a loss. She moves in for another kiss.

WILD WILD WEST - Rev. 4/9/99                            4A.

9   EXT. WAREHOUSE - NIGHT                                        9

The HORSES SPOOK as a crate is dropped onto the wagon.

CLOSE - AXLE

caught on the WATER TOWER LEG. It CREAKS.

10  INT. WATER TOWER - NIGHT                                      10

West hears the CREAK. He breaks the kiss.

SALOON GIRL Oh, Jim.

WEST (serious) Much as I'd like to take credit for that you might need to hand me my gun...

The tower starts to topple.

WEST ... Hand me my gun.

It CRASHES...

CUT TO:

11  EXT. WAREHOUSE SKYLIGHT - NIGHT                               11

West crashes down into the tarp covering the boxes. The only people more shocked than he is are the guards and the Rebs he just dropped in on. West picks himself up, smiles coolly at the drenched slack-jaws.

WEST Okay, who just made a wish? Was it you?

He looks up at the freaked-out Saloon Girl, still in the tank. She hangs on with one hand, the other hand clutches his clothes.

WEST I could sure use those clothes now.

She responds by Frisbee-ing his hat down. West picks it    up, with a look... uses it to cover his genitals.

(CONTINUED)

WILD WILD WEST - Rev. 4/9/99                          4B.

11  CONTINUED:                                                   11

BIG REB Well, we got us a shy nig...

But he never gets that word out. Bang! West lashes a    lightning martial arts kick to the Reb's jaw.

WEST Fought five long years with the Union Army not to hear that word again. And you boys lost, remember?

As the other Reb comes at him, he spins, still holding the hat in front of him... and whap! Down that one goes. West looks up at the none-too-bright water tank woman.

WEST How 'bout some pants!?

As she throws the rest of his clothes down in a heap...

5.

12  INT. FAT-CAN'S - NIGHT (SAME TIME)                           12

General McGrath checks a pocket watch, looks up    impatiently at the Indian, Hudson. His eyes drift upwards... to the balcony where...

ANGLE ON UPSTAIRS BALCONY - TWO MORE EX-REBS

have come up back stairs lugging a heavy steamer trunk.

McGRATH I'm still waiting on my guns and ammo, but I see my men have brought your merchandise.

McGrath subtly gestures with his eyes to the balcony for Hudson to confirm. Hudson nods.

McGRATH I had expected to be delivering it              personally to Mr...

Hudson quickly cuts him off before he can say the name. The Indian speaks in a very precise King's English.

HUDSON My employer, here in a brothel? (a small ironic                      smile) That would be quite... redundant.

13  EXT. STREET - ON CARRIAGE - NIGHT                            13

MOVE IN ON an elegant brougham driven by a very large, very striking woman in livery.

As the carriage passes under the gas lamp, we can make out the top-hatted silhouette of McGrath's "employer," DR. ARLISS LOVELESS. Clustered around him inside the cab are three more beautiful women. As he strokes the cheek of the ORIENTAL one with the back of his hand like a    cat...

14  INT. FAT-CAN'S - McGRATH AND HUDSON - NIGHT                  14

HUDSON You'll meet him when the time -- and place -- are appropriate. Now... (stands) ... shall we go upstairs to check the 'merchandise'?

(CONTINUED)

6.

14  CONTINUED:                                                     14

McGRATH Frankly, Mr. Hudson, I wasn't                 planning to walk those oaken stairs with you. Direct me to the poot, sir. Something young and creamy. A gamer that takes to the crop and spur.

McGrath looks to the singer (Rita), who beats a hasty retreat from him after her song. So, once again, McGrath lays his rheumy eyes on...

ANGLE ON SOILED DOVE

She's oblivious, more intrigued by the ex-Rebs on the balcony with the trunk. As she starts for the stairs...    a man's hand grabs her. It's the Eye-Crossed Reb again.

EYE-CROSSED REB You drive a hard bargain, lady. All right, fifty cents to take them big juicy lips and...

DORA Still not interested.

She tries to pull away. But the Reb won't let go.

EYE-CROSSED REB But you gotta be interested. You're a whore.

Suddenly the coquettishness in the eyes becomes rage. The falsetto becomes a baritone growl.

DORA (baritone) That doesn't mean a girl can't                 have high standards.

Just as the Reb registers the odd new voice... wham! Her corsage springs out and whacks him right in the jaw. The Reb's eyes roll back... and he slumps to the ground.

Whooa, hoss... the Soiled Dove is a man! He's ARTEMUS GORDON and his true profession will be revealed to us    shortly. But now, as he/she stashes the unconscious Reb behind the bar, straightens bosom and wig...

15  INT. WAREHOUSE - NIGHT                                        15

West is trying to get dressed.

(CONTINUED)

7.

15  CONTINUED:                                                    15

As he pulls on one leg of his pants, a guard lunges at    him with a knife. West hops up on one leg, smacks the guy with a mule kick.

Now he puts his arm through his shirt sleeve. When the hand emerges out of the cuff, it's balled in a fist -- which coldcocks the other guard.

WEST Could I have a little privacy here?

As if in response, the water tower, still hovering above, now crashes to the floor -- obliterating his opponents.

WEST Thank you.

He calmly looks up in time to catch the falling, naked, screaming Saloon Girl in his arms.

WEST You'll have to excuse me, darlin'... but my evidence is                 getting away.

West gallantly puts her down, jumps up, grabs the overhead block and tackle system and slides through the warehouse. As the HORSE TEAM, which has spooked, THUNDERS past...

CLOSEUP - WEST

sails onto the runaway wagon. As he pulls himself into the back, he gives the shivering Saloon Girl a tip of his hat -- now on his head.

WEST Sorry about there not being any towels.

16  INT. FAT-CAN'S - NIGHT (SAME TIME)                           16

General McGrath  leers down a line-up of Fat-Can's girls. Just as he gets  to the beautiful singer, who looks sick at the thought,  suddenly Gordon intrudes. He/she blocks out the singer,  poses coquettishly -- sucking a     lollypop.

McGRATH What's your name, missy?

(CONTINUED)

8.

16  CONTINUED:                                                       16

GORDON/DORA (demurely; back to                         his falsetto) Dora. Would you like to go                 upstairs?

McGRATH Oh, indeedy I would.

Gordon/Dora starts to go as the Eye-Crossed Reb wakes up. He grabs him/her, very pissed.

EYE-CROSSED REB Hey, c'mere! Who the hell are you anyway?!

McGRATH She's... mine!

Blam! McGrath emphasizes his claim by gut-shooting the Reb. The shot makes Dora/Gordon jump and the room go    quiet. As the Reb crumples, McGrath turns back to    Gordon/Dora, oddly inspired.

McGRATH I feel like... a ditty!

GORDON/DORA A ditty? But General... (trying to be                         coquettish again) ... my talents really lay elsewhere.

McGRATH Nothing stokes the fire in my                 loins like a ditty.

McGrath hauls him/her over to the piano player.

McGRATH You've got some pretty fair lungs on ya, girl, now use 'em!

He punctuates with a slap to Gordon/Dora's rump. The other singer (Rita) watches too.

17  INT. FAT-CAN'S - NIGHT                                          17

Gordon/Dora is sweating. Reluctantly, he/she whispers something to the piano player. He clears his throat and begins singing.

(CONTINUED)

9.

17  CONTINUED:                                                      17

GORDON/DORA (weakly) 'Buy a drink for the boys In the backroom for me...'

18  EXT. COUNTRY ROAD - WILD WAGON RIDE - NIGHT                    18

West spots the contents of an open box. Eyes widen.

CLOSE - BOX - DOZEN GLASS VIALS

stuck in sand. But clinking together ominously as the wagon races over the cobblestones.

WEST Backwards-ass bumpkins got a wagon full of nitro...!

West tries to steady the glass vials with his hands...    but it's no use. He quickly climbs over the boxes, onto the buckboard seat. But the reins are dragging on the ground beneath the frothing horses.

West leaps onto the horses as the wagon careens down the street. He pulls himself over the first one's neck...    onto the next horse. And as he tries for the lead horse, he falls between them!

19  INT. FAT-CAN'S - NIGHT                                         19

Gordon/Dora singing. He/she struggles through the song in a very tough room.

GORDON/DORA 'And tell them I tried... And tell them I cried...'

Just when it looks like the stone-faced rowdies might rip him/her apart, McGrath starts tapping a mud-caked toe. Encouraged, Gordon/Dora belts out the next verses OVER...

20  EXT. COUNTRY ROAD - WILD WAGON RIDE - NIGHT                    20

West's custom boots drag in the dirt as he's about to be    trampled under the hooves of the freaked-out horses. And if he hasn't got enough problems, the lynch pin attaching the team to the wagon has almost worked its way out.

CLOSE - BACK OF WAGON - NITRO VIALS

(CONTINUED)

10.

20  CONTINUED:                                                     20

CLANKING together like chimes...

CLOSE - WEST

Straining with every ounce of strength in his body, he    pulls himself up by the harness onto...

CLOSE - WILD-EYED LEAD HORSE

West grabs for the halter.

WEST Whoa now...!

But it doesn't whoa. The wagon goes around a corner up    on two wheels! It's about to tilt over when West grabs both the horses' ears, yanks them back -- screaming into them.

WEST I said, whoa!!!

This approach seems to work.

21  EXT. RISE ABOVE FAT-CAN'S - NIGHT                             21

The team comes to an abrupt stop... and with it the wagon hanging over the edge of a steep drop.

Jim carefully climbs off. He slaps the dust on his jacket, straightens the crease in his trousers. When he    looks up, a bitter smile.

WEST Well, well, this is workin' out to                 be a perfect day. My man...

HIS POV - VICTORIAN BUILDING - ACROSS STREET

The tasteful sign under the red light reads: "FAT-CAN    CANDY'S." And framed in the window, General McGrath with his singing soiled dove.

WEST (O.S.) ... General Bloodbath McGrath.

11.

22  INT. FAT-CAN'S - CLOSE - McGRATH                             22

McGrath is clapping with the crowd of misfits who are now singing along with Gordon/Dora. He/she's won over the room.

GORDON/CROWD (rousing finish) And tell them I tried just the same...!

He/she curtsies to rousing applause. McGrath beams like a man with the fire in his loins roaring. He grabs his little songbird and up the stairs they go.

Out the WINDOWS, we see West tracking them. Simul- taneously going up outside steps.

23  INT. FAT-CAN'S - UPSTAIRS - GORDON/DORA                      23

leads the sweating, leering General down the hall. He/she quickly opens and closes boudoir doors -- ostensibly to find a free room for their assignation. The real agenda is to find the mysterious trunk.

ANGLE ON DOORWAY #1

Quick peek. He/she registers a mild reaction of shock. Closes that door and moves on to...

ANGLE ON DOORWAY #2

Quick peek. The two rebs sitting on the trunk. At their feet is a wriggling burlap sack. The "merchandise" is alive.

Gordon/Dora giggles like a schoolgirl.

GORDON/DORA Well, that's a new one.

McGrath slams the door, drags Gordon/Dora roughly...

24  INT. BOUDOIR - CONTINUOUS ACTION                             24

Our soiled dove has her back to the door as if steeling herself for the task at hand. McGrath beckons her over to the bed.

McGRATH Don't let the ear scare you. I              lost it at Chickamauga.

Gordon/Dora squints at the jerry-rigged ear.

(CONTINUED)

12.

24  CONTINUED:                                                         24

GORDON/DORA Oh really. One can hardly notice... (fiddles with her                          belt buckle) Would you mind...? I... I... can't seem to release the clasp of                 my belt.

Say no more. McGrath is on her like a flash, fidgeting with it. But it pops open, revealing a spiraling screen courtesy of Dr. Mesmer. His eyes lock onto it.

McGRATH Wha... what's this?

GORDON/DORA It's a deep, deep pool. Maybe your old swimmin' hole. Getting sleepy, General?

McGRATH (ga-ga) Yes, I'm sleepy.

McGrath sits on the floor. Gordon smiles... this is    gonna be easy.

GORDON (normal voice) Good. You're going to be my                 little doggy. And when I say 'speak,' you tell me everything I                 want to know. Understood?

McGRATH (barks) Woof!

GORDON All right, little doggy. Sit up. (as he does) Now tell me who's in the sack next door. Is it the scientist, Dr. Escobar? Speak!

McGRATH Woof! Woof!

GORDON Speak words, dumb doggy! Tell me                 the name of the man you kidnapped him for...

(CONTINUED)

13.

24  CONTINUED:    (2)                                               24

But McGrath doesn't answer. Gordon's Mesmer spiral slows to a stop. McGrath is coming out of the trance. McGrath starts to growl, rip at his/her petticoats.

GORDON Watch the swirling spiral! Lie down, bad dog!

As Gordon notices that his contraption's failed...

25  OMITTED                                                         25

26  INT. FAT-CAN'S - BOUDOIR - GORDON/DORA                         26

is busy trying to get the spiral going again, doesn't see McGrath reach for his boot knife. Just as the deranged general's about to plunge it into Gordon/Dora...

... the WINDOW EXPLODES. Jim West comes tumbling into the room, kicks the knife out of McGrath's hand in one smooth move. West rolls to his feet, fixes a gallant smile on Gordon/Dora.

WEST Didn't mean to startle you, ma'am. Looked like you could use some help.

It takes Gordon a moment to recover. He stares at this black Samaritan, obviously having no clue who he is.

GORDON (clears throat to                         recover falsetto) Looks can be deceivin'... dark stranger. I am perfectly fine.

West quickly pats McGrath down, removes a revolver and his bag of gold coins.

WEST I can see that, darlin'. Woman of                 your caliber probably gets top dollar, too. So here you go. (flips her McGrath's                         coin bag) You can run along. I'll take care of McGrath.

As West sticks the barrel of his gun in McGrath's    gramophone ear, Gordon's eyes pop.

(CONTINUED)

14.

26  CONTINUED:                                                    26

GORDON/DORA No! I need him!

WEST C'mon, lady. You got the money. Have a little dignity.

Gordon jerks West's gun hand away from McGrath's head just as the dog-soldier comes around. McGrath suddenly lunges at him.

McGRATH (bellows ferociously) West...!!!

He drives his full weight into Jim's back, pushing him out into...

27  INT. FAT-CAN'S - UPSTAIRS HALL                                    27

McGrath's rebel yell brings help from all directions. DOORS BANG open all along the hallway. Not just McGrath's men, but Hudson and his crew. A melee will ensue.

West pushes the monster off of him, rolls as a BULLET SPLINTERS the WOOD where he just was. The SHOT STARTS...

ANGLE - STAMPEDE OF SEMI-CLAD WHORES

all screaming hysterically and heading for the exits. The beautiful young singer, who'd been coming up the stairs alone, is now swept back down them.

Gordon, still in character, pushes his way upstream to the room where the scientist is held.

28  INT. FAT-CAN'S - ADJACENT ROOM - NIGHT                       28

Hudson, his back turned, barking orders at his henchmen.

HUDSON Get Escobar out of here!

The henchmen heft the wriggling sack, when:

GORDON (O.S.) Leave him right there.

(CONTINUED)

15.

28  CONTINUED:                                                    28

Hudson whirls to see the gruff-talking Gordon/Dora holding the perfume bottle on him like it's a Colt 45. Now Gordon shakes one of the heavy bracelets off his wrist, CLICKS a    LOCK, snapping it open. He's accessorized with custom handcuffs.

GORDON Let's go, Hudson... hands!

Hudson gives a sick little smile, reaches for his gun when... WSSSSHT!

Gordon sprays him in the eyes with the second bulb of the atomizer. (The first Mace!) Hudson howls in pain, drops the gun, rubs his eyes madly with both hands.

GORDON Thank... you.

Gordon starts to snap the cuffs on the perfectly presented wrists when...

29  FAT-CAN'S - UPSTAIRS HALL - WEST - NIGHT                           29

brawling a dozen attackers. West spots McGrath trying to    escape down the stairs. He uncorks a lethal kick, sending a thug flying through the doorway and into the back of    Gordon.

Gordon staggers, drops the perfume/mace BOTTLE which SHATTERS. Hudson recovers his vision enough to send a    fist into Gordon's mascaraed face, pile-driving him back into the hall. While Hudson and his men make their escape down the back stairs with the scientist sack...

CLOSE - WEST AND GORDON

West is blocked from chasing McGrath, Gordon from going after Hudson. West tries to push her aside.

WEST U.S. Army... Now get outta my                 way, lady!

GORDON (the baritone                         growl) I'm no lady! I'm a U.S. Marshal! You get out of my way!

Gordon whip off his wig, reaches inside it for something. West blinks at the weirdness, reflexively draws his Colt. As Gordon withdraws not a gun, but a badge, from his wig...

16.

30  EXT. RISE ABOVE FAT CAN'S - CARRIAGE - NIGHT (SAME TIME)    30

is waiting at the top of the hill beside the nitro wagon. Dr. Loveless is beside it, face still shadowed.

INSIDE CARRIAGE - FAIR-SKINNED BEAUTY

has opera glasses trained on the second story of Fat- Can's. Her name is LIPPENREIDER. And now we'll see why.

LIPPENREIDER (in a monotone) Get out of my way... get out of my              way... U.S. Army... U.S. Marshal.

LOVELESS Oh, dear...

The lip-reading is interrupted by the arrival of...

ANGLE - TOP OF INCLINE - HUDSON AND HIS HENCHMEN

who come racing up with the scientist-in-the-sack.

HUDSON Federal agents inside, sir!

LOVELESS So Miss Lippenreider informs me. (sighs) Still, I believe good manners dictate we should send out...

His cane telescopes out and Loveless pokes the lynch pin out of the harness on the nitro wagon. Then he gives the wagon the slightest push.

LOVELESS ... the welcome wagon.

Once started, the wagon rolls downhill, toward the back door of Fat-Can Candy's, picking up speed...

Then, as his female coterie pulls the burlap sack into the carriage, Loveless steps in behind. And they're off.

31  INT. FAT CAN'S - UPSTAIRS HALL - NIGHT                      31

West and Gordon, oblivious to the impending disaster...

WEST So now what...?

(CONTINUED)

17.

31  CONTINUED:                                                       31

The answer is provided as the NITRO WAGON hits downstairs.

KABOOOOOOM!!! THEME MUSIC UP... as we roll...

32  MAIN TITLES                                                      32

The titles are the familiar animated freeze frames from the TV show. In the two corners are our heroes -- Upper left shows West with his gun levelled toward... upper right -- Gordon with his wig in one hand and his badge in    the other, pointed across toward West.

The cowboy/agent in the middle square fights and defeats the various bad guys. Then as he exits, QUICK ZOOM ON    main title: "THE WILD WILD WEST."

PAN DOWN TO a sketch of a train caboose as TITLES END...

33  EXT. WASHINGTON, D.C. - DAY (1869)                              33

West rides his magnificent black stallion down Pennsylvania Avenue.

Besides horse-drawn carriages, West shares the dusty road with people on bicycles -- the latest craze. He finally pulls his steed up at his destination...

EXT. WHITE HOUSE - DAY

West dismounts, ties his horse to a hitching post and winces as he puts his weight on a sore leg.

34  INT. WHITE HOUSE - DAY                                          34

West limps past black floor scrubbers. They stop working to marvel at this handsome black man dressed in custom cowboy duds walking in there like he owns the place.

But not everybody's so impressed. As West heads toward the Oval Office, four self-important house detectives block his way.

HOUSE DETECTIVE Whoa there, 'pardner.' (as West stops) Winning the war may have got you forty acres and a mule, but you can't just traipse into the President's office. Now gimme that gun. (CONTINUED)

18.

34  CONTINUED:                                                      34

He nods at the six gun on West's hip. West coolly flexes his hand above it, like he's about to draw...

WEST This gun?

Then like lightning, with his other hand, he whips out a    sawed-off shotgun hidden by his jacket. He pokes the 12-gauge barrels up against Pinkerton's surprised crotch.

WEST Or this one?

A voice stops the situation from escalating further.

PRESIDENT GRANT (O.S.) Gentlemen!

The detective's head swivels around to see...

ANGLE - OVAL OFFICE DOOR - PRESIDENT GRANT

stands in the doorway.

PRESIDENT GRANT Don't make Captain West any later for his appointment than he                 already is!

The detectives back away from the hair-trigger cowboy as    fast as they can. West reholsters the gun and continues...

35  INT. WHITE HOUSE - OVAL OFFICE                                 35

President Grant goes over to his desk, lights a cigar. Backlit in the haze, the portly bearded figure lives up    to the myth.

PRESIDENT GRANT Been a lot of death threats lately ... Cabinet made me hire some damn detectives. (by way of apology) Drink, cigar?

WEST Thank you, sir.

