What Makes Toons Tick

Act One
(The episode begins with a view of the roof of the clock tower of Acme Looniversity. The camera moves downwards to a sign that says, WELCOME TO ACME ACRE HOME OF TINY TOON ADVENTURES. Dizzy spins through the sign, then the camera cuts to a view of him as he briefly stops spinning. He growls, then resumes spinning. The camera cuts to a view of a bush, and as Dizzy spins through the bush, the camera focuses on him as he spins through several trees, a parking lot, where he spins several cars away, and another bush)

Buster (heard offscreen): "There he is, Dizzy Devil in action."

(The camera cuts to a view of the Acme Park Sign. Inside the Acme Park, Mitzi Avery is having a picnic with her friends, Taffy and Jessie as Dizzy spins outside the park entrance)

Buster (heard offscreen): "Though basically a disgusting spinning garbage disposal,"

(The camera cuts to an opposing view, focusing on Dizzy as he spins through a park bench, then stops spinning when he reaches Mitzi's picnic blanket. He lays down, and love hearts appear above him)

Buster (heard offscreen): "He is found to be lovable by people with very tiny brains."

Dizzy: "Hi, girls."

(the camera cuts to an opposing view. Jessie laughs, and Taffy gives Dizzy a piece of cake.

Mitzi: "Ooh! It's a purple thing. Isn't he cute?"

(The camera zooms out, revealing that Buster and Calamity, who are inside Calamity's laboratory, have been watching Dizzy, Mitzi, Taffy, and Jessie on a television screen)

Taffy: "Yup. Have a cupcake!"

(The camera cuts to a zoomed-in view of Buster and Calamity as they turn around)

Buster: "But Dizzy didn't always have such luck."

(Buster walks to the left side of the screen. The camera then cuts to a view of a white sheet covering something as Buster walks up to it.)

Buster: "Allow us to demonstrate!"

(Buster pulls off the white sheet, revealing a time machine underneath. He then jumps into the passenger side and Calamity walks up to the machine as well. He jumps into the driver's side. The camera zooms in on the machine as Calamity turns it on)

Buster: "Thanks to Calamity's new time machine, we'll travel back in time to take an in-depth look at Dizzy's first romantic interlude."

(The camera cuts to a view of a wall. The Tiny Toons rainbow logo and several film strips begins to fill the screen)

Buster: "So, kids, this might be a very good time to go and get yourself a nice cheese sandwich."

(Buster and Calamity travel through the rainbow logo. The screen fades to black)

Whirlwind Romance
(The title card is shown, which shows Dizzy chasing an anthropomorphic tornado. The screen fades to black, then to the next scene, which takes place along a forest path. Two butterflies appear onscreen and kiss each other. They fly away as Buster and Babs skip across the path together)

Buster (heard offscreen): "Ahhh, first love."

(Elmyra skips across the path, dragging Montana Max)

Monty: "Aaah!"

(Monty grabs a tree branch, which causes him and Elmyra to screech to a halt. Elmyra pulls on his arm with both of hers)

Monty: "Aaah!"

(Elmyra's force pulls Monty off of the tree branch, then she continues dragging him along)

Buster (heard offscreen): "A time for romance."

(Gogo Dodo skips across the path, carrying a blender, which he then kisses)

Buster (heard offscreen): "A time for pairing off with a friend."

(The camera cuts to a view of an angry Dizzy sitting on a tree stump in the middle of the forest)

Buster (heard offscreen): "A time for memories."

Dizzy: "But no time to pway!"

(The camera cuts to a zoomed-in view)

Dizzy: "Everyone too busy with..." (blows raspberry) "Love stuff! Blech!" (As he jumps up and down): "Boring, boring, boring! And when Dizzy get bored, Dizzy eat!"

(Dizzy spins, then the camera cuts to a view of him devouring a tree)

Dizzy: "Dizzy eat lots!"