West limps across the room to the bar, pours himself a    glass of whiskey, takes a cigar out of the humidor.

(CONTINUED)

19.

35  CONTINUED:                                                      35

PRESIDENT GRANT I hear you let General McGrath get away?

Now West's blood is up.

WEST Sir, I had him right in my hands when some half-a-sissy wearin' a                 dress ruined...

PRESIDENT GRANT (cuts him off) Artemus Gordon.

WEST You... know him?

PRESIDENT GRANT Of course I know him, he's the best marshal I've got! He's a                 genius. (off West's                          incredulous look) Gordon has proven himself time and again as a very cunning operator with a rapacious intellect. Nothing will stop him from completing a mission for his President... except the impulsive actions of a headstrong cowboy!

West just looks at him soberly. Draws his gun and places it against the President's head. Grant's eyes widen.

WEST Who are you?

PRESIDENT GRANT I am the President of the United States!

West points the GUN to the ceiling and pulls the trigger. BLAM!!! As Grant jumps a foot and plaster rains down...

WEST Wrong answer. Who are you?

PRESIDENT GRANT I am the President of... (as West cocks gun) ... I'm Artemus Gordon.

(CONTINUED)

20.

35  CONTINUED:    (2)                                               35

West lowers his gun, nods at Gordon's class ring.

WEST The President went to West Point ... not Harvard.

PRESIDENT GRANT (O.S.) Will somebody tell me what the hell this stunt is all about!?!

36  INT. WHITE HOUSE - OVAL OFFICE - SIDE DOORWAY -                36 PRESIDENT GRANT - DAY

(the real one) stands in the doorway, hands on hips, surrounded by his house detectives -- their guns drawn. West nudges the fake Grant in the fake belly with his gun barrel -- go ahead. Sheepishly, Gordon starts peeling off his primitive, but effective, facial prosthetics.

GORDON Sir, in perilous times like these, I was simply illustrating how someone impersonating you could actually walk right into the very bowels of the White House...

Just as Gordon makes his intestinal allusion, West takes a ceremonial bayonet off Grant's desk and pokes a hole in    the inflated bladder that was his fake paunch. The AIR HISSES out, finishes deflating with a flatulent R-R-RIP. (Hey, the first whoopee cushion?)

Gordon scowls at him.

PRESIDENT GRANT You're clever, Gordon. One day it'll get you killed.

West smirks as Grant looks up at the bullet hole in the ceiling, then fixes West with a disapproving eye.

PRESIDENT GRANT ... And you, West -- not every situation calls for your patented approach of shoot first, shoot later, shoot again -- then when they're all dead, try to ask a                 question or two. (shakes his head) Working together will be good for both of you.

(CONTINUED)

THE WILD WILD WEST - Rev. 6/15/98                         21.

36  CONTINUED:                                                       36

WEST AND GORDON But, sir, I work...

PRESIDENT GRANT You work the way your Commander In                 Chief tells you to work.

Grant turns and EXITS FRAME.

37  INT. WHITE HOUSE - WAR ROOM - CONTINUOUS ACTION - DAY           37

The place is a buzzing intelligence operations center -- state-of-the-art for the 1860's. Maps of the U.S. and the world are on the wall. Various staff and military people work CLACKING TELEGRAPHS, PRINTING MACHINES that GRIND out reports, etc.

Grant stops at a display of daguerreotype photos, all depicting distinguished bewhiskered men.

PRESIDENT GRANT Ten of our country's best scientists... all kidnapped in the last year. By General McGrath, it                 now seems. (turns to them) The fact is, gentlemen, you've                 both been working on the same case all along. Why did it take you so long to realize it?

WEST Well, sir, one of us was still trying to figure out if he was a                 man or a woman.

The detectives snicker over that one. Grant's had enough.

PRESIDENT GRANT I don't have time for this bickering! One week, if we're to                 believe this...

Grant holds out a letter to Gordon and West. Gordon snatches it, reads:

PRESIDENT GRANT (reading) 'General Grant, the scientists that you seek are in my employ -- (MORE)

(CONTINUED)

THE WILD WILD WEST - Rev. 6/15/98                      21A.

37  CONTINUED:    (A1)                                             37

PRESIDENT GRANT (CONT'D)                 -- Creating a weapons system beyond the pale of contemporary imagination. History and justice are on my side. I suggest you put your affairs in order. You have one week before you will surrender the U.S. Government.'

(CONTINUED)

22.

37  CONTINUED:                                                      37

PRESIDENT GRANT This letter was delivered inside this.

An aide presents a glass case. Inside is a cake in the shape of the White House.

GORDON (reaching inside) Marzipan, isn't it?

PRESIDENT GRANT (grabs his hand) Wait!

Suddenly dozens of deadly-looking spiders swarm out from inside the cake. Gordon jerks his hand back.

WEST It's McGrath, sir. The South is                 rising again. I'm gonna stop it.

GORDON Sir, West's obsession aside, McGrath may be a vicious killer, but a mastermind he is not. So                 whom do we seek? After consulting with Intelligence...

WEST (cuts him off) McGrath's headed for New Orleans. The longer we stand here talkin', the farther away he gets. I don't                 need 'Intelligence' to tell me                  that.

GORDON Ah, so that would mean you rely on                 ... Stupidity?

Grant's had enough.

PRESIDENT GRANT Gentlemen! I'm leaving today for Utah where the transcontinental railroads will be joined at                 Promontory Point.

Grant points to a map of the United States. The railroad lines have been drawn in... still a gap between them.

(CONTINUED)

23.

37  CONTINUED:    (2)                                               37

PRESIDENT GRANT For the first time the United States will truly be united. (turns, holds up                         letter) Someone wants us divided. Now look, you two are the best I've                 got. Put aside your differences and stop this madman... whoever he                 is. If you fail, well... we may never know how great this country could've been. (snaps off a salute) You have a week. Dismissed!

They both return Grant's salute as the President stomps off. His AIDE now approaches.

AIDE The President has put a private train at your disposal. Engine number five, track six. (holds out a                         wrapped box) Mr. Gordon, the item you requested.

Gordon takes the box, hurries to catch up with West.

38  EXT. WHITE HOUSE - DAY                                         38

West and Gordon, walking toward the hitching post. West is so beside himself he can barely untie his high-voltage stud. He glowers at Gordon who goes over to where...

ANGLE - STRANGE-LOOKING BICYCLE

Is parked on the other side of a bush. It has the customary big wheel in the front, little wheel in the back. (Hidden from sight is a motor on the front tire.    Dual manifolds that sling under the rider's legs.)

West shakes his head in disgust.

WEST Figures.

GORDON I call it the Bi-axle Nitro- Combust...

(CONTINUED)

24.

38  CONTINUED:                                                  38

WEST Save it. I've gotta train to                 catch.

West swings into the saddle. He looks at the SNORTING wild HORSE under him, then down at Gordon attaching the box onto the seat of his Nitro-whatever.

WEST (snaps off a smug                         salute) Yee-haaa!!

West spurs his horse and leaves Gordon in the proverbial cloud of dust.

Although West's intentions are clear, for some reason, Gordon's in no particular hurry. He sighs, climbs on the bike, takes out a hankie and cleans a pair of goggles. Then, finally ready...

GORDON Avant!!!

VROOOM! An ENGINE KICKS IN and Gordon rockets forward. (Yep, Artemus has invented the first motorcycle!) Fiery exhaust blasts out of the manifolds as the bike propels him down the street at about 60 mph right past...

ANGLE ON WEST AND HIS STALLION

who both look over in wide-eyed shock. The horse rears as Gordon SCREAMS by -- leaving them in a cloud of    internal combustion.

39  EXT. C STREET TRAIN STATION - TRAIN ENGINE - DAY           39

From in front, as it CHUGS TOWARDS us. Sitting up in the spanking new steam engine (No. 5) is a white-haired Coleman. The Wanderer is his pride and joy. Coleman pushes the throttle forward and the ENGINE ROARS PAST us... followed by a tender, and two gleaming passenger cars.

Then comes West THUNDERING past in a desperate effort to    catch up.

(CONTINUED)

25.

39  CONTINUED:                                                      39

ANGLE - WITH WEST

riding like hell. Getting the last ounce of speed out of    his well-lathered steed, he finally pulls alongside the rear passenger car. He looks up... In the window, we see Gordon engrossed in what he's doing... which appears to    be sewing.

WEST Stop this train!! You hear me!?!

If Gordon hears him, he pretends not to. He just casually makes the next stitch.

West's horse has had it. They're losing ground to the train. At the last second, West leans over at full gallop and grabs a handle on the side of the train. He    swings out of the saddle, hanging on for dear life, blowing in the breeze like laundry.

Finally, his boot finds a small metal plate to put its weight on. Just as West stands safely on it... whoosh! He flies up in the air and drops through a sliding partition in the roof.

40  INT. WANDERER - PARLOR CAR - DAY                               40

The car is like a classy Victorian men's club. Bar stocked with crystal decanters, a pool table, decorative pistols on the wall, books, etc. Gordon, seated in a    club chair, looks over as West falls from the ceiling into a seat. He's hot, dusty and very pissed off. He    glowers at Gordon murderously.

GORDON (calmly) Thanks for dropping in.

WEST Forget the bikes, the beards, the fake boobies. Put down the needlepoint and let's settle this like men!

He takes off jacket, starts rolling up his sleeves. Gordon remains remarkably cool, continues sewing.

GORDON As a matter of clarification, this isn't needlepoint. This is.

He shows him some real needlepoint.

(CONTINUED)

26.

40  CONTINUED:                                                      40

GORDON Right now, I'm putting the final touches on a new invention of my                 creation. I call it... The Impermeable. It's a vest that, when worn under the clothing, can stop any modern bullet fired even at close range.

West draws his gun, aims it at Gordon's stomach and cocks the trigger.

WEST Really?

Gordon quickly pulls the vest away from his stomach.

GORDON But it hasn't been really tested empirically yet.

WEST Get up!

West takes off his guns and puts them on the table.

GORDON (yawn, yawn) Guns. I find them so primitive and unnecessary... if one has done one's proper planning.

WEST Yeah? How do you feel about a                 fist?

Gordon puts down The Impermeable, stands with a weary sigh.

GORDON I must tell you, Mr. West, I've                 always felt that allowing a                  situation to degenerate into physical violence is a failure on                 my part.

WEST Well then, 'Mr.' Gordon, you failed.

Whap! West unleashes a lightning punch that drives Gordon across the train car. He dabs at his bloody lip.

(CONTINUED)

27.

40  CONTINUED:    (2)                                              40

GORDON I'm sorry, Mr. West, you brought this on yourself.

Then to West's utter amazement, Gordon puts his hands together as if praying while at the same time, crooking his right leg stork-like. Is this some kind of martial art? Then, he bends at the waist, and like a ballet dancer, extends his leg out to the wall and flips a    switch.

It immediately triggers a leather hammer to swing down from the ceiling. It whacks West on the side of the head, and sends him spinning back onto the pool table.

ANGLE ON POOL TABLE - WEST

shakes it off and is about to attack again. Gordon calmly pokes a hidden button. Suddenly the pool table revolves. West is gone.

GORDON I love this train!

41  EXT. UNDERNEATH WANDERER - DAY                                41

West, eyes wide, is clinging on for dear life, staring at    the ties racing by, inches from his face.

42  INT. WANDERER - PARLOR CAR - GORDON                           42

Gordon pours a fine Bordeaux, speaks loudly toward floor.

GORDON The President asked for my                 suggestions on how to make the Wanderer both comfortable and functional...

As he swishes the wine in his mouth...

43  EXT. UNDER WANDERER - DAY (SAME TIME)                         43

West reaches up to get a handhold in the myriad of tubes and wires on the underside of the car. As he rips one tube out of the undercarriage...

28.

44  INT. WANDERER - PARLOR CAR - DAY                              44

Gordon has just settled into the club chair, puts his wine down on the table.

GORDON And while you're down there, you may want to avail yourself of my Sub-carriage Inter-rail Egressor...

Suddenly SHACKLES SNAP out of the arms of the chair, pinning Gordon's wrists. Before he knows what hit him, the floor opens and the club chair disappears.

45  EXT. UNDER WANDERER - DAY                                     45

Gordon appears upside down in the chair, chagrined at    his predicament. West looks from the escape trolley Gordon was talking about back to his partner.

WEST Only one doin' any 'egressin' is gonna be you.

GORDON (wide-eyed) Perhaps the President was right about us putting aside our petty differences. (recites above the                      CLATTER) 'The opposite is beneficial, from things that differ comes the fairest attunement.' Aristotle.

Suddenly they flip OUT OF FRAME and back into the car, shocked to find themselves facing...

46  INT. WANDERER - PARLOR CAR - DAY                              46

Coleman's a scowling, grizzled old man in a coal-stained suit. He's got a fire in his eye, brown spittle in the corner of his mouth where a cigarette butt lives permanently, and a large copper pot in his hand.

COLEMAN Knock each other about all ya              please, but harm my train and I'll douse ya like dogs.

He threatens them with the pot of steaming liquid. Now, for the first time, Gordon really looks troubled.

(CONTINUED)

29.

46  CONTINUED:                                                     46

GORDON That's my veal reduction sauce!

COLEMAN Well then, let's get on about our business, shall we, gentlemen? Now, where to?

WEST New Orleans.

GORDON Shall we let Professor Morton decide?

WEST Who?

47  INT. WANDERER LAB CAR - DUSK                                  47

A severed human head is in a vise.

GORDON Meet Professor Thaddeus Morton, expert in the field of metallurgy ... discovered in a field of                 alfalfa. Kidnapped from M.I.T.                 six months ago.

West looks from the head to the open box.

WEST That's a man's head!

Gordon holds up a strange, circular metallic object.

GORDON ... And this magnetic collar was around it when his body was discovered. Haven't figured that one out yet...

But West is still staring in disbelief at the head.

WEST That's a man's head.

Gordon starts fiddling with a lantern positioned behind the head.

(CONTINUED)

30.

47  CONTINUED:                                                      47

GORDON According to the Retinal Terminus Theory... a dying person's last conscious image is burned into the back of the eyeball like a                 photograph. Perhaps there's a                 clue there...

Excited, Gordon turns on the lantern attached to the back of his head. Beams of light are coming through his eyeballs, creating a blurry color image on the wall.

GORDON Morton's last image!

WEST That's a man's head!

West turns his head sideways to try to view the inverted image projected on the wall. Gordon realizes the problem.

GORDON Ah. The refraction of the lenses causes the image to appear upside down. We simply...

He turns Morton's head in the vise. It's right side up, but still blurry.

ANGLE ON WALL - FUZZY IMAGE

appears. It's a man who has a tiny Victrola horn for an    ear. He's holding a bloody metal boomerang.

WEST It's McGrath. I was right all along.

Gordon sees something in McGrath's pocket.

GORDON He seems to have something in his pocket... too fuzzy to read, though...

Gordon drums his fingers on his great frontal lobe, stymied.

GORDON Mortification of the aqueous humor seems to have led to the loss of...

(CONTINUED)

WILD WILD WEST - Rev. 4/9/99                          31.

47  CONTINUED:    (2)                                            47

WEST ... glasses.

West takes the bifocals out of the box, casually puts them on Morton's nose. West now gestures to the wall.

CLOSE - IMAGE ON WALL

The white blur in the man's pocket is now focused. We    can see that it's the top of a piece of paper. He reads the writing on it.

WEST 'Friends of the South! Come to                 a Surprise Costume Ball. April 14, eight-thirty. 346 Garden Street... '                        (lowers glasses,                          looks up) Like I said.... New Orleans.

48  EXT. NEW ORLEANS TRAIN SIDING - NIGHT                       48

We see the Wanderer parked on the siding as we hear voices over.

GORDON (V.O.) How about this? You could come as my man servant?

49  INT. WANDERER - LAB CAR - NIGHT                             49

Gordon has his wardrobe open. Selected from his vast array of costumes and disguises is a full livery outfit.

GORDON How about this? You could come as my man servant.

WEST (slave voice) Oh yes, Massa Gordon, dats what I'll do. And I'll jus' smile and do as I's tole so those people won' ever know that I                 would rather shoot myself in                  the head than play your god damned man servant!

West is right in Gordon's face.

(CONTINUED)

WILD WILD WEST - Rev. 4/9/99                              32.

49  CONTINUED:                                                       49

GORDON I have a horse costume. (then, cheery) You could be the head.

WEST The only thing I need to wear is                 this.

West straps on his holster.

GORDON Okay, if you insist on carrying a                 firearm, I have something I think you'll find intriguing...

Gordon displays a belt with a silver buckle. He taps the buckle... a Derringer pops out. West stares, impressed.

GORDON And it would go nicely with this...

Gordon takes out a sequined dress, holds the Derringer up    against it.

WEST Jim West does not wear a dress.

GORDON Then what's your plan?

WEST How 'bout this: I'll go as a                 government agent who's gonna kill McGrath.

GORDON An armed, Negro cowboy costume, how creative. In a room full of                 white Southerners, you oughtta fit right in. You might even win first prize!

West starts to walk away. Gordon grabs him.

GORDON Listen to me. The art of disguise is what's going to get us into that party, thus allowing us to                 find these kidnapped scientists before they're forced to create something that will destroy this great country. (MORE)

(CONTINUED)

WILD WILD WEST - Rev. 4/9/99                               33.

49  CONTINUED:    (2)                                                 49

GORDON (CONT'D)                 Now you and I are the chosen ones, Jim. We're under direct orders from the President himself. And our mission is clear: Save our country. Our freedom is at stake and this is our duty as men. Now, you go as a riverboat captain and I'll be a saloon girl.

WEST Let me tell you a little something about beloved 'art of disguise'... That night at Fat-Can's, I knew you weren't a woman.

GORDON But I was propositioned by three men.

WEST Gordon, you looked nasty. Your breasts were all hard and stiff, and were sticking straight out like two rusty cannons on a                 sunken ship.

Gordon grabs his fake breasts off the rack. He puts them on.

GORDON These are a work of art. Scientifically and aesthetically perfect.

WEST They look like shit.

GORDON Touch them.

WEST I don't wanna touch 'em. I can see I don't like 'em.

GORDON What, are you afraid you're                 wrong? Touch my breasts.

West touches Gordon's fake breasts.

(CONTINUED)

WILD WILD WEST - Rev. 4/9/99                            33A.

49  CONTINUED:    (3)                                               49

ANGLE - COLEMAN

walking through the next car, carrying a tray of tea. Gordon's last line got his attention. What the...? Coleman peeks around the corner to see West eyeing Gordon's "chest."

COLEMAN (to himself) I knew it. Well, I'll have no                 part of it!

Coleman shakes his head and walks off.

ANGLE - WEST AND GORDON

West is thwapping Gordon's breasts.

WEST There, Gordon, you happy? I'm touching your breasts.

GORDON Not so rough. The buckwheat'll                 come out.

WEST Buckwheat? That's your problem.

West takes one of the cow udders out of Gordon's bodice and dumps the buckwheat onto the ground.

GORDON What are you doing?

West goes over to a wash basin, picks up a water pitcher and fills the cow bladder. West squeezes the cow bladder shut and holds it up to his chest.

WEST Now, squeeze this. This is what a                 breast should feel like.

ANGLE - COLEMAN

Passing back through the next car. When he hears that last line, he can't believe it. He peeks in again to    see...

GORDON Whoa...

(CONTINUED)

WILD WILD WEST - Rev. 4/9/99                            33B.

49  CONTINUED:    (4)                                               49

WEST Isn't that nice?

GORDON Very nice.

Coleman's mouth drops. He's sweating.

WEST Now touch yourself.

GORDON You win. I'm hard.

COLEMAN (disgusted) Federal officers, bah!

Coleman walks off, shaking his head.

BACK TO SCENE

Suddenly, Gordon shoots the cuffs off his jacket. Out of    one sleeve comes a pen. Out the other, a small pad of    paper. They are both connected to a spring-loaded metal gizmo up his sleeve. West reacts, drawing his pistol up    into Gordon's face.

GORDON I was just going to jot down a                 thought.

WEST You know something, that's a good place to put a gun.

GORDON But then, where would I keep my                 notepad.

WEST You know, Artemus, I think you underestimate the convenience of a                 pocket.

50  EXT. LOVELESS MANSION (NEW ORLEANS) - CARRIAGE - NIGHT         50

carrying some costumed swells pass through wrought-iron gates guarded by some of McGrath's ex-Rebs. FOLLOW it up    a Spanish moss-draped drive to a huge Garden District mansion. As the carriage pulls to a stop in front...

WILD WILD WEST - Rev. 4/9/99                           33C.