(Dizzy eats some bushes, and then two more trees, until all that remains of the latter are stumps. He eats another bush as he spins offscreen. The camera then cuts to a view of the forest path as the wind begins to blow. It then cuts to a view of the forest, focusing on the wind as it blows. followed by a view of the other side of the forest, focusing on the wind until it reaches the desert, then after that, a view of the desert, continuing its focus on the wind. The camera then cuts to a view of the desert path as the wind crosses it. Another gust of wind shows up, then the first gust of wind turns back and collides with the second, forming a tornado. The tornado suddenly has two eyes and a pair of red lips. The tornado runs back down the path, then the camera cuts to an opposing view, followed by a view of a house from a hill. The Tornado runs down the hill, then the camera cuts to a view of the yard, focusing on the tornado as she gets caught in the clothesline, pulling it until it breaks loose from the poles. The camera then cuts to a view of the desert path as the Tornado stops in the middle of it, now wearing the clothes from the clothesline as a pink bow and a green skirt. She continues moving down the path, then the screen wipes over to Dizzy and the camera focuses on him as he spins across the forest, spinning through some bushes. The camera then cuts to an overhead view, focusing on Dizzy as continues consuming bushes, until he reaches the desert. It then cuts to a view behind Dizzy, continuing its focus on him as he spins across the desert, consuming cacti, followed by a view of a cliff as he stops at it, then an opposing view as he sits down)

Dizzy: "Eating no help! Dizzy still bored!"

(The camera then cuts to a zoomed-in opposing view)

Dizzy: "And... lonely."

(Dizzy picks up a rock and hugs it)

Dizzy: "Every toon got someone 'cept me!"

(Dizzy tosses the rock inside, and curls up into a fetal position. Tears begin to form in his eyes as he closes them, then he opens them when he hears the wind blow. He looks around)

Dizzy: "What that?"

(Dizzy puts his eyes over his hands like a pair of binoculars and looks around. The camera cuts to a zoomed-out view as Dizzy sees the Tornado approaching, thinking she is a female Tasmanian Devil, then to a zoomed-in opposing view, followed by a close-up of Dizzy's face as Hearts appear in his eyes with the Tornado in the middle. An alarm blares and smaller hearts form from Dizzy's body. Dizzy points to the Tornado)

Dizzy: "Girl Tasmanian Devil? For Dizzy?"

(The camera cuts back to the zoomed-out view as Dizzy begins to spin, then to an opposing zoomed-out view as he spins down the cliff. The camera then cuts to a view of the Tornado on the right side of the screen as Dizzy spins up to her on the left)

Dizzy: "Hewwo."

(Dizzy begins blushing)

Dizzy: "Baby!"

(Dizzy pounces at the Tornado to try to hug her, but misses. The Tornado spins away, then Dizzy spins to follow her. The camera cuts to a view of the desert path as the Tornado stops in it, and Dizzy follows her. The camera then cuts to a zoomed-in view of Dizzy as he stops spinning and the Tornado spins up to him)

Dizzy: "Don't be shy. Dizzy want to be your friend. Take Dizzy hand."

(Dizzy holds out his left arm and his hand gets caught in the Tornado, who spins him around. The camera cuts to a view of the Tornado as she spins Dizzy around by his left arm)

Dizzy: "Give... Dizzy... hand... back!"

(The Tornado catches Dizzy, then the camera cuts to a view of a cave as she carries him into it. The camera then cuts to a zoomed-in view, and a crashing sound is heard. The Tornado exits the cave by herself. The Camera cuts to an opposing overhead view as the Tornado spins away, leaving the clothes she pulled off the clothesline behind. It then cuts to a view outside the cave as a rather dizzy Dizzy walks out, trying to regain his balance. He looks around for the tornado, only to find her missing)

Dizzy: "Huh? Hey? Huh?"

(Dizzy walks over to the clothes the Tornado left behind. The camera cuts to a view of the clothes and zooms out on them as Dizzy looks at them in shock. It then cuts to a side view of Dizzy as he picks up the green shirt that the Tornado was using as a skirt, then looks around)

Dizzy: "Where go?"

(The camera cuts to an overhead view of Dizzy as he calls for the tornado)

Dizzy: "Yoo-hoo!"

(There is no reply)

Dizzy: "She gone! And naked, too!"

(Dizzy walks away, crying. The camera cuts to a side view of Dizzy, focusing on him as he sadly walks across the desert. The background suddenly transitions from the Desert to the Acme Park, and Dizzy walks past the entrance. The camera then cuts to a view inside the park as Dizzy falls over on his belly and cries, pounding his fists and feet. Mitzi walks up to him)

Mitzi: "Oh, what's wrong, little fella? Don't cry."

(Dizzy stops crying, He then wipes the tears from his eyes and looks up at Mitzi)

Dizzy: "Huh?"

(The camera cuts to an opposing view of Mitzi, then moves downwards as she crouches to comfort Dizzy)

Mitzi: "Hey, girls! Look what I found!"

(The camera cuts to a view of Taffy and Jessie. Taffy is sitting on a park bench and Jessie is reading a magazine. They both turns their heads to Mitzi, and Taffy even gets off the bench. The camera cuts to a view of Mitzi comforting Dizzy as Taffy and Jessie walk up to him. Jessie hugs Dizzy, and Taffy pets his fur)

Jessie: "Oh, he's so cute!"

Taffy: "You're a saint! Where are you from?"

(The camera cuts to a zoomed-in view of Dizzy)

Dizzy (to the viewers): "Dizzy still little sad, but me think me will get over it."

(Dizzy scratches his chin, then the screen fades to black, ending Act One)

Act Two
(The second act begins with Buster and Calamity traveling through a time portal. On the other side of the time portal is Plucky Duck, whom the camera zooms in on)

Buster: "Plucky's always been obsessed with power."

(The camera cuts to a side view of the Time Machine)

Buster: "Even as a tiny duckling, he insisted on having the rest of the world at his fingertips."

(The time machine lights up and rings, then moves forward. The camera cuts to a view of Buster and Calamity traveling to the other side of the time portal as various baby-related items fly past them, including bottles, baby shoes, rattles, safety pins, and blocks)

Going Up
(The title card shows Baby Plucky standing on the U of GOING UP. The screen fades to black, then to a view outside the Acme Mall as several cars drive by. The camera then cuts to an overhead view inside the mall and moves to the right side of the screen. It then cuts to a corridor as Baby Plucky and Mrs. Duck stop there. Baby Plucky is sucking his thumb with his right arm and holding onto Mrs. Duck's hand with his left. He sees the elevator stop and some customers leave it, then stops sucking his thumb and looks at Mrs. Duck. He looks back at the elevator and resumes sucking his thumb. The elevator goes up, then the camera cuts to an opposing view of Baby Plucky and Mrs. Duck)

Mrs. Duck: "Okay, hon, we're all done shopping. Now what would you like to do?"

(Baby Plucky stops sucking his thumb and points to the elevator)

Baby Plucky: "Wanna go on the elelator! Wanna push the buttons!"

Mrs. Duck: "You wanna go on the elevator, darling?"

Baby Plucky (as he nods his head 'yes'): "Yes, sir, wanna go on the elelator!"

(Baby Plucky tries to run off, but he is held back by Mrs. Duck)

Mrs. Duck: "Okay, dear. Let's do that."

(Baby Plucky runs off, pulling Mrs. Duck offscreen. The camera cuts to a view outside the elevator as Baby Plucky lets go of Mrs. Duck. She is about to push the button, but he stops her)

Baby Plucky: "No! I push the button! No you push the button, I push the button! Not your turn, my turn! I push the button!"

Mrs. Duck: "Okay, okay."

(The camera cuts to a view of Baby Plucky on his own)

Baby Plucky: "I push the button." (He presses the up arrow button) "I push it! I push it again!" (As he repeatedly presses the up and down arrow buttons) "I push it again and again and again and again!"

Mrs. Duck: "Don't overdo it Plucky, once is enough."

(Mrs. Duck grabs Baby Plucky and pulls him out of the way before he can press the buttons any more. The camera cuts to a view of the elevator, focusing on it as it goes down)

Baby Plucky: "Elelator go down the hole!"

(The camera cuts to a view of Baby Plucky as he sucks his thumb, then to a view of the elevator doors as they open. Mrs. Duck and Baby Plucky are about to walk inside.)

Mrs. Duck: "Here we go, son. Watch your step."

(The camera cuts to a view of Baby Plucky, who gulps nervously. It then cuts back to the previous view. Mrs. Duck goes inside, but Baby Plucky lets go of her and stays outside)

Baby Plucky: "No, I scared."

(Baby Plucky sucks his thumb)

Mrs. Duck: "But darling, there's nothing to be afraid of."

(Baby Plucky stops sucking his thumb)

Baby Plucky: "No, I scared."

Mrs. Duck: "It won't bite."

Baby Plucky: "No, I scared!"

(Baby Plucky is about to suck his thumb, but Mrs. Duck grabs him and carries him into the elevator. The camera then cuts to a view of the doorway of the elevator as Baby Plucky clings onto it, with Mrs. Duck trying to pull him off)

Mrs. Duck: "Come on, dear!"