51  EXT. LOVELESS MANSION - CARRIAGE - NIGHT                      51

Jim West drops to the ground from where he'd hitched a    ride underneath. He rolls into the shadows of the house. When he stands, he's face to face with a huge GUARD with a gun.

GUARD You got about as much chance of              havin' an invitation as him.

He smirks at a lawn jockey. West reaches into his coat.

WEST Matter of fact, got it right here.

He withdraws his hand. While the Guard squints at his empty palm, West grabs his head with his other hand and smacks it into the lawn jockey's fist... clang! West leans the cold-cocked Guard against the house, uses his shoulder as a step, boosting him up to...

34.

52  EXT. LOVELESS MANSION - BALCONY - NIGHT                      52

West grabs the ironwork underneath and acrobatically swings himself over the rail. As he BREAKS the PANE on    the French door with his gun butt...

53  INT. LOVELESS MANSION - UPSTAIRS ROOM - NIGHT                53

West lets himself in. Then just as he's about to part the heavy drapes... he hears women's voices approaching.

WOMAN (O.S.) (in a Spanish                      accent) Hey... get your hands off me!

Now Miss Lippenreider, Amazonia and Munitia (bewigged and    wearing costumes) wrangle a beautiful and defiant Latina into the room. When she turns we recognize she's the singer from Fat-Can's. Rita is in her early 20s, wearing a 19th-Century camisole so scanty, it makes it hard to    concentrate on what she's saying.

RITA Put me in the dungeon with all those smelly, dirty bearded men ... but I am not goin' in there.

AMAZONIA You applied for the position.

RITA Yeah, a standing up position. I'm              an entertainer, not a...

Amazonia grabs her by the throat, choking the word off.

MISS LIPPENREIDER Do not be selfish and stupid. He              always spoils his new girl.

RITA Yeah. Well gimme a simple diamond bracelet instead of that...

POV - THROUGH DOOR - INTO BEDROOM

A ramp leads to a large bed. A leather and steel prosthesis is hanging from pulleys attached to the ceiling.

MUNITIA It is not so bad... once the metal warms up.

(CONTINUED)

35.

53  CONTINUED:                                                      53

Amazonia just picks her up and drags the hapless Rita into the room. West emerges from behind the curtains, shakes his head. Weird. He eases out the door and into...

54  INT. LOVELESS MANSION - UPSTAIRS HALLWAY - NIGHT               54

West hears the PARTY DIN coming from down below. He    goes to the balcony.

WEST'S POV - OVER STAIR LANDING - DOWNSTAIRS

The scene below is hallucinogenically surreal. A Babel of foreign languages is the first thing that strikes us. Avant garde MUSIC is coming from two 10x10 quartet boxes on either side of the room to create stereo.

SULTRY WOMAN (O.S.) An authentic cowboy outfit...                 complete with six-guns!

West turns to see who busted him. Coming his way is a    ravishing Chinese girl dressed up as a DRAGON LADY.

DRAGON LADY What a terribly clever costume, Mr...?

WEST ... West. Jim West.

DRAGON LADY Well... West meets East. Mae Lee East. (holds out                         delicate hand) Are you here alone, Mr. West?

WEST Actually I'm, uh trying to                 surprise an old friend -- General McGrath. Seen him around anywhere?

MISS EAST (DRAGON LADY) I don't believe that name was on                 our guest list. And I would know. I'm Dr. Loveless's personal assistant.

The name means something to West.

(CONTINUED)

36.

54  CONTINUED:                                                     54

WEST Dr. Arliss Loveless...? One of                 the great founders of the Confederacy with Jefferson Davis. Funny how most people think he's                 dead.

MISS EAST Tonight's his coming-out party.

We FOLLOW them as she takes his arm and leads him down the stairs, into the party.

55  INT. LOVELESS MANSION - DOWNSTAIRS - PARTY - NIGHT            55

West surveys the crowd.

MISS EAST See anybody that looks familiar?

West scans the room. Stops.

WEST Matter of fact, I do.

WEST'S POV - WOMAN WITH BIG HAIR

She's got the mole, too. Gordon has apparently encored his Soiled Dove get-up.

Miss East sees who he's looking at. She makes a pouty face as there's a flourish from the STEREO QUARTET.

MISS EAST I'm... jealous. (blows a little                         kiss at him) Meet me later... in the foyer.

West watches as she joins...

56  INT. LOVELESS MANSION - DOWNSTAIRS - PARTY - REST OF          56 LOVELESS' WOMEN - NIGHT

Miss East leads them in a sober rendition of "The Battle    Hymn of the Republic" in front of a large doorway.

DISTAFF CORPS (singing) 'Mine eyes have seen the glory Of the coming of the Lord...'

(CONTINUED)

37.

56  CONTINUED:                                                      56

From behind the doors we hear the WHIR of an ELEVATOR. It stops with a CLUNK. Suddenly...

NEW ANGLE - DOORWAY

bursts open and Abraham Lincoln in a mini-float appears. It's decked out like Lincoln's box at Ford's theater. On    its own power, it moves past the laughing party-goers in     the foyer. Now the women throw grapes on the floor.

DISTAFF CORPS (singing) 'He has trampled down the vintage Where the grapes of wrath are stored!'

WEST'S POV - ANGLE ON WHEELS OF WHEELCHAIR

are what's trampling down the vintage. West takes in the whole man. Very curious. Then suddenly... KABOOM!

ANGLE ON ABE'S HEAD

It explodes like a pinata. Up from the hole in his neck peeps... DR. ARLISS LOVELESS.

LOVELESS (impishly) Don't you just hate that song?

The Southern crowd gasps at Loveless's dramatic appearance.

LOVELESS Why, y'all look like you've seen a                 ghost! It's me, dear friends, alive and kicking! Well, alive, anyway...

As he giggles, the distaff corps surround him and remove the Lincoln paraphernalia. Then step aside, revealing...

NEW ANGLE - DR. LOVELESS

is half a man. Literally. Cut off at the waist and mounted on a wheelchair platform that is powered by an    engine, he is a man bereft of tuchus, kishkes and everything else in that vicinity that makes life interesting.

(CONTINUED)

38.

56  CONTINUED:    (2)                                               56

LOVELESS (chuckles) We may've lost the war, but heaven knows... we haven't lost our sense of humor!

Dr. Loveless looks down at himself, smoothes half of his Fritz Lang Metropolis-style suit. His face turns dark as    he surveys the crowd.

LOVELESS Not even when we've lost a lung...                 a spleen... a bladder... two legs... thirty-five feet of small intestine and our ability to                 reproduce... (like a preacher) All in the name of the South... (then quietly) ... do we lose our sense of humor.

You can hear a pin drop. Loveless turns to the foreign dignitaries.

LOVELESS I owe a deep debt of gratitude to                 my friends across the sea for their comfort and... succor.

He suddenly seems distracted by the comely beauties that surround him. Then abruptly, manically...

LOVELESS So...! Mi casa es su casa! Ma                 maison est a vous! Let the party begin!!!

Loveless signals to the quartets to resume playing. Miss East leans down and whispers in his ear. Loveless looks in West's direction.

Now Loveless wheels over to West. West isn't hiding. He's cocky in the face of rolling danger.

LOVELESS Mr. West, how nice of you to join us tonight... and add color to                 these monochromatic proceedings.

West keeps a lid on his temper. Two can play at this game.

(CONTINUED)

39.

56  CONTINUED:    (3)                                               56

WEST Well, when a man comes back from the dead, it's an occasion to                 stand and be counted.

Loveless smiles slightly.

LOVELESS Miss East informs me that you were expecting to meet General McGrath here. I knew him years ago... but haven't seen him in a coon's age.

WEST I bet a man like yourself would find it difficult to keep in touch with even half the people you know.

Danger flickers in Loveless's eyes. He looks to Miss East.

LOVELESS Perhaps the lovely Miss East will keep you from being a slave to                 your disappointment.

WEST Well, you know beautiful women... they encourage you one second, cut the legs out from under you the next.

Loveless's face drops. He is no longer amused. Miss East winks at West, then accompanies Loveless in the direction of the study where...

57  INT. LOVELESS MANSION - OUTSIDE STUDY - NIGHT                  57

General McGrath waits impatiently. He takes two champagnes off a passing tray, guzzles them, then wipes his mouth on Dolly Madison's bustle. As his eyes sweep the room...

ANGLE - WEST

He ducks behind a mountain man carrying the French tricolor. When Loveless and General McGrath disappear into the study and close the door, West eases after them. He pauses as he passes the "Soiled Dove," leans into her big bouffant. He regards a stained-glass window patterned with a spider over her shoulder.

(CONTINUED)

40.

57  CONTINUED:                                                     57

WEST Hey, honey... I see a big ole spider up on the wall. Hope it                 doesn't drop down your pretty dress.

As the Soiled Dove jumps a little, West continues over to    the study door. Now the Soiled Dove turns, and we see the scared/confused expression. Maybe it's because she is not Artemus.

ANGLE - GORDON - ACROSS ROOM

He's the mountain man in the fringe jacket. And right now he's shaking his head as he watches West resort to a    decidedly low-tech surveillance method of Loveless's     study.

GORDON Peeking through the keyhole...? So 18th Century.

58  INT. LOVELESS MANSION - STUDY - WEST'S POV THROUGH            58 KEYHOLE - NIGHT

McGrath paces in front of Loveless's desk.

McGRATH Dr. Loveless, my men are ready to                 go to war with no weapons to                  fight. Ever since the nitro and the guns were destroyed at Fat- Can's, lice and demoralization have set in!

LOVELESS Your men will have their weapons tonight. And my promise that they will be part of the greatest military victory of this century!

McGrath's face relaxes into a pyorrheic grin.

McGRATH Oh, you're a pip, sir! I'd follow you into the maw of Cerberus himself!

Loveless takes pencil in hand and draws a map on the desk.

(CONTINUED)

41.

58  CONTINUED:                                                     58

LOVELESS And so you shall. (makes an X)                 Have your men here at... 10                 o'clock tonight.

Loveless wheels his chair toward the door with McGrath behind him folding up the map...

59  INT. LOVELESS MANSION - OUTSIDE STUDY - WEST - NIGHT          59

ducks out of the way as Loveless and McGrath emerge from the study. As they disappear into the throng of well- wishers, West takes a thin lock-pick out of his hat band. It takes him a moment or two, but the LOCK finally CLICKS. Then West slips inside, apparently undetected -- except by an unimpressed Gordon.

60  INT. LOVELESS MANSION - STUDY - WEST - NIGHT                  60

moves quickly to the desk past walls filled with oil portraits of various Loveless relatives. The one behind the desk is in the style of Gainsborough. A Loveless uncle is standing on a windswept grouse moor, two English setters by his side, a Holland and Holland double held in    the crook of his arm.

West turns his attention to the desk blotter. There's a    faint imprint where Loveless drew the map. West takes his penknife and a pencil -- grates some graphite into the depressions. He's just about to do a rubbing on a    piece of paper when... someone swipes it out of his hand.

ANGLE ON MISS EAST

Hands on hips, she gives him a "naughty, naughty" look.

MISS EAST I said to meet me in the foyer.

WEST Oh, the foy-aay. Sorry, I've                 never been much good at French.

But instead of scolding him further, Miss East plants an    over-heated kiss on him. Tongues are involved. As they break, she gives a little nod of approval.

MISS EAST Au contraire...

(CONTINUED)

42.

60  CONTINUED:                                                     60

She pushes him down into Dr. Loveless's chair.

MISS EAST So let's see, Mr. West... are you a dangerous spy of some sort? Or                 just a handsome cowboy who likes to... poke around.

WEST Um... that second one.

She starts to undo the buttons of his trousers. But West has a job to do. Well, maybe he can do two jobs at    once...

61  INT. LOVELESS MANSION - PARTY - GORDON - SAME TIME -          61 NIGHT

is being the perfect party guest, moving through the crowd chit-chatting with this person and that (in    French, Spanish, German) when he sees something of     interest.

Munitia and Lippenreider come out of an upstairs bedroom, lock it behind them. Hmmm. What's in there? As he    starts upstairs, Amazonia appears, blocking his way.

GORDON Howdy there... big sturdy gal. Yer dance card full?

Amazonia stares at him, then spiels off a couple lines in a foreign language that makes Gordon's eyes widen. He understands what she said and it's not flattering. Gordon moves off in a shock.

62  INT. LOVELESS MANSION - STUDY - WEST AND EAST - NIGHT         62

are locked in a passionate embrace. West manages to    position her nearly-naked rear end over the graphite powder. Very carefully, he stands, pushing her buttocks onto the desk and then rolling her off. The imprint on    her left cheek is perfect. But unfortunately, it's    backwards!

CLOSE - WEST

Damn. He lets Miss East concentrate on what she's doing, which from the SOUNDS O.S., doesn't appear to be a    demonstration of the correct way to butter corn.

(CONTINUED)

43.

62  CONTINUED:                                                     62

West spies a mirror on the other side of the room and raises her ass up into position so he can see the corrected reflection.

ANGLE ON MIRROR - MAP

COMES INTO VIEW. It clearly shows the meeting place to    be Malheureux Point, northeast of New Orleans. But the mirror reflects something else of interest...

63  INT. LOVELESS MANSION - STUDY - PAINTING - NIGHT              63

The painting behind him has come to life. The Loveless in the painting swings a real shotgun around and is    pointing it at the back of West's head.

CLOSE - WEST

suddenly contorts his upper torso just as an EXPLOSION rips the back of the chair where his head would have been.

He draws and SHOOTS the would-be assassin, who falls out of the painting, dead. West turns to see...

ANGLE ON MISS EAST

A surprised look on her face. A hole in her forehead. He lowers her head gently to the ground, regards her map-imprinted rear end.

WEST Thanks for helpin' me get to the bottom of this case.

64  EXT. LOVELESS MANSION - OUTSIDE STUDY - WEST - NIGHT          64

emerges just as a Kentucky reel starts up. He weaves his way through the dance floor and spots the Soiled Dove look-alike out on the floor. West reluctantly straightens his shoulders and cuts in. This bold move gets some looks of disapproval from the pecan pie crowd.

ANGLE ON WEST AND SOILED DOVE RINGER

dancing. Both look straight ahead, not at each other. West so as not to attract any more attention. His partner because she's scared shitless of this strange Negro who keeps hounding her. (CONTINUED)

44.

64  CONTINUED:                                                      64

WEST Real impressed the way you got the dance floor staked out. Maybe one of your missin' scientists'll cut in. (dip) Thought you should know that while you were trying to decide what shoes to wear tonight... (twirl) I found that our host, Dr. Loveless...

West looks over to where Loveless is leading a contingent of foreigners out a side exit.

WEST ... is meeting McGrath and his troops at Malheureux Point in an                 hour. (bends her back) So you enjoy the party. I'm gonna go save the Republic.

The Soiled Dove look-alike is speechless. Before he    goes, West leans in, smirks.

WEST But I will say, good work on your bladders tonight... they're damn perky.

And just to dig the grave deeper, West lays hands on them and gives them a little squeeze. This immediately elicits a scream and a slap in the face that shocks the bejesus out of the black cowboy. And he's not the only one.

ANGLE ON CROWD

staring at him. We know what they're thinking, but the Mountain Man behind West says it for everyone.

GORDON/MOUNTAIN MAN Hang him!

And with that, Gordon opens his deerskin jacket to reveal his own rope, which he throws to the mob. West looks back at the character in amazement. That's Gordon?! Before West can say or do anything, guns are at his temple, and he's swept out of the room.

(CONTINUED)

WILD WILD WEST - Rev. 4/9/99                             45.

64  CONTINUED:    (2)                                               64

Gordon calmly straightens his coonskin cap, seemingly uninterested in West's imminent hanging. In the hubbub of everyone rushing out for the hanging, Gordon heads up    the unguarded stairs to the locked room.

As he pulls out his high tech auto-wind lock-pick and quickly gains entrance to the door...

65  EXT. LOVELESS MANSION - COURTYARD - NIGHT                      65

Hand-held torches illuminate. The rope is tossed over a    lamp post. PAN DOWN TO where one of the mob, dressed as    GEORGE WASHINGTON, is binding West's hands behind his back.

GEORGE WASHINGTON Looks like we're gonna have to                 teach y'all a little lesson on how to behave in polite society.

WEST Don't grab a white lady's boobies at the big redneck dance. Is that the lesson? Well, I learned it. Don't scratch your head with the shrimp fork. I got that one too. So whaddaya say we call this off?

66  INT. LOVELESS MANSION - UPSTAIRS BEDROOM - GORDON -            66 NIGHT

eases in, stops at what he sees. And it sure ain't    scientists. Beside the bed, locked in an iron disco-like cage, is Rita, still wearing her scanty outfit. Gordon squints at her, gives a charming smile.

GORDON I feel as if we know each other from someplace...?

RITA Try again, buster...!

She takes a breath as if she's going to start screaming. Gordon quickly holds up a hand.

(CONTINUED)

THE WILD WILD WEST - Rev. 6/15/98                        46.

66  CONTINUED:                                                      66

GORDON Ma'am, please! While I realize I                 look like something straight out of James Fenimore Cooper... I mean you no harm. My name is Artemus Gordon. And you look like you're                 in trouble.

RITA (dryly) Really?

To Rita's amazement, Gordon opens his jacket and unbuttons his vest to reveal... a complete miniature tool shop. Quickly he pulls out a thin cable and attaches it    to a tiny wheel on the spur of one of his boots.

RITA I'm Rita. I was hired here as an                 entertainer. Not that I'm                 complaining, but what are you doin' in here?

GORDON (looking up miles                         of leg) Looking for some missing scientists... not that I'm                 complaining.

Gordon unsnaps the sole of his shoe. It becomes a pedal that operates the wheels' rotation. Now he removes a bit and handle from his vest and attaches the cable. Starts to pump his foot. It's a foot-powered drill.

GORDON I'm a special U.S. Marshal on                 assignment from the President.

RITA (almost impressed) If you're so special, how come you're lookin' up here when Loveless has 'em all workin' down in the dungeon? (rattles bars                         impatiently) Get me out of here and I'll take you down there.

(CONTINUED)

WILD WILD WEST - Rev. 4/9/99                           47.

66  CONTINUED:    (2)                                             66

GORDON Too late. The 'dungeon' is                 cleaned out. It was the first place I checked, right after I                 sampled the gumbo. Bit heavy on                 the okra.

But Rita isn't listening to the food review. Her mind's    racing. Finally, the LOCK CLICKS and the cage door swings open. Gordon takes the distressed damsel in his arms, lifts her out.

RITA (suddenly a coquettish                         smile) Thank you... Artemus, was it?

GORDON One doesn't forget a smile like that. Now where in the world was it...? Have you ever played the Empire Room... the Bijou Cafe perhaps...?

67  EXT. LOVELESS MANSION - COURTYARD - NIGHT (SAME TIME)        67

West is lifted onto the back of a wagon. With the noose dangling in front of his nose, West addresses the crowd.

WEST Can I have everyone's attention please. I think we've had a                 series of major misunderstandings and I'd like to take a moment to                 clear them up. First, the whole drumming on the boobies thing. In my native land, Africa, my                 ancestors used drums to                  communicate between villages. I'm                 sure y'all can see that this young girl here can communicate all the way down to Baton Rouge. Hell, on                 a clear day, we might even get Galveston. All I was saying was, 'How're you doing,' 'My name's Jim,' 'How's your mama?' (MORE)

(CONTINUED)

WILD WILD WEST - Rev. 4/9/99                              47A.

67  CONTINUED:    (A1)                                                67

WEST (CONT'D)                 Second misunderstanding. That redneck comment. I'm getting the sense that some of you took that negatively. You know, some of my                 best friends are whiskey-guzzling, pot-bellied rednecks just like y'all here. (then) That slavery thing, I don't see what the big deal was. Hell, who wouldn't want somebody to run around for them doing chores. Are you going to get your big, fat, lazy ass out of bed every morning and pick your own damn cotton. I don't think so. (then) Let's head on inside and knock back some shine. Come on, back inside. No. Okay. (to Soiled Dove) I stand before you as a man who realizes he has done something wrong and I am prepared to do the right thing. Will you marry me?

Soiled Dove gasps.

WEST I'll take that as a no. Darling, would it help at all if I said I                 thought you were a man?

The CAMERA FINDS the Soiled Dove. She faints.

BACK TO SCENE

WEST Guess not.

As West searches desperately for signs of rescue by his "partner," suddenly the wagon lurches forward...

GEORGE WASHINGTON Hang him!

(CONTINUED)

48.

67  CONTINUED:                                                    67

NEW ANGLE - WEST'S FEET

As they plummet toward the ground.

CLOSE - WEST'S NECK

The rope catches... and stretches!

CLOSE - WEST'S FEET

As they slowly touch the ground.

Nobody is more confused than West.

ANGLE ON CROWD

How the fuck did that happen? But before anybody can figure out Gordon's trick rope, speak of the devil...

GORDON (O.S.) Hey-yaa!!!

The crowd turns with alarm to see...

ANGLE ON TEAM OF CHARGING HORSES

Nostrils flared and wild-eyed, are having their rumps snapped by Gordon's reins. Rita holds on for dear life as the mad Mountain Man drives the carriage at full speed right into the crowd -- scattering them.

ANGLE ON WEST

He sees his opportunity for rescue, puts a foot into the back of George Washington, grabs his gun, and somersaults into the air...

ANGLE ON GORDON AND CARRIAGE - WEST

lands squarely in the back. And just as the rope starts to stretch around his neck again, Gordon whirls around with a Bowie knife and cuts it.

68  EXT. NEW ORLEANS STREET NEAR MANSION - MOVING WAGON -        68 NIGHT

West leans into Gordon's ear.

(CONTINUED)

THE WILD WILD WEST - Rev. 6/15/98                        49.

68  CONTINUED:                                                      68

WEST Hang 'm...!

Suddenly, there's a VOLLEY of SHOTS from some cracker sharpshooters. West responds with an amazing display of    RAPID-FIRE marksmanship, picking off half a dozen of     Loveless's shooters, even while the carriage bumps wildly on its getaway. BLAMBLAMBLAMBLAM!!!

WEST (still pissed,                         to Gordon) Hang'm!?!

GORDON (to Rita) Meet my trigger-happy partner, James West... who doesn't seem to                 realize that my carefully planned diversion gave me the opportunity to search for the missing scientists.

Now West notices the half-dressed bombshell in the carriage.

WEST Scientist, huh.

GORDON This is Rita. I found her locked in a cage in Loveless's bedroom. She's an entertainer.

RITA Um, maybe I haven't been quite honest about that... My name is                 Rita Escobar. I came to find Guillermo Escobar, the scientist, my... father.

Gordon's eyes pop.

GORDON Professor Escobar?! He was the one I almost rescued that night when... (lightbulb) That's where I know you from! Fat-Can Candy's... you sang before I did.

RITA Excuse me?

(CONTINUED)

THE WILD WILD WEST - Rev. 6/15/98                        50.

68  CONTINUED:    (2)                                               68

GORDON That was me. Burgundy dress with the bustle...

Gordon starts singing the song... West rolls his eyes, cuts off the chit-chat.

WEST Look, Rita, I'm sorry you had the wrong agent working on your case. When I find your father I promise I'll send him back safely...

And with that... West suddenly leaps over Rita -- lands on the back of one of the horses. He grabs a handful of    mane, leans over and unclips the harness. And with a    kick in the ribs, West is off at a gallop -- leaving Gordon, one remaining horse and an awed Rita behind to    chew his dust.

RITA He's impulsive, James.

69  EXT. OFFSHORE - LOVELESS BOAT - NIGHT                          69

Dr. Loveless and his visiting foreign dignitaries are sipping champagne. One of them is holding a little DOG in his arms, BARKING at something in the dark. General McGrath stands at the railing, uncharacteristically pensive. Loveless rolls over, hands him a glass of    champagne.

LOVELESS Well, General, it's been a long journey from New Liberty.

McGrath visibly winces at the sound of it.

McGRATH Sir, there isn't a day that passes that I don't contemplate it.

LOVELESS Yes, and so do I. So do I.                        (reflexively reaches                          for missing legs) If I'd only had the scientific understanding of gunpowder and primers that I have today...

(CONTINUED)

51.

69  CONTINUED:                                                  69

McGRATH That's not what I meant.

Loveless looks at him, puzzled, then gets it.

LOVELESS Oh, you mean the stomach-churning carnage that earned you your unfortunate nom de guerre...

Loveless speaks for the benefit of the others.

LOVELESS What was that nickname again?

McGRATH (reluctantly) 'Bloodbath' McGrath... the Butcher of New Liberty.'

70  EXT. MALHEUREUX POINT - MARSH - NIGHT                      70

A reb battalion waits in a foggy meadow that slopes down to marsh. Beyond that is the Gulf of Mexico. We    recognize one of the REBS from the cathouse. He opens his pocket watch.

REB #1 They oughta be here by now.

REB #2 Maybe we're in the wrong place.

REB #1 (rechecks map) No, we're supposed to wait 'xactly on this here spot.

Suddenly they hear a CLANKING and SCREECHING coming from the marsh. They ready their arms and get in defensive positions. What they can't see through the fog is...

ANGLE - MARSH - ARMORED TANK

amphibiously sludges up through the mud and reeds, passing by the dumbstruck soldiers as it heads to the center of the field. The contraption has a large cannon and Gatling guns bristling from several ports. The Rebs cheer their new weapon.

THE WILD WILD WEST - Rev. 7/1/98                        52.

71  EXT. MALHEUREUX POINT - BATTLEFIELD - NIGHT                   71

Now a MORTAR appears through the turret and FIRES a    ROCKET that EXPLODES over the Reb soldiers, illuminating the field. As soldiers shield their eyes from the blinding light...

ANGLE - AERIAL SHOT - LOOKING DOWN ON FIELD

Unbeknownst to the Rebs, Loveless has mowed and stained the field with concentric lines to give it a giant dart board appearance.

Suddenly the TANK TURRET OPENS FIRE on them. Once over their initial shock, the Rebs FIRE BACK with their Springfield RIFLES. But the BULLETS PING off the tank's    impenetrable skin like goober peas.

72  EXT. OFFSHORE - LOVELESS BOAT - NIGHT                         72

Lippenreider is viewing the carnage through large binoculars on a stand.

General McGrath turns from the rail and faces Loveless, outraged.

McGRATH Why you sawed-off sadistic bastard! You've betrayed us!

Loveless turns to him, cocks his head.

LOVELESS My dear General, after donating half my physical being creating a              weapon capable of doing this... how did you and General Lee repay my loyalty? You surrendered at              Appomattox! So, who betrayed whom?

Loveless turns to Munitia holding a steno pad.

LOVELESS Munitia, make note. Turret speed needs to be accelerated!

MUNITIA (to Amazonia) Change gear ratio from 2.2 to 2.8!

Amazonia pushes a sick dignitary away from the rail so    she can get a sight line to the tank with her lantern semaphore. She begins flashing the new gear ratio.

(CONTINUED)

53.

72  CONTINUED:                                                      72

AMAZONIA A bucket for the minister, please!

Now in the b.g., we hear the GATLINGS OPEN UP. Lippenreider is reading the lips of the tank's victims.

LIPPENREIDER Scream. Scream. My head. I'm                 dying. Scream. Moan. Scream.

McGRATH Loveless, I demand you give the order to stop this slaughter now!

LOVELESS (ignores him) ... We're going to need more loading drills! I'm hearing too much time between screams.

As Munitia scribbles dutifully, McGrath shoves her aside. He pulls his pistol.

McGRATH For the last time, give them the order to desist!

Loveless, his back to him, is seemingly unconcerned at    having a gun barrel pressed against his skull.

LOVELESS General, I understand your distress. But believe me, those men are not dying senselessly. It                 is for a far greater cause than you can imagine.

As Loveless's right index finger finds a black button on    the arm of his wheelchair...

CLOSE ANGLE - LOVELESS'S WHEELCHAIR ARM

The steel tubes that comprise the armrests are actually shotgun barrels facing fore and aft. McGrath's finger tightens on the trigger.

WIDER

McGRATH Go straight to hell, sir!

(CONTINUED)

WILD WILD WEST - Rev. 4/9/99                               54.

72  CONTINUED:    (2)                                                 72

LOVELESS After you... sir.

BOOOM!!! McGrath has a very startled expression as he    looks down at the aftereffects of DOUBLE-OUGHT BUCKSHOT. As he crumples to the deck, Loveless sniffs.

LOVELESS Bloodbath McGrath indeed.

The dignitary's DOG starts BARKING, jumps to the deck. It sits next to the fallen General's gramophone ear and cocks his head. With the RCA logo invented we MOVE BACK TO...

ANGLE ON LOVELESS

He sighs at his pale guests. They don't seem to    appreciate the efficiency of his slaughter.

LOVELESS Well, that concludes the festivities. Ladies, feed him to                 the crabs.

Munitia and Amazonia unceremoniously dump McGrath's BODY overboard. SPLOOSH... Loveless addresses the dignitaries...

LOVELESS But, my friends, that tank is just a little ol' toy compared to what this country's greatest scientists are cooking up for me next. So if                 I've piqued your interest, bring 1000 kilograms of your country's                 gold to Spider Canyon four days from now. (starts to roll                         off boat) Now if you'll excuse me, I've got a tank to catch.

CUT TO:

73  EXT. TRAIN SIDING (NEAR MALHEUREUX POINT) - NIGHT                73

A black waits ominously on the tracks. It's less a    traditional train car than a riveted, armored, turreted fortress on wheels. Also, it currently lacks an engine.

Loveless, over his shoulder to the foreign contingent...

(CONTINUED)

55.

73  CONTINUED:                                                      73

LOVELESS My destination is both the future... and the past! Forget Paul Revere, this will be the most revolutionary ride in the history of America!!

He looks dotingly at the TANK, which CLATTERS up from the battlefield on its treads... then drives onto the tracks. Wheels drop down out of the chassis, the treads retract up, and the TANK BACKS INTO the rest of the TRAIN. CLANK. It's a neat modular fit. Black death on rails.

The foreigners watch with awe as...

ANGLE - LOVELESS

wheels up onto the tank/train. He drops the expansiveness, fixes them with a viper's eye.

LOVELESS If you don't want to miss the ride, have the last payment of                 1000 kilograms of your country's                  gold in my hands no later than Friday. That's when I make our little proposal to President Grant. One I'm ever so confident he's gonna accept. (now a jaunty wave                         of his hat) Au revoir, adios, and ta-ta!

74  EXT. MALHEUREUX POINT - BATTLEFIELD - STRAIGHT-DOWN            74 ANGLE - NIGHT

It's quiet. The dead men are all in the #9 or #10 ring.

Now a rider ENTERS FRAME...

75  EXT. MALHEUREUX POINT - BATTLEFIELD - NIGHT                    75

West slowly dismounts, transfixed by the slaughter on the pre-fab battlefield. There's something hauntingly familiar about all this for him -- the mangled bodies, the tread marks...    But we'll find out about that later.

West draws his weapon and begins walking through the victims. The pace of his search quickens when he isn't    finding what he's looking for -- General McGrath.

(CONTINUED)

56.

75  CONTINUED:                                                      75

NEW ANGLE - GORDON AND RITA

have arrived in the one-horse carriage. Gordon is trying to recreate the crime scene. Rita trails behind him, his coat thrown over her shoulders, trying not to gag as she passes the mangled corpses.

GORDON It came up out of the lake... from the way these corpses are positioned, laid down a 360-degree pattern of cannon fire... then disappeared in moments. (puts a foot on a body,                         scratches his chin) My God, what kind of weapon is it?

Rita can't handle Gordon's clinical posturing.

RITA Excuse me, I think I'm going to be                 sick.

As she walks quickly away, West comes over, a haunted look on his face.

WEST It just rolls on and on. Makes a                 screeching sound -- like a wounded animal. Got a 'cabin' on top with a cannon... swivels 'round like an                 eagle's head.

GORDON You saw it?

WEST Heard about it. Thought it was crazy survivors' stories.

GORDON What survivors? There aren't any here.

WEST New Liberty, Illinois -- the free slave town just over the border. Just one week before the War ended in '65. I was in the 9th Cavalry that discovered it. Old men, women, children... they used them for target practice...

(CONTINUED)

THE WILD WILD WEST - Rev. 6/15/98                       57.

75  CONTINUED:    (2)                                              75

He looks out at the battlefield as if reliving it. Gordon is sympathetic to his obvious pain -- just shuts up. West's grim reverie is interrupted by MOANING coming from the shoreline. They all follow the sound to find...

76  EXT. MALHEUREUX POINT - MARSH - NIGHT                         76

General McGrath, washed up on the shore. West looks down at him. Now Rita, still looking green around the gills, rejoins the party.

WEST That's when I vowed to follow McGrath to the end of the earth.

As grey as four-day-old mullet, McGrath manages a smile for his relentless pursuer.

McGRATH (barely audible) What's the matter, West? Thought you'd be happy to find me... like this.

WEST I was hoping to kill you myself.

RITA That's a nice way to talk to                 people.

McGRATH You'll have to live with it... As                 I've lived with the blame for New Liberty.

McGrath fades out. West grabs him and shakes him.

WEST What do you mean?

McGRATH (opens eyes) It was Loveless... his plan. He                 operated the killing machine there. Smarter now... left it to                 others here.

With the meaning of it all sinking in, West grabs McGrath by the collar and pulls him toward him.

WEST Where is he? Where did he go?!

(CONTINUED)

THE WILD WILD WEST - Rev. 6/15/98                        58.

76  CONTINUED:                                                      76

The General tries to speak. West puts his ear to the General's mouth. But before he can say it, McGrath closes his eyes for the last time.

West's shoulders sag. Then from behind...

RITA (O.S.) Well, I know that.

West turns to her... well?

RITA I'll tell you if you take me                 along.

WEST (in no mood) Just tell me.

RITA The girls at the mansion. They talk. (imitating a la                         Lippenreider) 'I vonder if my hair vill get frissy in ze desert...? Vhere is                 diss Ooo-tah anyvay?'

As West and Gordon turn to one another in alarm...

WEST/GORDON Ooo-tah?!

77  EXT. TRAIN SIDING (NEW ORLEANS) - NIGHT                        77

West and Gordon climb up onto the Wanderer and enter...

78  INT. WANDERER - PARLOR CAR - ENGINE STOPPED - NIGHT            78

West and Gordon burst in, surprising Coleman, who's got his feet up, perusing the Playboy of the day -- a mail order catalogue.

WEST Coleman... let's go! Full speed ahead!

West snatches the catalogue out of his hands, does a take at the pictures of chunky models in bloomers.

COLEMAN Aye, sir!

(CONTINUED)

59.

78  CONTINUED:                                                     78

As Coleman quickly exits, Gordon looks out the window, onto the platform.

GORDON (wistful) I don't see why we couldn't have given her a ride back home to                 Texas. It is on the way...

WEST On the way to Utah where our President happens to be. Maybe we                 oughta be worryin' about that little coincidence!

As the ENGINE ROARS to life...

79  EXT. TRAIN SIDING (NEW ORLEANS) - POV SHOT FROM               79 WANDERER - NIGHT

Rita gives a forlorn little wave as the TRAIN CHUGS away.

80  INT. WANDERER - ENGINE CAR - NIGHT                            80

GORDON We wouldn't have known where Loveless was going if it wasn't                 for her. Seems a bit ungracious. Possibly perilous.

WEST Look, all that would happen would be she'd get in our way and I'd                 probably wind up gettin' in the saddle with her.

GORDON Funny that you say that. Because I thought she was more interested in me.

81  EXT. TRAIN SIDING (NEW ORLEANS) - NIGHT                       81

Rita disappears from view in a cloud of steam...

82  INT. WANDERER - PARLOR CAR - NIGHT                            82

West has every weapon on the train out for cleaning and loading. Gordon is in the galley where he continues his conversation with West while preparing dinner.

(CONTINUED)

THE WILD WILD WEST - Rev. 6/15/98                       60.

82  CONTINUED:                                                     82

GORDON (O.S.) (from gallery) You know, I've been trying to                 place myself in Loveless's                  shoes...

WEST Good luck on that one.

GORDON (weakly) Ha, ha, ha... You know, I can't                 imagine what Loveless -- a man without any reproductive organs could possibly want with Rita.

Suddenly there's a WHOOSH and Rita falls through the ceiling and plops in the chair just like West did earlier. He instinctively pulls his gun. Puts it    away as Gordon muses about her anatomy.

GORDON (O.S.) (not realizing she's                         there) Not that Rita doesn't have a                 figure that would inspire a                  Botticelli... or a Raphael.

Rita raises an eyebrow, looks to the galley as Gordon comes out with a platter of food. He still doesn't    see her there.

GORDON ... especially her breasts. Did you notice the way one of them... (cups his hands) Both of them actually... to say nothing of her buttocks...

Gordon turns and looks into the car. Finally sees her. Changes gears without missing a beat.

GORDON ... and the group of foreign ministers at Loveless's party...                 What were they doing there?

Gordon gestures for West to join him at the pool table. Rita immediately goes for the food.

(CONTINUED)

61.

82  CONTINUED:    (2)                                              82

GORDON (using pool balls) Here's France, Spain and Britain... (sotto voce) How long has she been here?

WEST Since the first breast.

Gordon turns to her, exasperated with himself.

GORDON I am so embarrassed.

WEST I'll spare you. (to Rita) Make yourself a sandwich to take with you. You're getting off.

83  OMITTED                                                        83 &                                                                  & 84                                                                  84

85  INT. WANDERER - PARLOR CAR - NIGHT                            85

Rita hasn't even waited for anyone's approval to start eating. West shakes his head at her chutzpa.

RITA But... I can help you.

WEST How could you possibly help us?

RITA Well, I heard you talking about why all those foreign guys were at Loveless's party...? You want me to tell you?

GORDON By all means.

She uses the time to get another bite into her mouth.

RITA (to Gordon, chewing) This is fantastic. You can cut it                 with a fork! How'd you cook it?

(CONTINUED)

62.

85  CONTINUED:                                                      85

GORDON (someone appreciates                         him) Well, in a daubiere... a clay pot. A French method which...

West cuts off the chit-chat.

WEST What about the foreign guys?!

RITA They were mad about something, you know? Something about a                 real bad deal in Louisiana on                  purpose.

GORDON The Louisiana Purchase?

RITA And Queen somebody-somebody of                 France got swindled.

GORDON Queen Isabella of Spain.

West rolls his eyes.

WEST Gordon, this is crazy. She doesn't know what she's talking about!

West picks up the speaker horn and calls Coleman.

WEST (into speaker horn) Coleman, stop the train! Miss Escobar's getting off.

COLEMAN (V.O.) (over pipe) Who the hell's Miss Escobar?

RITA (grabs horn) I'm a frightened, starving, half- naked young woman who only wants to find her father!

COLEMAN (V.O.) (over pipe) Half-naked?

(CONTINUED)

63.

85  CONTINUED:    (2)                                               85

WEST (grabs it back) Coleman... stop the train.

COLEMAN (V.O.) (over pipe) We're not puttin' anybody off. Not out here in the middle of                 nowhere.

West looks out the window. Nothing but sagebrush and animal skulls out there. Rita comes up close to Jim, fire in her big, brown eyes.

RITA Please, Jim. My father's the only family I've got. What am I                 supposed to do? Sit home and wait for news he's been killed? Or go                 do something! What would you do, Jim?!

That gets the man of action where he lives.

WEST Look, I got nothing against you, Rita. It's just that... What's                 going to happen when we catch up                  to Loveless... with you on the train?

She grabs West's hand.

RITA I know you'd never let him take me                 back. I've seen you shoot.

West kinda melts a little. This girl does have her charms. Gordon, a little jealous, puffs his chest out.

GORDON I assure you, Rita, an attack by                 Loveless would be an exercise in                  futility. (stands for tour) ... Allow me to demonstrate how my                 design suggestions have made the Wanderer impervious to attack.

West draws his guns, twirls them and reholsters.

WEST I'm the impervious part.

(CONTINUED)

64.

85  CONTINUED:    (3)                                               85

GORDON Hardly. Completely armor- plated...

Artemus raps his knuckles on the wall making a METALLIC sound. Then he smugly demonstrates that the light fixture is actually a Gatling gun.

GORDON An attacker would find the lighting inside extremely...                 unflattering.

Finally he moves to the billiard table, while Rita nods ... and keeps eating.

GORDON And if, by some inconceivable fluke, they did manage to gain entrance... (rolls billiard ball                         into bumper) An innocent billiard ball this way. (picks it up,                         presses the number) But depress the number... a                 sleeping gas bomb. Effective in                 under three seconds.

Gordon unclicks it, triumphantly rolls it into a pocket.

GORDON So rest assured, Rita... you are completely safe within these walls.

West snorts at his obvious play for Rita's attentions.

WEST I don't know about you, ma'am, but I know I'll be sleeping a whole lot better tonight... (yawns) ... assuming Loveless barges in                 here and feels like a game of                  pool.

RITA Speaking of sleeping, I'm pretty tired. Artemus, do you think I                 could borrow something to wear?

West jumps in before Gordon can answer.

(CONTINUED)

WILD WILD WEST - Rev. 4/9/99                                65.