(Mrs. Duck pulls Baby Plucky off the doorway, and the doors close. The camera cuts to a view inside the elevator, as Mrs. Duck sits Baby Plucky down and stands up. Mrs. Duck walks away, and Baby Plucky runs to her)

Baby Plucky: "Pick me up, pick me up,"

(The camera cuts to a view of Mrs. Duck as Baby Plucky climbs up her)

Baby Plucky: "Pick me up, pick me up!"

(The camera cuts to a view of the elevator buttons on the left side of the screen and Mrs. Duck on the right. Baby Plucky sits down in her arms and sucks his thumb)

Mrs. Duck: "Let's go to the eighth floor. Do you see a number '8'?"

(Mrs. Duck pushes the '8' button. Baby Plucky stops sucking his thumb)

Baby Plucky: "No, my turn! Not your turn, my turn!"

(Mrs. Duck pets Baby Plucky's head)

Mrs. Duck: "All right, you push Number 8."

(Baby Plucky pushes the '8' button)

Mrs. Duck: "What a big boy!"

(Baby Plucky turns around and hugs Mrs. Duck)

Baby Plucky: "I push 8! I push 8! I push 8!"

Mrs. Duck: "Yes you did, hon!"

(The elevator starts moving. The camera cuts to an overhead view of the elevator as it moves up)

Baby Plucky: "Elelator go up!"

Mrs. Duck: "That's right, son."

(The camera cuts to a view of Mrs. Duck and Baby Plucky inside the elevator)

Baby Plucky: "Elelator go up!"

Mrs. Duck: "You got it!"

Baby Plucky: "Elelator go up!"

Mrs. Duck: "Yes."

Baby Plucky: "Elelator go... up!"

Mrs. Duck: "Uh, yeah."

(The elevator stops)

Baby Plucky: "Huh?"

(The camera cuts to a view of the eighth floor as a customer walks past the elevator. The doors open)

Mrs. Duck: "And here we are!"

(The camera cuts to a view of Baby Plucky)

Baby Plucky: "Wanna do it again!"

Mrs. Duck: "You do?"

Baby Plucky: "Yes, sir. Wanna do it again! Wanna push the button!"

(The door closes. The camera cuts to a view of Baby Plucky and Mrs. Duck inside the elevator)

Mrs. Duck: "Okay, one more time. Here we go."

Baby Plucky: "Is my turn! Is not your turn, is my turn!"

(Baby Plucky pushes the '2' button)

Baby Plucky: "I push the button!" (As he pushes various buttons) "Again and again and again!"

(Baby Plucky laughs)

Mrs. Duck: "Lovely."

(The elevator begins moving down)

Baby Plucky: "Elelator go down!"

Mrs. Duck: "Yep."

Baby Plucky: "Elelator go down!"

Mrs. Duck: "That's right."

Baby Plucky: "Elelator go down!"

Mrs. Duck: "Okay."

(The camera cuts to a view of the first floor as the elevator stops. Mrs. Duck drags Baby Plucky, who is sucking his thumb, outside)

Mrs. Duck: "All right, Plucky, we have to go now."

(Baby Plucky stops sucking his thumb)

Baby Plucky: "No, wanna do it again!"

(Baby Plucky continues sucking his thumb and looks at the elevator as the door closes)

Mrs. Duck: "But now it's time to go home."

(Baby Plucky stops sucking his thumb and turns around. He drags Mrs. Duck back to the elevator)

Baby Plucky: "No go home! Wanna go on the elelator! Wanna do it again!"

Mrs. Duck: "Next time."

(Mrs. Duck grabs Baby Plucky and tries to drag him)

Baby Plucky: "Wanna do it again! Wanna do it again! Waaah! Waaah!"

(Baby Plucky throws a tantrum, crying and pounding his fists and feet)

Baby Plucky: "Waaah! Waaah! Waaah!"

(Mrs. Duck grabs Baby Plucky and drags him)

Mrs. Duck: "Next time, I promise."

(The camera cuts to an overhead view)

Baby Plucky: "Wanna do it again! Waaah! Wanna do it..."

(The camera cuts to a view of Baby Plucky)

Baby Plucky: "Oh!"

(The camera cuts to a view of Mrs. Bunny and Baby Babs as they walk past, then to a side view of them as Baby Plucky snatches Baby Babs from Mrs. Bunny and into Mrs. Duck's grasp. The camera then cuts to a view of Mrs. Duck dragging Baby Babs away, followed by a view of Baby Plucky by himself)

Baby Plucky: "Wanna do it again!"