85  CONTINUED:    (4)                                                  85

WEST I've got somethin' you might use. It ain't stylish, but it's                 practical...

86  INT. WANDERER - PARLOR CAR - NIGHT                                86

West and Gordon have bunked down on opposite couches, both deep in thought.

WEST Loveless kidnapped two chemists, that means there's gonna be                 explosives. He's got a metallurgist, so there's gonna be heavy armor. And he's got Rita's father, who -- according to you -- is the world's                 foremost specialist in hydraulics. Which means, whatever it is... it's                 gonna move.

West sits up.

WEST So what, is he building that's                 gonna make the President fall to                  his knees and surrender the country?

GORDON A bedside heater.

WEST What?

GORDON Rita. She   needs a bedside heater. I mean, it  gets cold in there, you know, with  the stained glass window right over  the --

ANGLE - COLEMAN

opens and Rita emerges from the state room...

(INSERT RITA'S BUTT HERE)

Rita leaves...

GORDON Such a pleasant girl. A real breath of fresh ass.

(CONTINUED)

WILD WILD WEST - Rev. 4/9/99                             66.

86  CONTINUED:                                                      86

WEST You said ass.

GORDON Did I?  No...

CUT TO:

87  OMITTED                                                         87

88  INT. WANDERER - PARLOR CAR - DAY                               88

Gordon and West react as Coleman's voice booms out of    the pipe.

COLEMAN (V.O.) (over pipe) We have Loveless, gentlemen! Seven hundred yards and closing!

As they scramble for boots, weapons, Rita comes out of her room.

RITA What's going on?

Gordon ushers her to the back.

GORDON Stay back here, take cover!

Meanwhile, West pulls on his boot. When he stands on it, a three-inch STILETTO SNAPS out of the toe.

WEST What the hell is this?

GORDON I took the liberty of installing it while you were sleeping.

West looks at him incredulously.

WEST Leave my stuff alone!

67.

89    EXT. MOUNTAIN TUNNEL - TRACKS - TRAIN CHASE - DAY             89

Loveless's TANK/TRAIN CHUGS into a mountain tunnel. The Wanderer is just behind it... and goes into the tunnel seconds later.

90    EXT. OTHER SIDE OF TUNNEL - TRACKS - TRAIN CHASE - DAY        90

The Wanderer BLASTS out of the tunnel. (In the f.g. we      might notice a metal post that extends up OUT OF FRAME.)

91    INT. WANDERER - ENGINE - DAY                                  91

Coleman squints ahead. He sees the tracks up ahead are empty. No Loveless.

COLEMAN Am I missin' somethin' here...?

92    EXT. TRACKS - LOVELESS'S TRAIN - TRAIN CHASE - DAY            92

Up on metal stilts. It lets the Wanderer pass underneath it. Then it lowers itself back down onto the tracks. The legs fold to the side, and the tank/train pursues its pursuers.

93    INT. LOVELESS'S TRAIN - DAY                                   93

Loveless turns to his three distaff warriors.

LOVELESS Amazonia, shall we disabuse our friends of the notion that one's                problems are solved when we see the light at the end of the tunnel!

As Munitia swivels the cannon barrel...

94    OMITTED                                                        94 thru                                                                 thru 97                                                                   97

98    INT. WANDERER - PARLOR CAR - DAY                              98

West and Gordon are about to head forward when Gordon glances out the back, grabs West.

(CONTINUED)

THE WILD WILD WEST - Rev. 6/15/98                       68.

98   CONTINUED:                                                     98

GORDON Jim, we're the ones chasing Loveless, correct? (as West shoots                          him a look) Then perhaps you could explain what they're doing behind us.

As West looks out the back too... KA-BOOM!! A SHELL EXPLODES just to the right of them. Now ANOTHER EXPLOSION to the left of them. The Wanderer rocks precariously from wheel to wheel, throwing a screaming Rita back and forth between West and Gordon.

WEST They couldn't fire the cannon at                  us from in front. Any other questions?

99   OMITTED                                                        99

100  INT. WANDERER - PARLOR CAR - DAY                              100

West jumps up on the pool table.

WEST Would it put you out too much to                  throw me a rope and hit your little secret button?

With a shrug, Gordon tosses West a rope and hits the same hidden button he had during their fight. Whoosh! West is gone as the pool table flips over. As Rita covers her mouth in amazement...

GORDON I taught him how it worked.

101  EXT. UNDER WANDERER - DAY                                     101

West hanging upside-down. He hand-over-hands himself back to the escape trolley. He slides his back on top of     it -- then lowers it onto the track.

Little wheels fit on the inside of the track. Once coupled, West releases the cable and he shoots backwards -- OUT OF FRAME.

102  INT. WANDERER - PARLOR CAR - DAY                              102

Gordon opens a panel in the floor and snaps up a winch with a large handle. He starts to crank it, slowly letting out cable.

69.

103  EXT. TRACKS - TRAIN CHASE - POV FROM BACK OF MOVING          103 WANDERER - DAY

Out the back door, we see West emerge from under the Wanderer heading for Loveless's tank/train.

104  INSERT                                                        104

Suddenly there's a PING! BONG! PING! POP! The TEETH of the GEARS can't take the pressure and they're flying off the WINCH.

105  INT. WANDERER - PARLOR CAR - DAY                             105

Gordon, realizing another invention of his needs some tweaking, snaps out his pen and pad. As he scribbles a     note, Rita considers the exotic pen holder.

RITA You know you could put a gun on               that thing.

Gordon looks up at her disapprovingly... not you too? Meanwhile, on the tracks...

106  EXT. TRACKS - TRAIN CHASE - WEST ON TROLLEY - DAY            106

Off his wire tether, he flies backwards at 80 mph.

107  EXT. TRACKS - TRAIN CHASE - POV FROM BACK OF MOVING          107 WANDERER - DAY

It looks like his head's about to be smashed by     Loveless's tank/train.

108  INT. WANDERER - PARLOR CAR - DAY                             108

Rita turns away, buries her head in Gordon's shoulder just as...

109  EXT. TRACKS - TRAIN CHASE - DAY                              109

West slides under the train! He lies flat as the death MACHINE ROARS over him. At the last second, he lassos the rope around the rear axle. It slows him for a     beat... then stretches. He's gotten Gordon's trick rope. We see his silent scream -- "Artemus!" He slides way behind the tank/train, then springs back... past the tank/train. Finally, West slides back underneath and manages to grab hold of their caboose. He swings his legs up, pulls himself around onto the step.

THE WILD WILD WEST - Rev. 6/15/98                      70.

110  EXT. LOVELESS'S TRAIN - ROOF - MOVING - DAY                  110

West makes his way forward to the smokestack. He tries to flip the flue closed, steam scalding his hands. He     doesn't see Hudson come at him from behind. He wraps a     garrote around West's neck, pulls it tight -- practically crushing his larynx...

111  INT. LOVELESS'S TRAIN - ENGINE - DAY                         111

Munitia is bent over, has her eye to the cannon sight. As she squints through the smoke at the Wanderer up ahead, Loveless, sitting behind her, has his full attention focused on her tuchus.

MUNITIA I have them square in my sights, sire.

LOVELESS (distracted) As do I, Munitia... as do I.                      (looks up, wry smile) Fire away!

But it's a little difficult with him stroking her buttocks. BOOM! The CANNON FIRES...

112  OMITTED                                                       112

113  INT. WANDERER - PARLOR CAR - DAY                             113

Gordon and Rita are looking out the back when they see the latest missile headed their way. Gordon pulls Rita down at the last second as a huge steel arrow shoots through the door, past their heads... and into the parlor wall.

As metal barbs flick out, locking the tip in, and the steel chain it's attached to draws tight...

114  EXT. LOVELESS'S TRAIN - ROOF - MOVING - DAY                  114

West and Hudson roll around precariously. West claws desperately at the garrote. It looks grim for our hero until he knocks his boot heels together. CLICK... his STILETTO BLADE appears.

Summoning his last ounce of strength, he mule-kicks...     sinking the blade into Hudson's leg. West grabs him and shoves him head first into the smokestack. The big Indian plugs it up like a cork in a bottle.

71.

115  INT. LOVELESS'S TRAIN - ENGINE - DAY                          115

Loveless has only a moment to gloat over his marksmanship before the compartment begins filling with smoke. Choking clouds that send Loveless et al into coughing fits.

LOVELESS Close the fire door!

Just in time, Amazonia swings it shut as the unvented BOILER EXPLODES, sending a FIREBALL ripping through the back of the train, destroying it. Up ahead...

116  INT. WANDERER - PARLOR CAR - DAY                              116

Gordon and Rita are thrown across the car, along with everything else inside, as Loveless's train's sudden stop... jerks them with it. The SCREECH of STEEL WHEELS SCRAPING on IRON RAILS is sickening. They clutch onto one another... as the Wanderer skids to a stop.

As they pick themselves up, Gordon looks to Rita who's     shaken up and scared. Now FOOTSTEPS coming up the stairs.

RITA I won't let Loveless take me               again! I'd rather be dead!

GORDON (recalling West's                       words) That's not a good one to wish for.

To defend herself, Rita grabs one of the sleeping-gas pool balls rolling around on the ground. Gordon leads her into the stateroom to lock her in, but she grabs his hand.

RITA Please, Artemus, don't leave me               alone!

Rita closes the door behind him and locks it.

117  INT. WANDERER - PARLOR CAR - STATEROOM - DAY                  117

Gordon and Rita on the bed. FOOTSTEPS APPROACH. Gordon gestures to be still. The door handle jiggles. Rita gets ready to arm the POOL BALL.

(CONTINUED)

72.

117  CONTINUED:                                                        117

WEST (O.S.) (hoarsely, not                          sounding like him) It's me, Jim. Open up!

RITA It's a trick, I know Loveless.

CLICK, she pushes the number. Gordon makes a grab for it.

GORDON Rita, no! It's just...

CLUNK... she drops it to the floor.

ANGLE - WEST

standing in the doorway. He rubs a raw welt on his neck from the garrote, smirks when he sees Gordon on the bed with Rita. But his smirk drops when he sees the pool ball roll between his feet -- spewing a purple cloud of     sleeping gas.

West gives Gordon a Wile E. Coyote look, croaks...

WEST Too damn late, is what it is.

118  EXT. CORNFIELD - DAY                                             118

A sea of corn tassels waving in the wind. Loveless's     destroyed train is in the b.g. The CAMERA TILTS DOWN to      find...

ANGLE ON WEST AND GORDON

lying on the ground with their BACKS TO us. They stir. West props himself up, looks over at Gordon, who has just regained consciousness.

WEST (mimicking him) An innocent billiard ball this way, but depress the number and on                  impact... a sleeping-gas bomb.

West shakes his head disparagingly and stands. He feels the metal band around his neck and surveys the 18-inch wire fence which has been laid around them in a circle. West is about to step over it. Gordon grabs his leg.

(CONTINUED)

73.

118  CONTINUED:                                                     118

GORDON Don't move!

119  EXT. WANDERER - BACK PLATFORM - DAY                           119

Loveless is sitting in his wheelchair, fifty yards from West and Gordon. On Loveless's elbow sits Miss Lippenreider. She looks through binoculars and lip reads West and Gordon.

LOVELESS Continue, Miss Lippenreider...

MISS LIPPENREIDER (doing both voices                          in a monotone) West. Let go of my leg! Gordon. Listen to me. Loveless collared us with the same metal device we                  found on Morton.

Loveless turns to Munitia, who is loading two 36-inch- diameter metal discs into what looks like a CD     changer/clay-pigeon-thrower.

LOVELESS Oh, Munitia... I hope we're not going to leave evidence behind like we did last time.

MUNITIA Nitro this time, sire.

As she arms the device, and a red light comes on...

LOVELESS (through megaphone) Good morning, gentlemen! I trust you slept well.

120  EXT. CORNFIELD - PERIMETER - DAY                              120

West and Gordon squint through the corn, see Loveless on     their train.

GORDON What have you done with Rita?

(CONTINUED)

74.

120  CONTINUED:                                                      120

LOVELESS Rita, is it? How familiar! Rita is sleeping off the after-effects in the stateroom. (looks toward bedroom) Quite lovely, isn't she? Who knows... I might even become 'familiar' with her myself.

Gordon takes a step. West stops him.

WEST And that would become one more reason why I'm going to kill you.

LOVELESS Yes, Mr. West, I'm sure a well- endowed blackamoor like yourself must find it absolutely impossible... that a freak like me                  could fully enjoy the pleasure of                   a woman. But having witnessed my                  use of mechinology so far... wouldn't you think I could provide myself with something for the lower half of my body that was hard-pumping and indefatigably steely?

Loveless looks O.S.

LOVELESS ... And speaking of 'hard pumping...' Mr. Coleman, full steam ahead!

121  EXT. WANDERER - ENGINE ROOM - COLEMAN - DAY                    121

In the engine room. Amazonia has a gun to his head.

122  EXT. WANDERER (STARTING TO MOVE) - DAY                         122

Loveless takes his last shot at them from the back.

LOVELESS What a marvelous train! You don't                  mind if I borrow it, do you, gentlemen? (MORE)

(CONTINUED)

75.

122  CONTINUED:                                                     122

LOVELESS (CONT'D)                  Other than a lack of wheelchair access, I find it a most comfortable way to pass the long miles from here to my laboratory in Spider Canyon... (louder, as they                          move off) I'll be seeing President Grant soon at Promontory Point. What shall I tell him for you? I'm                  afraid it can't be that you're                   alive and well...

And as his maniacal giggle hangs in the air...

123  EXT. CORNFIELD - PERIMETER - GORDON AND WEST - DAY            123

frustrated, as the train pulls away from them. West tugs at the metal collar around his neck.

WEST Gordon, get out your little tool kit and get this damn thing off of                  me!

Gordon unbuttons his shirt to reveal his leather tool kit... empty except for a note. Gordon opens it and reads.

GORDON 'Gentlemen, welcome to the Loveless Experimental Camp for Political Dissidents. There are no guards. No barbed wire. As                  long as you stay within the designated perimeter, you will stay alive.'

124  EXT. CORNFIELD - WANDERER - MOVING - BACK PLATFORM - DAY      124

Miss Lippenreider is still eavesdropping for Loveless, through binos.

MISS LIPPENREIDER West. How do you know it's not just bullshit? Gordon. Step over the fence and find out. Rita and I will put flowers on your grave every year.

76.

125  EXT. CORNFIELD - PERIMETER - WEST - DAY                       125

stands next to the little fence, watching Loveless escape.

WEST I don't have time for this.

GORDON Wait, I have an auxiliary tool kit!

Gordon peels back the top of his boot revealing it. But it's too late. West has jumped over the fence. Then he     hops back inside it. He holds his hands out to Gordon.

WEST See? Nothing happened.

West grabs Gordon by the back of his vest and yanks him over the fence. Now they hear a slight BUZZING in the air and it's not a bee.

NEW ANGLE - DISC

comes whipping over the corn straight for West's head. In a split second, he ducks and the disc cuts the tops of     the corn off and banks around for a new attack.

GORDON Oh, really...?

Now both of them step over the fenced perimeter and start running like hell through the cornfield.

WEST Is it too late to take it off of               me now?

126  EXT. CORNFIELD - DISC LAUNCHER - DAY                          126

The second disc machine light turns green and the second disc is launched.

127  EXT. CORNFIELD - WANDERER BACK PLATFORM - MOVING - DAY        127

Loveless is laughing his head off. Certain of Gordon's     and West's impending death, he rolls his wheelchair inside.

THE WILD WILD WEST - Rev. 6/15/98                      77.

A128  INT. WANDERER - RITA                                         A128

is awakening from the effects of the billiard ball gas and tries to control her sense of dread and loathing. She smiles nervously at Loveless, who's being fawned-over by his women.

MUNITIA Caviar...?

LIPPENREIDER Blini...?

LOVELESS (opening champagne                        bottle) Rita, my dear, not that I'm                ungrateful to Providence for bringing you back to me...

Rita jumps as the champagne CORK POPS.

LOVELESS ... I'm just a wee bit curious as                to how you managed to wind up with them.

RITA (scrambling) Well, they uh... seemed so... sure that they could find you... and I                thought if I stayed with them...                 they'd lead me back to... all my                friends...

Munitia shoots a look at Lippenreider.

RITA And not to give you a big head but... (wrinkles her nose                        to Loveless) I kinda missed you.

LOVELESS (not buying it) Isn't that a coincidence? I miss me, too.

128   EXT. CORNFIELD - WEST AND GORDON - DAY                       128

come running TOWARD us. Behind and above are two discs about to make a dive at them.

(CONTINUED)

78.

128  CONTINUED:                                                        128

The discs, like giant razors, are mowing off the tops of     the corn stalks, heading straight for their heads!

West and Gordon dive to the ground... the discs just missing them. West stands to run again. We see the back of his head's been buzzed.

129  EXT. CORNFIELD - AERIAL SHOT - WEST AND GORDON - DAY             129

running a zigzag pattern toward the end of the cornfield. West sees a gully fifty yards ahead of them.

GORDON Head for that gully!

West zigs out of the cornfield one way. Gordon zags out the other. They're both beat-up and exhausted from running and flopping on the ground.

130  EXT. RIVER CANYON NEAR CORNFIELD - GORDON - DAY                  130

breathlessly reaches the edge. And looks down.

131  EXT. RIVER CANYON - GORDON'S POV - DAY                           131

It's no gully. It's a canyon that drops 100 feet down to a ribbon of brown water. And that's not the worst of     it...

132  EXT. RIVER CANYON NEAR CORNFIELD - DAY                           132

West is on the other side of the precipice. They're     separated by about 15 feet of air.

They both see the discs closing in. Think fast.

WEST When I give the signal. Jump off the cliff into my arms.

GORDON Are you crazy?! Do you see what's                  down there?

WEST (watching the discs                          approach) Five, four, three, two...

West holds out his arms.

(CONTINUED)

WILD WILD WEST - Rev. 4/9/99                               79.

132  CONTINUED:                                                        132

GORDON Forget it. I'm not doing it...

WEST One...

West takes a leap of faith... and finally, so does Gordon.

GORDON Oh shit!

CLOSE - PARTNERS

meeting mid-air. They drop OUT OF FRAME, just as... the two discs collide with a MIGHTY EXPLOSION that is heard by...

133  INT. WANDERER - PARLOR CAR - DAY                                 133

Loveless raises his glass to Rita, makes a little kissing gesture. She looks like she'd like to kill herself.

134  OMITTED                                                           134

135  EXT. RIVER CANYON NEAR CORNFIELD - WEST AND GORDON - DAY         135

are still in mid-air, both looking down.

GORDON I just remembered... I can't swim!

WEST You won't have to!

They drop OUT OF FRAME and we hear a LOUD THUK THUK.

136  EXT. BOTTOM OF RIVER CANYON - WEST AND GORDON - DAY              136

stuck up to their necks in red riverbed mud. As they slowly begin to extricate themselves...

WEST Maybe I should have stayed inside that fence another moment or two.

CUT TO:

WILD WILD WEST - Rev. 4/9/99                           79A.

A137  EXT. STREAM - DUSK                                            A137

West and Gordon, caked in mud, are coming up a ridge, below which is a stream.

WEST All right, Gordon, what's your plan? How are you gonna get this damn thing off my neck?

Gordon turns to West, simmering, controlling himself.

GORDON Excuse me?

WEST Isn't that why you're here? 'Cause you're the master of, you know, mechanical stuff?

GORDON (smiles) Oh. Oh, I see. Now I'm the master of... 'mechanical stuff.' As opposed to five minutes ago, when I was trying to collect my thoughts and figure out a way to get us out of these contraptions! But no!

Gordon starts moving towards West, who is forced to back up -- looking a tad nervous for the first time in the movie.

GORDON -- That wouldn't have been any fun for a certain somebody, and I                won't mention any names -- Jim West! -- who decided to take me on                a bracing romp through a cornfield and play a fanciful game of hide and seek with serrated, spinning death discs, while our only mode of transportation is in the hands of a sadistic madman with weapons of mass destruction, who kidnapped Rita, and is on his way to kill our President and take over the country!

WEST Hey, calm down, Gordon...

(CONTINUED)

WILD WILD WEST - Rev. 4/9/97                             79B.

A137  CONTINUED:                                                       A137

GORDON (he's completely                           lost it) No! Because I'm the 'Master of                   Mechanical Stuff!' And I have to                    help YOU! Because you're the 'Master of Stupid Stuff!'

WEST Gordon...

GORDON You want to get that collar off? Fine! Let's do it the fun, Jim West way! (picks up a rock) Let's bash it with a rock!

WEST Gordon, you don't want to do that.

GORDON (crazy) Oh, but I do.

Gordon grabs a rock and smashes West's collar. Suddenly --

ZIIIINNG! West's collar emits a LOW HUM. Suddenly, West is thrown into Gordon, their collars locking. CLANG!

GORDON (suddenly calm) That's odd. What did you do?

WEST I didn't do shit!

GORDON No, you must've reversed the polarity of the magnets.

WEST I did not do shit! (he's had enough) That's it --

West lifts his leg to Gordon's collar to push him away, but then -- CLANG! The stiletto in his shoe dislodges and instantly sticks to Gordon's magnetic collar.

(CONTINUED)

WILD WILD WEST - Rev. 4/9/99                             79C.

A137  CONTINUED:    (2)                                                A137

For a mega-millisecond, West -- his foot stuck to his partner's neck -- is stunned. But before he knows what even happened, West flips upside down onto his shoulders.

GORDON Are you all right?

WEST Oh, I'm peachey. Now help me get my boot off!

First, Gordon -- trying to get some leverage -- puts his foot in West's crotch and pulls the boot.

WEST Ahhhh!

GORDON Apologies, apologies.

Gordon struggles to free the writhing West from the boot (attached to Gordon's collar).

Finally, West's foot comes free. But when he sits up      -- THWAP! His collar is sucked into Gordon's belt buckle. West is face to face with his partner's crotch.

WEST Do me a favor. When you're                   telling this story to your grandkids, leave this part out.

GORDON Don't worry.

West starts unbuttoning Gordon's belt.

WEST Now, when I undo your belt, I'm going to run as fast as I                   can that way, and you run as                    fast as you can the other way. Understand?

GORDON You're going to run as fast as                   you can one way and I'm going to                    run as fast as I can the other...? Ingenious.

WEST One... two... (undos belt) Three!

(CONTINUED)

WILD WILD WEST - Rev. 4/9/99                                 79D.

A137  CONTINUED:    (3)                                                    A137

The men run in opposite directions. (Gordon's belt on      West's collar, West's boot on Gordon's). They get about thirty, forty yards. Then --

They're yanked backwards into each other.

SPLASH! They fall in the water -- back to back. Every time one rolls up and catches his breath, the other is      under water.

WEST (rolling face up) Get off me, you steaming pile of                   (GURGLE)!

GORDON (rolling face up) I'm trying, you son of a (GURGLE)!

WEST (rolling face upGURGLE)       you!

GORDON (rolling face upGURGLE)   yourself!

Finally they roll out of the stream and onto dry land. They sit up, out of breath, stuck together, back to back.

WEST I do not want to spend the rest of my life looking like a meatball on a plate.

GORDON We're going to have to discuss bathroom etiquette soon. Very soon.

ANGLE ON TOOL KIT

bobbing in the stream. Gordon grabs it out of the water.

GORDON Aha. My auxiliary tool kit. I forgot all about it. It must've                   slipped out of my pocket.

WEST Your pocket? Why wasn't it                   attached to some spring-loaded something-or-other that shoots out of your ass?

(CONTINUED)

WILD WILD WEST - Rev. 4/9/97                              79E.

A137  CONTINUED:    (4)                                                 A137

GORDON Because that, my friend, would be                   uncomfortable.

CUT TO:

137   EXT. DESERT - NIGHT                                              137

Gordon, lips parched, clothes tattered, peers impatiently over the metal collar as West works on it with some lock picks. West's collar is already off.

(CONTINUED)

WILD WILD WEST - Rev. 09/03/98                               80.

137  CONTINUED:                                                          137

WEST Why didn't you tell me you had an                  'auxiliary' tool kit?

GORDON I did tell you, but in your zeal to run and leap off a two-hundred- foot cliff, I don't think you heard me.

West eats the grilled Gila monster voraciously. And eats. And enjoys it more. And eats. He notices Gordon watching him.

WEST What?!

Gordon looks to the heavens and recites.

GORDON '... Take physic, pomp; Expose thyself to feel what wretches feel, That thou mayst shake the superflux to them, And show the heavens more just.'

Gordon's quote has gone on. And on. And on. He notices West watching him.

GORDON What?!

WEST You know, Gordon, you can be quite annoying -- flaunting that fancy education.

GORDON Well, truth be told, I never had a                  fancy education -- not a formal one, anyway.

WEST (looks at Gordon's                          ring) The Harvard thing seems pretty formal to me.

GORDON This ring? This ring isn't real. Do you want it? (MORE)

(CONTINUED)

WILD WILD WEST - Rev. 09/03/98                          80A.

137  CONTINUED:    (2)                                               137

GORDON (CONT'D)                         (takes ring off and                           tosses it into fire) A prop. I'm an actor. Or was. I                  gave it up. I went by the name of                  Arthur Gordon. Ever hear of me?

WEST No. How did you wind up in this line of work?

GORDON The pinnacle of my life in the theater came in a production of                  Our American Cousin -- a light comedy -- at Ford's Theater in                  Washington. There was this one line I had... always got the biggest laugh in the show. One night, it drowned out the gunshot that killed President Lincoln. (beat) I decided to devote my talents to                  making sure that never happened again.

CLOSE - TARANTULA

walks slowly across West's outstretched hand.

GORDON Uh... There's a spider on your hand. Doesn't that bother you?

WEST She doesn't want any trouble. She's just trying to get warm.

He puts the spider down into the sand.

GORDON How come you know so much about the desert, anyway?

WEST The Indians taught me. I lived out here when I was a boy.

Gordon starts to ask West something but West doesn't want him to pry further.

(CONTINUED)

WILD WILD WEST - Rev. 09/03/98                           81/82.

137  CONTINUED:    (3)                                               137

WEST Hey -- watch --

He points toward a small black wasp flying from above.

WEST The desert wasp... one of the world's great hunters. She'll                  kill the tarantula -- and lay her eggs on it, so her babies can have something to eat.

GORDON Now I'm really hungry. (beat) How did your parents, who I assume were Negroes, feel about you being raised by Indians?

WEST They didn't have much to say about it. I was sent to another plantation when I was little. Ran away as soon as my legs were strong enough to take me.

West can see the effect his story has had on Gordon.

GORDON Did you ever see your family again?

(CONTINUED)

THE WILD WILD WEST - Rev. 8/28/98                       83.

137  CONTINUED:    (4)                                              137

WEST Yeah... (stands, kicks                           out fire) They were at the camp at New Liberty.

Now they both stare into the fire. Finally Gordon speaks.

GORDON I'll help you get him, Jim.

138  EXT. UTAH - DESERT - MORNING                                  138

West and Gordon trudge through an endless sand dune, side by side, chests out, jaws set. They're partners, goddammit!

GORDON You have no idea where you're                  going, do you?

WEST I know exactly where I'm goin' ... Spider Canyon.

Gordon stops to catch his breath.

WEST (stops, looks back) But I'm never gonna get there with you draggin' that damn thing around!

Now we see Gordon's got the heavy metal collar in his hand. West grabs him and they start to walk away -- Gordon listing noticeably.

GORDON While a magneto of this power may not inspire your scientific curiosity, it does mine. Besides, you never know when it might come in handy.

Gordon suddenly disappears OUT OF FRAME. West stops to see what's happened to his partner now...

(CONTINUED)

THE WILD WILD WEST - Rev. 8/28/98                          84.

138  CONTINUED:                                                        138

ANGLE - GORDON

He's on his back, arm holding the metal doughnut straight out over his head, being dragged across the desert floor by some unseen force.

Gordon snowplows backwards through the sand for 40 feet, finally coming to an abrupt stop with a metallic klang!

West deadpans this bit of insanity, walks over, and with the toe of his boot, uncovers the explanation -- iron railroad tracks covered by drifting sand.

WEST Arte... when you're right, you're                  right.

GORDON Well I think our partnership is                  taking a big step forward. You finally admitted I was right about something.

West helps him up. Then, as or two heroes follow the tracks into the distance... towards Spider Canyon...

GORDON Now... how about admitting you were lost?

WEST Don't push it.

139  EXT. SPIDER CANYON RIM - DAY (LATER)                             139

West and Gordon trudge past the Wanderer. It's parked at the end of the line, looks deserted.

GORDON Jim, I know I've hallucinated it several times before, so is                  that really the Wanderer?

WEST That's the Wanderer.

Gordon seems relieved to know his beloved train is not another mirage. They continue on to the rim of the canyon, peer over the edge. Reacting to what they see...

GORDON And would it be too much to                  hope that I'm simply seeing a                   World's Fair down there... ?                                                       (CONTINUED)

THE WILD WILD WEST - Rev. 8/28/98                       85.

139  CONTINUED:                                                     139

WEST Yeah, it would. That's Loveless' Lair.

140  EXT. SPIDER CANYON - POV FROM RIM - DAY                       140

A natural bowl that appears to have been made by a     meteor, is gouged out of the desert floor. In the bowl are several spectacular Victorian-style buildings made almost entirely of glass, plus a huge silo. Ant-sized figures are moving around.

141  OMITTED                                                        141

142  EXT. SPIDER CANYON - DAY                                      142

Now they hear a strange sound. To modern ears, a WHINE as from a jet engine. Loveless appears in the f.g. He's     rising on a steel platform as if on some unseen elevator. Up, up, up he goes... as now more of the contraption comes INTO VIEW. Alloy girders, multi-levels, control boards...     all open in an Eiffel Tower-like effect.

West and Gordon scramble for cover behind a rock as a     giant metal Tarantula steps over the rim in full terrifying glory. Eight legs, five stories high.

The thorax of the giant spider bristles with Gatling guns and all manner of weaponry. As the shadow of the monster passes over their faces...

GORDON Now that's impressive.

WEST Nice to see an invention that actually works.

143  EXT. TARANTULA - BRIDGE - DAY                                 143

Loveless is sitting in a captain's seat 60 feet in the air. He's surrounded by his adoring crew Amazonia, Munitia and Lippenreider. He spreads his arms wide, world at his feet.

86.

144  EXT. SPIDER CANYON RIM - ANGLE - GORDON AND WEST - DAY        144

They watch the Tarantula head toward a narrow opening between two red-rock outcroppings.

GORDON (dismissive) We'll see about that. The fool doesn't even realize he's trapped.

145  EXT. MESAS NEAR SPIDER CANYON RIM - DAY                       145

Suddenly... a VOLLEY OF CANNON FIRE EXPLODES the impediment to dust. The Tarantula marches on.

146  OMITTED                                                        146 &                                                                   & 147                                                                  147

148  INT. WANDERER - PARLOR CAR (STOPPED) - DAY                    148

West is dressing for battle. He straps his six guns on his hips, flips the pool table over, grabs a coach gun, tucks that behind his chaps.

He belts on his shotgun shell bandolero. An extra six gun gets tucked in the belt. Another in his boot. Pocketfuls of shells. The man's ready for war.

WEST Gordon, let's ride! (pause) You do know how to ride...?

He sticks his head through the door to...

149  INT. WANDERER - LAB CAR (STOPPED) - DAY                       149

Gordon's Nitro-cycle is out. Gordon fusses with it and some canvas.

WEST ... A horse, I mean.

GORDON (distracted) Yes... I know how to ride a horse. When the situation calls for something primitive.

(CONTINUED)

87.

149  CONTINUED:                                                   149

WEST How about now? There's a big spider stompin' towards our President!

But Gordon won't be hurried. He has a big book out, studies it, then looks back to his Nitro-cycle.

GORDON I was just thinking about another spider. Remember in the desert, when that little wasp killed the tarantula...?

West rolls his eyes impatiently.

WEST Yeah. Well, the wasp had a small advantage. It could fly.

GORDON Exactly!

Gordon excitedly shows the book to West. Pictured is an     archaic sepia diagram of a weird aircraft. West looks at     it in disbelief as Gordon prattles on manically.

GORDON In 1540, Leonardo Da Vinci invented a flying machine called the 'Ornithopter.' Though he                  never actually flew it...

West's heard enough. He grabs Gordon, shakes him.

WEST Artemus! There's no time for plans or half-cocked inventions! They don't work. We gotta stick to what we're each good at!

As West drags Gordon to the wardrobe...

150  EXT. DESERT (UTAH) - DAY                                    150

Two riders galloping TOWARD CAMERA. As they THUNDER PAST, we see West is in the lead, jaw set. And right behind him comes... President Grant...?! (It's Artemus     in disguise, of course. And he actually can ride a      horse.)

THE WILD WILD WEST - Rev. 6/15/98                      88.

151  EXT. PROMONTORY POINT - CLOSE ON GOLDEN SPIKE - DAY          151

being held in the stubby fingers of Ulysses S. Grant. He's reading an inscription on it.

PRESIDENT GRANT (O.S.) May God continue the unity of our country...

CAMERA PULLS BACK to reveal a crowd present to watch President Grant knock in the famous spike. Behind him, two train engines are facing each other. The detectives scan the crowd for possible trouble.

PRESIDENT GRANT ... as this railroad unites the two great oceans of this world.

Now he swings back the sledgehammer... but at the top of     his swing...

CLOSE - SPIKE

starts to shake, wiggle, and actually pop out of its hole. Very curious. As it begins to hop on the ground, bounced by a RESOUNDING THUMPING...

ANGLE ON GRANT AND CROWD

look across the desert to see...

152  EXT. PROMONTORY POINT - LONG SHOT - DAY                      152

The Tarantula in full view. People start screaming in terror as it appears over a ridge, huge even at     this distance. The metal beast closes the 200-yard distance in seconds.

The citizens flee. The detectives are not far behind them. The soldiers take cover and ready their weapons. Grant stands his ground... even as a huge FOOT CLOMPS down in front of him, VIBRATING the CAMERA.

153  EXT. TARANTULA - BRIDGE - DAY                                153

Loveless talks into a microphone which BOOMS his voice out through AMPLIFIED SPEAKERS.

(CONTINUED)

89.

153  CONTINUED:                                                      153

LOVELESS Well, isn't this a coincidence! I'm out for a little mornin' ride, and right in the middle of                  nowhere, I bump into General Ulysses S. Grant himself! (leans over edge,                          mocking salute) We've never been properly introduced. I'm Dr. Arliss Loveless, formerly with the Confederate Army.

154  EXT. PROMONTORY POINT - DAY (INTERCUT WITH TARANTULA           154      BRIDGE)

Cool and collected, Grant lights a cigar.

PRESIDENT GRANT Yes, Dr. Loveless, what can I do                  for you today? (to his military aides) Flank him, left and right.

LOVELESS I have a humble abode nearby, and I hope you'll accept my                  hospitality. I have a little proposition to make.

PRESIDENT GRANT What proposition is that?

LOVELESS The unconditional and immediate surrender of the United States of                  America to the Loveless Alliance.

PRESIDENT GRANT I didn't realize we were at war.

Loveless gives the nod to Munitia.

155  EXT. PROMONTORY POINT - DAY                                    155

KABOOM! The CANNON blows the President's train to     smithereens.

156  EXT. TARANTULA BRIDGE - DAY                                    156

Loveless giggles.

(CONTINUED)

90.

156  CONTINUED:                                                     156

LOVELESS How about now...?

157  EXT. PROMONTORY POINT - BEHIND OBLITERATED TRAIN - DAY        157

The crowd who'd taken refuge behind it runs away in     panic. All but one of them. A second President Grant (Artemus Gordon). He calmly lights a cigar on the flaming train, strides up to the other Grant, and shouts up at Loveless.

GORDON/GRANT In matters of war, the person to                  talk to would be me.

If there's anyone more surprised than the President himself it's...

158  EXT. TARANTULA BRIDGE - DAY (INTERCUT WITH PROMONTORY         158      POINT)

Loveless, squinting down at the two Grants. This new wrinkle has also attracted the attention of the Love-lettes and everyone else aboard.

LOVELESS Now just who are you?

GORDON/GRANT The President. (turns to President,                          snorts) He's just an actor hired to stand in for me on public occasions. A                  very bad actor, I must say... a                  little puffy and overweight.

As the President eyes him, puffs on his cigar, Gordon/Grant apes his every move, bigger, mockingly.

PRESIDENT GRANT (aside) Gordon, you've got a lot of brass. Where's West?

GORDON You know him, sir...

Gordon/Grant shifts his eyes toward...

159  OMITTED                                                        159

91.

160  EXT. PROMONTORY POINT - REAR OF TARANTULA - DAY               160

West running undetected to the rear leg. As the lone cowboy starts to climb up toward the belly of the beast...

161  EXT. PROMONTORY POINT - TWO GRANTS - DAY                      161

Gordon/Grant turns to an Army officer, standing behind.

GORDON/GRANT (loudly) Captain, get this man out of my               sight! And next time get me a               real actor!

As the bewildered captain starts to lead the President away...

162  EXT. TARANTULA - BRIDGE - DAY                                 162

Loveless has had enough.

LOVELESS Take them both!!!

Munitia, manning a sort of cannon, takes a bead on     the two Grants. She pulls the trigger...

163  EXT. PROMONTORY POINT - TWO GRANTS - DAY                      163

... and a sticky white silk shoots out covering both Grants with spider web material.

PRESIDENT GRANT Well, Gordon... was this part of               your plan?

GORDON I'm by your side, sir.  That's                what's important.

Now Munitia hits a lever and they're hoisted up off the ground. They only get a couple of feet when... BLAM! West shoots the mechanism and it jerks to a stop.

All eyes turn to the source of the sharpshooting...

164  EXT. PROMONTORY POINT - TARANTULA LEG - DAY                   164

West has almost reached the lowest deck. Now all the firepower of the Tarantula is trained on him.

92.

165   EXT. TARANTULA - VARIOUS SHOTS - DAY                          165

Amazonia's on the Gatling gun. Munitia and several other goons on lower decks OPEN UP on West, too.

166   EXT. PROMONTORY POINT - TARANTULA LEG - DAY                   166

West takes cover behind the steel girders, SIX-GUNS BLAZING. All his GUNS BLAZING.

167   EXT. PROMONTORY POINT - DAY                                   167

But West's bullets, as well as the Union soldiers' covering FIRE, PING harmlessly against the Tarantula's      ALLOY SKIN.

A168  ANGLE ON BRIDGE - LOVELESS                                     A168

grows impatient with the gun battle. He pulls a lever.

168   OMITTED                                                        168 &                                                                    & 169                                                                   169

170   ANGLE - WEST                                                   170

Down below, nozzles on the Tarantula's legs suddenly ERUPT in clouds of skin-scalding STEAM. West screams in pain and falls... 30 feet...

171   EXT. PROMONTORY POINT - DAY                                   171

... to the ground, his head hitting a rock. As the two Grants witness it THROUGH the sticky spider ball...

DISSOLVE TO:

172   EXT. LOVELESS'S LAIR - AMPHITHEATER - DUSK                    172

Loveless, wearing a black tunic festooned with medals and a Prussian-style helmet with a horse hair plume, raises his arms Nixon-like as a band plays a flourish.

LOVELESS Bonjour, buenas tardes and good day! Great glorious day! A day of healing for the wrongs that have been done to us all!

(CONTINUED)

93.

172  CONTINUED:                                                     172

Framed by a large flag featuring the spider emblem, he     looks out from center stage of a Greek theater at the crowd of foreign dignitaries seated around him.

LOVELESS ... Oh, how long have we waited!

ANGLE - AMAZONIA, MUNITIA AND LIPPENREIDER

dressed in tight Fascist-brown tankwear, rise from their seats and applaud. The only people not applauding are a     row of haggard, bearded scientists and the manacled prisoners Gordon (sans disguise), Rita, Grant and Coleman.

LOVELESS (looks to                          Englishman) ... 1776, wasn't it, old bean? Most expensive cup o' tea in                  history...!

As the Englishman dignitary nods soberly...

173  EXT. PROMONTORY POINT - DUSK                                  173

West's body hasn't moved. The only change is that now a line of ants crawls across his face. We watch, hoping for a twitch, something... But there is none. The ants march over lifeless eyes, swarm onto the bloody cut on     his head. If we're not convinced he's dead...

ANGLE - VULTURE

circles lower, finally landing right by West's head. As     the hideous carrion-eater leans over West's face...

EXTREME CLOSEUP - WEST'S EYES

A shadow falls across them. But instead of the pecking red beak, a human hand appears IN the FRAME. Brushes the ants away. We hear an INDIAN INCANTATION over. Then finally... West's eyelids flutter open.

WEST'S POV - NAVAJO SHAMAN

standing over him. BLURRY, back-lit by the sun, the face of West's Indian friend. The healer who can turn himself into a bird.

(CONTINUED)

94.

173  CONTINUED:                                                      173

As West sits up groggily, feels his head. Hey, it's     okay. As he makes a mental note to always be kind to     animals...

174  INT. LOVELESS'S LAIR - AMPHITHEATER - DUSK (SAME TIME)         174

Loveless continues his speech to the foreign contingent.

LOVELESS (looks to Hudson                          the indian) Manhattan for a handful of beads? (raises his hand;                          injun-style) How? (to the Mexicans) Remember the Alamo indeed! (humbly to crowd) Today I'm proud to be able to sit before you and tell you the wrongs will be righted... the past made present... the United, divided!

To thunderous applause. Loveless signals for the flag to     be pulled down, revealing...

ANGLE ON MAP OF "THE DE-UNITED STATES"

There have been some significant internal changes which Loveless now describes. The delegation from each country stands when they hear their name.

LOVELESS Great Britain gets back the thirteen original colonies...                  minus Manhattan. (off applause) Florida and the Fountain of Youth go back to Spain! (off applause) Texas, New Mexico, California, Arizona revolve a Mexico! (off applause) And the Louisiana Purchase reverts back to the King of France!

In the front row Rita leans over to Gordon.

RITA Queen of Spain. King of France. I was close.

(CONTINUED)

95.

174  CONTINUED:                                                      174

MUNITIA (jostles her) Shut up and listen to a real genius!

Finally Loveless taps Colorado, Kansas, Utah and Nevada -- now labelled as "Loveless Land." Smiles impishly.

LOVELESS And a tiny piece for me to retire on.

There's appreciative laughter.

175  INT. WANDERER - PARLOR CAR - WEST - SAME TIME                  175

stumbles in and looks around discouraged.

The place has been ransacked. The gun cabinets are empty, the Gatling lamp removed. All that's left is     Gordon's Nitro-cycle and his wardrobe full of dresses.

West tries every secret hiding place. Nothing. Finally he finds Gordon's belt buckle/derringer. He opens the breech. Only one dinky bullet. He throws down the belt in disgust.

176  INT. LOVELESS'S LAIR - AMPHITHEATER - LOVELESS - DUSK          176

sits behind a desk that has been brought to center stage. Loveless unrolls a document, signs his half of it.

LOVELESS My partner nations insist that we                  make this as legal as possible. Personally, I like the symmetry of                  it. After all wasn't it you who made us sign a surrender at                  Appomattox?

Loveless snaps his fingers. Amazonia drags Grant out of     his seat and sticks a pen in his manacled hands.

PRESIDENT GRANT Never will I sign that paper, never will the United States ever surrender!

(CONTINUED)

96.

176  CONTINUED:                                                     176

LOVELESS Well, sir, we're at loggerheads then, aren't we? And I suppose the threat of death to someone with your valorous war record, would mean nothing.

Grant sets his jaw intractably. He's right about that.

LOVELESS ... so, if you still refuse to                  sign this surrender... we'll start by shooting your man, Gordon.

Loveless whirls, nods to Amazonia who drags the President back to his seat, pulls Gordon out of his. Rita can't     help her outburst.

RITA Artemus!

Artemus smiles at her, extremely brave under the circumstances. He whispers to Rita and the President.

GORDON (tugs at his vest) Don't worry, I'm wearing the Impermeable.

Rita turns to Grant. What the hell is that? Gordon has no time to explain as Amazonia hauls him up on the stage. As Munitia aims her rifle... Gordon holds up a finger.

GORDON If I may have one request... it's                  that she aim at my heart... which has loved this great country so                  much!

LOVELESS (considers for a moment) Shoot him in the head.

GORDON Great.

Munitia cocks her rifle, then just as Loveless holds his hands up for the signal to fire... the lights dim...

97.

177  INT. LOVELESS'S LAIR - AMPHITHEATER - DUSK                      177

A candle-powered spotlight swings across the stage and illuminates... a deep-throated, bluesy black CHANTEUSE who starts singing the popular cathouse song, "Hangtown     Gals."

CHANTEUSE (singing) 'Ohhh... Hangtown gals are plump and rosy...'

Loveless wheels his chair around to take a gander and forgets Gordon's execution instantly. And why not? She's young and beautiful in a RuPaul sort of way. About six feet tall, wearing the blue sequined number Gordon had in his dressing room.

Accessorized with black mesh stockings, big feather boa, silver-buckled belt, lots of frilly petticoats for those can-can moves.

CHANTEUSE (singing) 'Hair in ringlets, mighty cozy...'

She winds her finger around her ringlets and sticks out her derriere to the crowd. They stare, mouths agape at     this piece of ass worthy of Othello.

CLOSE - LOVELESS

Intrigued. Well, maybe more than intrigued.

LOVELESS A new girl! What a nice surprise!

He motions to hold up Gordon's execution, rolls to her.

CHANTEUSE 'Painted cheeks and frilly corsets.' (bends over showing                          her undergarment) Touch them...'

Loveless hears this as an invitation, reaches out with his hand and whap! She slaps him right in the face.

CHANTEUSE '... And they'll sting like hornets!'

(CONTINUED)

98.

177  CONTINUED:                                                      177

There's a hush in the crowd. Loveless, a red handprint on his face, is a little nonplussed. Amazonia moves in     threateningly, but Loveless stops her, starts to laugh.

LOVELESS (making her name up                          on the spot) Ebonia! Why are you so cruel to                  me?

Ebonia has escaped a head-cutting neck bracelet. But she probably shouldn't be teasing a man who's having "ghost     aches" in certain amputated places.

ANGLE - GORDON

waiting to be executed. Something's not quite kosher about her for Gordon.

GORDON (musing to himself) I have a dress like that.

ANGLE - CHANTEUSE

Now with the crowd singing along, she pulls out all the stops. Her gestures and dance moves become more exaggerated, she's in the thrall of her audience.

CHANTEUSE (singing) 'Hangtown gals are lovely creatures Think they'll marry Mormon preachers.'

She sashays over to the French dignitary, pulls his monocle out of his eye and blows hot breath on it, steaming it up. As she pops it back on his face...

CHANTEUSE (singing) 'Heads thrown back to show their features...'

Now she puts her cheek next to Rita as if matching their relative beauty while picking the pocket of Lippenreider.

Rita pushes her away disgustedly but not before Ebonia hands Coleman the keys to the cuffs. Coleman looks from the keys to Ebonia. He just caught on.

(CONTINUED)

99.

177  CONTINUED:    (2)                                                177

COLEMAN Go, Ebonia, go.

Then Ebonia prances on stage to Gordon, cuddles up to     him. Gordon looks at the big beautiful black woman with a mixture of amusement and relief. Of course, it's his "I'd rather be dead" partner, Jim West.

WEST (singing) Ha... Ha... Hangtown girls...

GORDON Not to sound ungrateful, but you're                  a little over the top.

WEST (sings) Ha... Ha... Ha...

West/Ebonia wraps the feather boa around Gordon's neck -- hiding the derringer in the palm of his hand. Gordon looks worried. What's he going to do with a gun? As he tucks it up his sleeve...

GORDON Let me warn you about that dress...

WEST Gotta go. Big finish... (belts it out) 'Ha, ha, ha! Hangtown gals!!!'

An immediate standing ovation. The diversion allows Coleman to unlock both Grant's and Rita's shackles. Grant looks at the keys.

PRESIDENT GRANT Where'd those come from...?

COLEMAN (nods to Ebonia) Captain West.

Their eyes practically pop out of their heads.

RITA She's... no...!

ANGLE - EBONIA/WEST

One more time.

(CONTINUED)

THE WILD WILD WEST - Rev. 7/1/98                        100.

177  CONTINUED:    (3)                                               177

WEST (singing) 'Ha, ha, ha... Hang... Town... Girls!!!'

Suddenly the tassels on his bosoms are spinning to the delight of the crowd.

WEST (suddenly blinks) Wait a minute. What the hell is this?

He stops, but his tassels are still spinning on their own.

178  INT. LOVELESS'S LAIR - AMPHITHEATER - DUSK                     178

Immediately two FLAME THROWERS EXPLODE from his cone-like bosoms.

Maybe he should've listened about the dress. He turns to     Gordon questioningly, and inadvertently incinerates one of      Loveless's goons. He howls in pain, runs panicked...     right into Rita.

RITA Serves you right for staring at                  them.

As she relieves the charred goon of his keys... Loveless turns to the rest of his goons.

LOVELESS Kill him! (off their confused                          looks, points) Him! Him! The girl!

Finally getting it, they rush Ebonia. Even his 4th of     July breasts aren't a match for them. Desperate, West reaches way down in his undergarments to retrieve one of     Gordon's billiard balls. He depresses the number and rolls it at the guards.

GORDON Was that the eight ball?

WEST Mmm-hmm.

Gordon grabs West and Rita, pulls them behind the bar.

(CONTINUED)

THE WILD WILD WEST - Rev. 7/1/98                        101.

178  CONTINUED:                                                      178

GORDON That one's an incendiary bomb.

KA-BOOOOM! An EXPLOSION rips the place and a Santa Ana- sized fire starts immediately.

Rita jumps up and makes her way through the smoke to a     bearded SCIENTIST.

WEST/GORDON Rita!

She unlocks his neck collar, turns to them and smiles.

RITA (disappearing into                          the chaos) Meet me after the show!

Both West and Gordon look after her with yearning as     three goons charge them. Coleman, amazed at their torpor, quickly grabs a RIFLE from the incinerated goon and OPENS FIRE. BLAM! BLAM! BLAM!

Three goons drop. Gordon and West exchange looks. Not bad for an emphysemic old engineer.

COLEMAN Special Marshal... President thought you needed some lookin' after.

Speaking of the President... he's grabbed a dead goon's     RIFLE, and is LAYING DOWN a pretty good field of FIRE himself. Suddenly, he gets a tap on the shoulder from behind. It's Amazonia. Whap, she sends a right to his chin knocking him out. She throws him over her shoulder and carries him away.

179  INT. LOVELESS'S LAIR - AMPHITHEATER - BEHIND STAGE -           179 DUSK

As fire engulfs the place, Loveless has no choice but to     retreat... for now. Surrounded by a cadre of his women, who carry the unconscious President Grant, Loveless heads through a round STEEL VAULT DOOR. As Amazonia swings the door closed, the foreign dignitaries BANG on the door begging for admittance.

(CONTINUED)

102.

179   CONTINUED:                                                      179

FRENCH MINISTER Monsieur, we are your partners! You can't let us die in this fire!!

LOVELESS It's not the first time y'all have been burned in America.

He chuckles, nods to Amazonia, who SLAMS the DOOR closed.

180   EXT. LOVELESS'S LAIR - AMPHITHEATER - WEST, GORDON AND         180 COLEMAN - DUSK

emerge from the smoking lair, coughing and gasping for breath. They watch helplessly as...

181   EXT. AMPHITHEATER - TARANTULA - DUSK                           181

CLAMBERS out of the bowl -- with Grant captive on the bridge.

A182  EXT. AMPHITHEATER - DUSK                                       A182

COLEMAN This is diabolical! They've got the President and I've still got that silly song in my head!

GORDON (freaking out) C'mon we gotta go! We gotta ride horse! Something!

West is watching the Tarantula, turns to calm him.

WEST No, Arte. Right now, we need a plan.

Gordon tries to compose himself.

WEST That flyin' machine idea of                   yours... were you just acting like you knew what you were talking about... or could you build it?

182   OMITTED                                                         182 &                                                                     & 183                                                                    183

103.

184  EXT. NEAR SPIDER CANYON - WANDERER - STOPPED - DUSK            184

PANNING an expanse of canvas comprising a 20-foot wing span. In the b.g., we hear Gordon SCRIBBLING.

GORDON (O.S.) Now Bernoulli's Principle states that the air flowing over a bird's               wings... is moving at a lower pressure than the pressure below the wing... that's called 'lift.' Course, it's just a theory... it's               never been tested.

NEW ANGLE - GORDON'S DRAWING

It depicts a wing cutting through the air. Arrows indicating airflow. Circular lines indicating "life." Only one problem, it's upside down. Gordon remedies that. Looks sheepishly to West who, like him, is wearing a leather flight jacket and goggles.

WEST You're not makin' me feel any better.

Now they attach the wing to the frame -- which is     connected to the Nitro-cycle.

Coleman, his ever-present cigarette dangling from his mouth, readies bombs from the gunpowder of cartridges and Gordon's design. They look like Flash Gordon's     spaceship. He passes them out.

COLEMAN Here's a coupla bon voyage presents.

GORDON Coleman! Must you smoke when handling explosives!

Gordon grabs them away from him and sits in the saddle of     the Nitro-cycle. West looks at Coleman apologetically as     he stuffs the bombs into his jacket.

WEST He's just a little nervous 'cause no one's ever flown before.

West is barely on the back when Gordon kicks it over and they BLAST OUT OF FRAME.

104.

185  EXT. DESERT AND CLIFF - NITRO-CYCLE - DUSK                    185

builds ground speed. Gordon is nervous at the wheel. West gives him an encouraging pat.

WEST Avant...! Avant!!!

But their speed is not enough to get them airborne.

GORDON We're not getting enough lift! We need more speed!

Then in an uncharacteristic move by Gordon, he turns the machine around and heads for the cliff.

WEST Hey, uh... that's the cliff over there, you know?

He guns the accelerator.

GORDON Yes, I do know.

And with that, the Nitro-cycle goes off the cliff! It     disappears for the count of five. Then suddenly it     swoops up and PAST CAMERA. They're flying!

186  EXT. SKY - DESERT WASP - IN FLIGHT - DUSK                     186

GORDON (amazed) It worked...? It worked!!

WEST (looking down) If you had to get one right, I'm               real glad it was this one.

GORDON (exhilarated, with                       West-like abandon) Yeee-haaa!

And with that, they bank the Desert Wasp around and fly off to save the Republic.

187  EXT. SILVERADO - TARANTULA - DUSK                             187

is entering the town.

105.

188  EXT. BRIDGE - TARANTULA - DUSK                                 188

Loveless turns to Grant, his face beaten and bruised.

LOVELESS Mr. President, I'll ask you once again. Sign the surrender or I               decimate this town!

PRESIDENT GRANT You've had my answer.

Loveless's face darkens as Amazonia hands him a tray of     cotton balls.

LOVELESS (as he puts in earplugs) I find the sound of people screaming while they get blown to               smithereens, ruins the ear for music. Don't you?

He offers them to the President. Grant swats them away.

LOVELESS Commence firing!

And with that the Tarantula OPENS FIRE on the town. There's a lot of stomping and smashing, too.

189  EXT. SKY - DESERT WASP (IN FLIGHT) - DUSK                      189

high above the Tarantula. Gordon, lost in the joy of     flight, turns to West who is more of a white-knuckler.

GORDON I think I'll call it...

WEST Lemme guess... an Elevation Enhancer?

GORDON (why would you                       call it that?) No, Air... Gordon.

Now West points to the Tarantula and chaos below.

WEST Go down, down there!

(CONTINUED)

106.

189  CONTINUED:                                                      189

GORDON (as if to a child) You can't just 'go down there.' Flight depends on lift, which must be calibrated to the angle of                  descent...

WEST Shut up and go down there, will ya?

West reaches up, shoves the make-shift joystick forward. As the wasp plummets toward the bridge of the Tarantula and Gordon strains to keep control...

190  EXT. TARANTULA - BRIDGE - DUSK                                 190

Loveless and Grant are oblivious to our heroes above. He     unlocks one of Grant's handcuffs, presents him with a      pen.

LOVELESS Well, Mr. President. Have you had enough yet? Would you like to                  sign the surrender or shall we set a course for Denver? Wichita? Washington, perhaps?

Suddenly there's a LOUD WHOOOSH and...

191  EXT. SKY - DESERT WASP (IN FLIGHT) - ABOVE SILVERADO -         191 DUSK

West and Gordon swooping down low. West unfastens BOMBS from his vest, waits for the right moment. As     they swing past the Tarantula cannon, he drops them. BOOM! BOOM! The big gun falls limp.

192  EXT. TARANTULA - BRIDGE - DUSK                                 192

The dumbfounded Tarantula crew, which has been whittled down to Miss Lippenreider, Amazonia and Munitia. They never counted on having to shoot something in the air, and can't raise their weapons any higher than 90 degrees.

193  EXT. SKY - DESERT WASP (IN FLIGHT) - ABOVE SILVERADO -         193 DUSK

West and Gordon banking around for another sortie.

107.

194  EXT. TARANTULA - BRIDGE - DUSK                                 194

Loveless wheels his chair amid the smoke and chaos, shocked. WARNING HORNS are GOING OFF.

PRESIDENT GRANT Well, I'll be damned... it's West and Gordon... flying!

Grant chuckles at the dauntless pair's pluck.

PRESIDENT GRANT Keep that surrender handy. I               think you're going to need it!

LOVELESS Don't be too sure...

Loveless thinks for a moment, pushes Grant out of the way, and rolls over to the controls. He pushes a lever and the Tarantula bends down on its knees. He barks to     Munitia.

LOVELESS I'm through with diplomacy... Take him away and kill him!

195  EXT. DESERT - TARANTULA - DUSK                                 195

On its front knees...

196  EXT. TARANTULA - BRIDGE - DUSK                                 196

Now its rear end is tilted up in the air giving Amazonia at the Gatling gun a shot at...

197  EXT. SKY - DESERT WASP (IN FLIGHT) - ABOVE SILVERADO -         197 DUSK

The BULLETS PERFORATE the Desert's Wasp's wings and BLAST through its STRUTS. They're going down!

WEST What does your boy da Vinci say about puttin' this bird down?

GORDON I don't think he thought it would ever work, so he didn't get that far. I'm open to suggestions.

(CONTINUED)

108.

197  CONTINUED:                                                      197

WEST Take out as many bad guys out as                  you can.

Gordon aims wasp at the Tarantula kamikaze-like just as...

198  EXT. TARANTULA - LOWER DECK - MUNITIA - DUSK                   198

Munitia cocks back the hammer of her pistol and aims it at the President... The WASP CRASHES into her. The SHOT GOES OFF wildly and Munitia falls off the deck, to her death.

As Grant and the wasp hang over the edge...

199  EXT. TARANTULA - BRIDGE - DUSK                                 199

Loveless at the controls.

LOVELESS Munitia! Munitia!!!

200  EXT. TARANTULA - LOWER DECK - DUSK                             200

West and Gordon, bruised but alive, climb off the wasp and onto the lower deck. They pick up the President and dust him off.

GORDON Sorry about that, sir. Nose up, flaps down. Have to remember that next time.

PRESIDENT GRANT Son, never apologize for saving a                  President's life.

As Gordon realizes that he's finally made amends for that night long ago in Ford's Theater...

AMAZONIA (O.S.) Soon you all can fly again. This time with little angel wings.

West, Gordon and Grant turn to see Amazonia and Lippenreider with the drop on them.

WILD WILD WEST - Rev. 4/9/99                            109.

201  EXT. TARANTULA - BRIDGE - DUSK                                 201

West, Gordon, and Grant are now under Loveless's control.

LOVELESS Gentlemen, I am truly impressed by                 your effort and ingenuity. Why not swear an oath of loyalty to                 me... and forego your executions.

WEST Why not? Well, I guess maybe I'd                 rather see what happens when I                  stuff your ass into that cannon up there and fertilize the landscape.

GORDON Uh, Jim, I think a polite 'no' would suffice...

Loveless taps a button on his chair and the floor opens up beneath West. He goes crashing down a story.

Loveless sics Amazonia on Gordon and Grant and proceeds down the ramp to the level below.

LOVELESS Lippenreider, take over the controls. (looks down at West) We may not have a woodshed on                 board, but that boy is gonna get a                  whoopin' anyway!

202  INT. BELLY OF THE BEAST - DAY                                  202

West plunges down into the metal chamber. Oiled pistons, thrusting. Steam, billowing. Struggles to his feet.

There, out of the shadows, steps...

KNIFE GUY

He's a mess... no hands, just brass collars where they used to be. They lock eyes.

WEST So, I guess you're the one who's                 gonna give me my whoopin'.

They square off. A beat. Then, a long steely blade shoots out from where his left hand used to be.

(CONTINUED)

WILD WILD WEST - Rev. 4/9/99                            109A.

202  CONTINUED:                                                    202

WEST Pfft. I got one a' those.

West reveals the less impressive four inch stiletto in     his boot. Knife Guy responds by producing another blade from his other cuff.

WEST But you've got two of those. (beat) Okay, lemme talk to Gordon, I'll                  see if he can...

No time for talk. Knife Guy does a bad-ass series of     moves. The blades criss-crossing one another at blinding speed. West, unimpressed, retorts with a lame shake of     his stiletto and boot.

And the fight begins...

Knife Guy attacks! West narrowly escapes each thrust of     the knife, and attempts a kick to the groin... but comes up short -- The stiletto collides with one of the blades and snaps like a carrot. His only weapon... gone.

WEST Damn.

West rolls onto the railing to avoid the attack. Sparks fly as the Knife Guy tries to slice and dice West but misses each time, hitting the metal railing instead.

West rolls to the floor, sucking air. Knife Guy lands a kick to West's ribs. And to make matters worse...

WRENCH GUY

just showed up. He swings his wrench at West's head. West ducks but gets kicked in the back. He sails across the room, lands flat on his back. Now...

SHOVEL GUY

makes an appearance. He hammers his shovel at West's     groin, over and over. (West is in a crab position and     backs up to avoid this.) West finally gets a kick in      -- it does a moderate amount of damage.

Wrench Guy appears and swings his huge wrench at West's     head. West escapes it, barely...

Knife Guy thrusts a side-kick at West's chest, but West catches his foot, holds on for dear life.

(CONTINUED)

WILD WILD WEST - Rev. 4/9/99                            109B.

202  CONTINUED:    (2)                                             202

Wrench Guy is inbound, with wrench in hand. He swings on West, but West blocks it with Knife Guy's leg... OUCH! West punches both of them. Wrench Guy tumbles OUT OF     FRAME.

West stands. Looking for a way out, but... no luck...     Shovel Guy attacks. West ducks and the shovel connects squarely with Knife Guy's blades. West crouches and throws two simultaneous punches, each connecting with a     set of jewels.

West stands, follows it up with a right cross and left hook and these two jokers wind up OUT OF FRAME.

Now... the Wrench Guy is on his feet and he's pissed! He attacks West, lands a solid kick to the chest and West flies backward toward a...

HANGING CHAIN

which he grabs. He scales the gears, gets a solid grip, then swings, a huge arc across the room, gaining momentum, and kicks Shovel Guy and Wrench Guy at the same time! Off their feet they go, slamming onto the metal floor.

West lands. Knife Guy attacks. West uses the chain to     block the blades which are flying at him, left and right. Sparks fly. West manages to wrap the chain around one of     the knives, locks it down, and heaves it into the gears...      the blade snaps.

WEST No more Mister Knife guy!

West drops a stiff right-cross on the chin of the Knife Guy... wobbles his legs a bit. But before West can follow up...

ANOTHER BLADE SHOOTS OUT

to replace the broken one. It stops about a half-an-inch from West's nose.

A struggle ensues, but West manages to wrap the chain around Knife Guy's neck and string him up.

West throws a kick to his back... Knife Guy, hanging by     his neck, flies through the belly... (the chain is on a     track)... and out of the mouth of the beast, down into the abyss, chain and all.

Shovel Guy springs to his feet and swings on West. West grabs the shovel and they struggle for possession...

(CONTINUED)

WILD WILD WEST - Rev. 4/9/99                           109C.

202  CONTINUED:    (3)                                            202

Wrench Guy comes out of nowhere and wants a piece of the action. But West uses the shovel to deflect the swing- ing wrench... sparks fly.

West gains sole possession of the shovel and mule-kicks Shovel Guy OUT OF FRAME. West spins just in time to     land a crippling blow to Wrench Guy's back.

Shovel Guy grabs the shovel. He and West tug-o'-war again. West ducks under the shovel and moves back-to-front with him. West elbows him in the ribs. He responds by putting West in a choke hold. West swings the shovel wildly but hits his target -- shovel Guy's head!

West steps back, gets his footing and, for good measure, whacks him in the back.

Wrench Guy attacks. West defends himself with the shovel and lands a stiff kick to his stomach. Wrench Guy goes down...

West turns, hits Shovel Guy in the chest with the shovel and he goes down...

Wrench Guy sneaks up on West from behind and swings at     his head. West, on instinct, lifts the shovel and blocks the deadly blow at the last second.

West has now found his rhythm...

He swings and shovel and connects with... first, the foot, then the chin, and last but not least, the head -- BOINK! West drops the shovel and, World Wrestling Federation style, picks him up and hurls him into the space between the gears. We won't see him anymore!

West pivots and WHACK!... Shovel Guy plants a neat little roundhouse kick squarely on West's jaw. West backs up and catches another in the stomach. Then...

Shovel Guy really shows what he's made of...

He does a series of jump-kicks, round-houses and fan- kicks into the air. All perfectly timed, all deadly.

SHOVEL GUY I learned that from a Chinaman.

West, without missing a beat, steps on the shovel, which flips into his hand and -- WHACK! -- lands a clean one right on the top of Shovel Guy's melon.

WEST I just made that up.

(CONTINUED)

WILD WILD WEST - Rev. 4/9/99                           109D.

202  CONTINUED:    (4)                                            202

Shovel Guy reels back and tumbles over the railing, through the hole and he's gone...

WEST Don't forget your shovel!

West casts the shovel out into the abyss.

WEST (upward) Is that all you got for me, Loveless?!

West, exhausted, turns and sees...

METAL HEAD

all seven feet of him. The top of his head is a metal plate. Extending downward, encircling his eyes. West soaks him in, sighs.

WEST Uh, I just threw my shovel out. So this really isn't fair. If                  you don't mind, I'd like to...

West, at lightning speed, throws a sucker-punch/spin- ning back-fist to Metal Head's jaw... PING! That one really hurt... West's hand, that is. Metal Head isn't     fazed a bit. West throws another shot, this time to     the gut... PING! Then a kick to the groin... PING!!!

WEST (incredulous) Noooo.

Metal Head has had enough. He effortlessly picks West up by his lapels and flings him across the room. West tumbles, and lands right next to...

WRENCH

He picks it up and starts swinging! A shot to the body ... PING! Then another... PING! Then another... PINGGGG! Metal Head lurches forward, absorbing each blow with not so much as a twitch of the eye. West furries... PING! PING! PING! PING!... nothing! He goes for the head...     PINNNNNNGGGG!... nothing! West is out of time. He's been backed up as far as he can go. His heels are dangling over the mouth of the beast, a thousand feet above the rocky cliff.

WEST Sorry.

(CONTINUED)

WILD WILD WEST - Rev. 4/9/99                             109E.

202   CONTINUED:    (5)                                               202

Metal head grunts, grimaces and pitches forward, toward West, slowly but menacingly... West braces himself.

METAL HEAD Urrrrrrrrrrggggghhh!!!

West side-steps and Metal Head falls face first into the open air.

WEST (downward) You guys just don't get out enough.

CUT TO:

202A  INT. TARANTULA - BELOW DECK - DUSK                             202A

West slowly gets up. Loveless is about to roll over him. He jumps up in the air, grabs onto an overhead strut, reverses and shoves the wheelchair off the ramp jamming the wheels.

A smile comes to West's face as he watches Loveless's      frustrated attempts at going forward and backward.

WEST When you get right down to it, Loveless, you just can't beat a good pair of legs.

LOVELESS (thin smile) You're obviously not a poker player, Mr. West...

Loveless presses a button, the sound of MECHANICAL GEARS ENGAGING. Suddenly four metal legs appear from underneath the wheelchair, raising his body to a height of six foot ten.

LOVELESS Two pair always beats a pair.

West stares up at him slack-jawed. Loveless rolls up his sleeves, steps away from the wheelchair ready to fight.

LOVELESS Now... Was it someone particularly close to you who perished in that military action?

West responds with a roundhouse kick to the chin that makes Loveless spin around on the platform of his chair.

(CONTINUED)

WILD WILD WEST - Rev. 4/9/99                          110.

202A  CONTINUED:                                                    202A

LOVELESS (stunned) Hmmm. Well, that hit a nerve.

Loveless imitates West by kicking with a lightning flash of an alloy leg. It's a rib cracker that sends West sprawling.

LOVELESS A mother, perhaps? A father?

CLOSE - WEST'S HAND

He's just trying to get up when a cleated metal foot stomps down with hundreds of foot pounds per square inch. As West screams in pain...

203   EXT. TARANTULA - BRIDGE - DUSK                               203

Gordon tries to come to West's aid, but Amazonia points a gun barrel at his temple. Gordon can only watch helplessly as...

204   INT. TARANTULA - BELOW DECK - DUSK                           204

Loveless begins a metallic-flamenco, hands on his hips, his piston-like legs kicking West's body and head.

LOVELESS It feels so good to stretch my                   legs.

(CONTINUED)

111.

204  CONTINUED:                                                      204

West can't take much more of this, he's about to pass out. Loveless lowers his alloy foot over West's head and begins to crush it like a grape.

LOVELESS I likes to beat my feet on the Mississippi mud!

205  EXT. TARANTULA - BRIDGE - DUSK                                 205

Gordon watches in a tortured sweat as his partner tries to hold off the metal foot. But he's slowly losing. Gordon turns to his female captors, throws his arms out beseechingly. When he does, the derringer comes snapping out of his sleeve in the device which normally holds his pen.

GORDON Stop this violence!

Gordon blinks at the gun. So do Lippenreider and Amazonia. Grant knows what to say, if Gordon doesn't.

PRESIDENT GRANT Drop 'em.

They obey, chucking their guns overboard.

206  INT. TARANTULA - BELOW DECK - DUSK                             206

West's eyes are popping out of his head, the mechanical pressure of Loveless's leg.

GORDON (O.S.) Stop or I'll shoot!

If possible, West's eyes pop even further. Gordon shoot?

NEW ANGLE - LOVELESS

looks up to see Gordon holding the derringer on him from up above.

LOVELESS You expect to kill me with that little pea shooter?

GORDON If I have to. Yes.

(CONTINUED)

WILD WILD WEST - Rev. 10/7/98                           112.

206  CONTINUED:                                                      206

LOVELESS Why is it, that I'm unafraid? (chuckles) I believe you gentlemen are the polar opposites of a moral dilemma and I'm stuck in the middle. On one end, we have Mr. West, a man of primitive vigours uncomplicated by                  intellect. And on the other, there's Mr. Gordon. A man of                  ideas, but unlike myself, lacks the passion to kill for them. He'd like to be able to act his way out of it. And for some reason when he's actin', someone always seems to get killed.

Loveless puts more pressure on West's head, he groans. Gordon aims.

WEST (gasps) Shoot him, Gordon...!

LOVELESS I'm right about you, aren't I,                  Gordon? And that's why I'm                  gonna kill your friend here. Then I'm going to kill you.

POP! The SHOT startles Loveless, West and even Gordon. But when Loveless realizes that he's not hit, he laughs.

LOVELESS After all that, you missed.

GORDON Not exactly.

He gestures down Loveless's legs to a punctured metal tube that's spraying a stream of hydraulic fluid all over the deck -- rendering the foot on West's head, powerless. West gets out from under, rubs his neck to regain circulation.

WEST Better than a fountain pen, don't                  you think. (nods behind Gordon) By the way, your chivalry's about to be tested.

Gordon turns to see...

(CONTINUED)

THE WILD WILD WEST - Rev. 7/1/98                        113.

206  CONTINUED:    (2)                                               206

ANGLE - AMAZONIA AND LIPPENREIDER

Charging him. They smash into him, driving him to the rail. As they pummel him, trying to throw him over, Gordon realizes this is no time for passivity. He     retaliates with a series of chops and kicks that would make West proud. Over the rail, goes Lippenreider. In     that split-second before she drops, Gordon mouths "bye-bye."

Before he can savor the moment further, Amazonia clubs him from behind. Gordon whirls and hits her so hard it     surprises them both. Over the railing she goes! As     Amazonia hovers there, President Grant gives her the kick in the pants she needs to go sailing.

PRESIDENT GRANT (to Gordon, impressed) We'll be joining them in a moment if you can't stop that thing!

207  EXT. TARANTULA - BRIDGE - DUSK                                 207

Gordon turns to see Grant gesturing at the horizon. His eyes widen when he sees the flat mesa they are travelling comes to a sudden halt at a 1000 foot cliff.

PRESIDENT GRANT Let's see how clever you really are...

Gordon frantically starts pulling this lever and that. Meanwhile...

208  OMITTED                                                         208

209  INT. TARANTULA - BELOW DECK - DUSK                             209

West approaches Loveless. There's going to be some payback.

WEST For almost four long years I've                  been trackin' the animal responsible for the Massacre at                  New Liberty. And I hear that's you...

But with the hydraulic fluid, the fight has gone out of     Loveless. His mechanical legs shrivel before our eyes, and Loveless sinks helplessly to the deck like the Wicked Witch.

(CONTINUED)

WILD WILD WEST - Rev. 4/9/99                           114.

209  CONTINUED:                                                     209

Whimpering pathetically, he uncouples his body from the useless contraption and slowly backs up to his wheelchair that's stuck against the railing.

LOVELESS Please, West... show a little mercy to a poor defenseless cripple...

WEST (imitating his accent) Now, now, Doctor... let's not cloud this otherwise sunny day with that poor-ol'-me-cripple-talk. Just buck up and say to yourself, 'I am                  indefatigably hard-pumpin' and steely!'

Loveless gets to his wheelchair and collapses in it.

LOVELESS After I kill ya, I swear I'm gonna boil you down to axle grease!

WEST Now that's the ol' doctor I know!

But the smile fades from West's face when he sees Loveless's     shotgun armrests pop out leveled at his waist.

West has nowhere to go but up as he leaps to grab the I-beam over his head just as Loveless pulls the triggers on both BARRELS... BOOM! BOOM!

The SHOTS almost blow the heels off West's boots. They PUNCTURE a PIPE behind him. Steam spews out. This is     going to have an effect on something.

210  EXT. TARANTULA BRIDGE - DUSK                                  210

Gordon and Grant are trying different combinations to     stop the thing. Finally, Gordon throws up his hands. He doesn't know what else to try when suddenly the Tarantula seizes up as if it just had a heart attack and tilts forward.

211  EXT. CLIFF - EDGE - DUSK                                      211

The Tarantula lurches forward drastically and teeter- totters on the brink.

WILD WILD WEST - Rev. 4/9/99                            114A.

212  INT. TARANTULA - BELOW DECK - DUSK                            212

The sudden stopping jerks Loveless' wheelchair free. Despite his frantic efforts, he's rolling toward the opposite railing. When the wheelchair hits a pool of     hydraulic fluid on the deck, it spins him around 180 degrees.

West jumps up, grabs a girder. The wheelchair spins under West's legs and then -- CLANK -- it slams into the railing and wedges there.

213  EXT. CLIFF EDGE - DUSK                                        213

The impact makes the mighty beast jerk forward, inches away from toppling over.

214  INT. TARANTULA - BELOW DECK - DUSK                            214

The jolt shoots West off the girder. He free-falls through the belly and out into the open air. Thinking quickly, he grabs onto the back of Loveless' wheel- chair. His arms nearly torn from their sockets. His weight causes the wheelchair to shift, now leaving it     hanging on by a thread. West reaches out, grabs the wheel of the chair and hangs there.

LOVELESS Well, I'll be a monkey's uncle. How did we arrive in this dark situation?

WEST I don't know. Guess I'm stumped!

LOVELESS And I'm so cotton-pickin' afraid of heights. They just give me the spooks!

WEST Ah, don't be afraid, Loveless. With this being the last leg of               our journey and all, you should soak in the view, you're really missing something.

LOVELESS Mister West, I'm gonna cut this conversation short...

WEST Good one, Loveless. I didn't think of that one.

(CONTINUED)

WILD WILD WEST - Rev. 4/9/99                              114B.

214  CONTINUED:                                                       214

LOVELESS (furious) Mister West!!! I am faced with a                  difficult decision here. On one hand, there is the overwhelming love that I have for myself, and on the other, the raw, seething hatred I have for you! Now, I                  could kill you very easily, just by pulling this lever...

He moves the joystick. The chair jerks back.

LOVELESS But, of course, I would die along with you. I guess the only thing that I can take comfort in is the hope that you would hit those rocks a second before me and I                  could enjoy immeasurable bliss before I vanish. (moving joystick                          back and forth) What to do, what to do...

West grabs the joystick.

WEST Allow me to make that decision easy on you, Loveless. Because I want to see you dead a hell of                  a lot more than I want to live.

LOVELESS Why is it that I have a sneaking suspicion, that although you are as black as the night on the outside... inside, you are yellow?!

They lock eyes. A beat.

LOVELESS You don't have it in you, do you...                  boy?!

WEST You were right. Let's cut this conversation short!

West yanks the joystick back.

(CONTINUED)

WILD WILD WEST - Rev. 4/9/97                            114C.

214  CONTINUED:                                                     214

ANGLE - LOVELESS

his eyes widen. The wheels spin for a second, finally catch, and in a flash, Loveless and West free-fall into space.

LOVELESS Weeeeeeeeeest!!!!

A beat, then...

ANGLE - CHAIN

which is dangling from the belly of the beast. At     the bottom of the chain is the Knife Guy from the fight scene. West is hanging on to his ankles, enjoying a     vindictive, belly laugh.

WEST (downward) Now that looked like it hurt.

CUT TO:

215  OMITTED                                                              215

216  EXT. PROMONTORY POINT - CLOSE ON GOLDEN SPIKE - DAY           216

It's driven finally into place to a rousing cheer. PULL BACK to reveal that President Grant, his sleeves rolled up, has delivered the blow.

Hats in the air, handshakes, pictures. The specter of     Loveless and his evil plot a fading memory.

Grant turns to West and Gordon.

PRESIDENT GRANT Gentlemen, I now strongly believe the United States is going to be                  truly united. Not because of this railroad... but because of you.

(CONTINUED)

THE WILD WILD WEST - Rev. 7/1/98                         115A.

216  CONTINUED:                                                      216

Grant scans the crowd, every race seems present at this momentous event. He reaches into his pocket, takes out two silver shields.

PRESIDENT GRANT I've signed into law the creation of an agency whose sole duty is to                  protect the President and the country from lunatics like Loveless. (pins badges on                          their vests) Welcome to the Secret Service, Agents No. 1 and No. 2.

(CONTINUED)

116.

216  CONTINUED:                                                           216

The President shakes both their hands. Gordon resists looking down.

GORDON Uh, just out of curiosity, sir...                  who's Agent No. 1?

Grant just shakes his head, some things never change.

PRESIDENT GRANT I don't think that matters very much, do you? Gordon? Besides, you'll have plenty of time to                  discuss it on your new assignment. (hands them piece                          of paper) See you back in Washington.

He snaps off a salute, starts to go as they read it. Gordon looks up, very troubled.

GORDON But, sir... what about our train?

PRESIDENT GRANT (over shoulder) Well, I'm taking it of course. Hell, you let Loveless blow up                  mine.

As they look at one another in dismay...

RITA (O.S.) Jim... Arte...?

They turn to see Rita approaching them from a crowd of     scientists. She's looking extraordinarily fetching in a print dress and parasol.

West and Gordon sit up like dogs.

WEST Rita! You look great.

GORDON Ravishing, a vision.

She hugs West, she hugs Gordon. Who's it gonna be?

RITA I just wanted to thank you for everything you've done for me...                  before I went back home to Texas.

(CONTINUED)

117.

216  CONTINUED:    (2)                                                216

WEST Texas? Why're you going back there? Why don't you come with me                  back to Washington?

GORDON Or better still, come with me to                  Washington. I could introduce you to people I still know in the theater...

WEST She's not really an entertainer, remember?

RITA (intercedes) I can't go with either of you.

She looks from one crestfallen suitor to the other.

RITA It's not that you both don't have your attributes. (to Gordon) You're so sophisticated and such a                  wonderful cook. (to West) Jim, you're good with a gun... and have great legs. (to both) And you're both so brave. But... I'm afraid I haven't been completely honest with you.

WEST AND GORDON Uh-oh...

RITA Professor Escobar's not my father. He's my husband.

She gestures to a handsome goateed Latino waiting for her. Shaved and cleaned up, he's not the old man we     thought.

WEST Rita... why didn't you just tell us that in the first place?

(CONTINUED)

118.

216  CONTINUED:    (3)                                                   216

RITA Well, I was going to... but would you have really brought me along if I said I was married? Honestly.

Neither West nor Gordon knows what to say.

RITA I didn't think so.

She turns and starts to walk away. Stops and smiles.

RITA At least you still have each other.

As West and Gordon look at one another...

217  EXT. MONUMENT VALLEY - SUNSET                                      217

We gaze out over one of those achingly beautiful John Ford vistas as we hear our heroes voices.

WEST (O.S.) You know, Arte...

GORDON (O.S.) What's that, Jim?

WEST (O.S.) Maybe Rita's right...

Suddenly intruding into the f.g. is a huge metal leg. Then another LEG CLOMPS down... and the Tarantula comes INTO FULL VIEW. As our heroes ride slowly into the sunset.

WEST Besides... there's a lot of                  other women in the world.

GORDON That's easy for you to say. She didn't walk off with your best dress.

FADE OUT.

THE END