(The camera cuts to a view of the elevator as Baby Plucky runs back to it)

Baby Plucky: "Wanna go on the elelator!"

(The camera cuts to a view of the elevator buttons as a customer is about to push one, but Baby Plucky stops her)

Baby Plucky: "My turn! No you push the button! I push the button!"

(Baby Plucky pushes the Up arrow button, then the camera cuts to a zoomed-out view as the elevator doors open and Baby Plucky and the customers go inside)

Baby Plucky (as he jumps up and down): "My turn, not your turn! I push the button!"

(The doors close, then the camera cuts to a view of Baby Plucky inside the elevator)

Baby Plucky: "Not your turn, my turn!"

(The camera cuts to a view of the elevator buttons as Baby Plucky constantly jumps and presses the '8' button)

Baby Plucky: "I push 8! I push 8! Again and again and again!"

(The camera cuts to a view of a customer, who is about to push a button, then to Baby Plucky as he stops him)

Baby Plucky: "Is my turn! Is not your turn!" (As he pushes the '12' button) "I push the button!"

(The camera cuts to a view outside the elevator, focusing on the elevator as it goes up and stops with each floor)

Baby Plucky: "Elelator go up! Elelator go up! Elelator go up!"

(The camera cuts to a view of the elevator doors as they open and the customers walk out, complaining)

Baby Plucky (as he jumps up and down): "My elelator! Not your elelator,"

(The camera cuts to an opposing view of Baby Plucky inside the elevator)

Baby Plucky: "My elelator! Not your elelator, mine!"

(Baby Plucky walks up to the buttons and presses the 'BASEMENT' button

Baby Plucky: "Elelator go down!"

(The screen transitions to a view of some cars in the parking lot and moves over to the left side of the screen as Mrs. Duck walks Baby Babs over to her car. The camera then cuts to a view of the car door as Mrs. Duck opens it and puts Baby Babs in Baby Plucky's car seat)

Mrs. Duck: "Up you go, Plucky."

(Mrs. Duck buckles Baby Babs in, only to realize she brought the wrong baby to her car. She gasps)

Mrs. Duck: "You're not Plucky!"

Baby Babs (as she waves to a terrified Mrs. Duck): "Hi, lady."

(The camera cuts back to Baby Plucky in the elevator as it goes up. It then cuts to a close-up of the 'SUB-BASEMENT' button as Baby Plucky pushes it, then back to the previous view as the elevator goes down)

Baby Plucky (as he points down): "Elelator go down the hole."

(Baby Plucky giggles. The camera cuts to a door that says, SUB BASEMENT. AUTHORIZED ACCESS ONLY, then moves over to the outside of an office. Mr. Hitcher's silhouette can be seen in the window, then the camera cuts to a view of two security guards tied-up, then moves over to Mr. Hitcher taking money out a of a safe and putting it into a red box. It then cuts to a close-up of the box as the money is being loaded into it, followed by a view of the two guards as Mr. Hitcher walks up to them, then a close-up of Mr. Hitcher himself. He gives an evil grin, then turns around. The camera cuts to a view outside the office door as Mr. Hitcher opens it and walks out, followed an opposing view of the elevator door as Mr. Hitcher presses the down arrow button. The camera then cuts to an overhead view of Baby Plucky in the elevator as it continues going down, then to a close-up of Baby Plucky)

Baby Plucky: "Uh-oh. Bottom of the hole."

(Baby Plucky sucks his thumb, then the camera cuts to a close-up of the 'SUB-BASEMENT BUTTON as it dims, then to a view of the doors as they open. Mr. Hitcher's feet can be seen, then the camera moves up to his face as he enters the elevator, then the camera cuts to a view of a scared Baby Plucky, who sucks his thumb, followed by a view of the elevator doors as they close, and then, an overhead view of Mr. Hitcher pointing to Baby Plucky)

Mr. Hitcher: "Number one."

(Baby Plucky stops sucking his thumb and moves in front of the elevator buttons)

Baby Plucky: "My elelator!"

(Baby Plucky grabs Mr. Hitcher's finger)

Baby Plucky: "Not your elelator, my elelator!"

(The camera cuts to an opposing view as Mr. Hitcher tries to get his finger out of Baby Plucky's grip)

Mr. Hitcher: "Let go, kid!"

(The camera cuts to a view of Baby Plucky)

Baby Plucky: "I push the button! No you push the button, I push the button!"

(The camera cuts to a close-up of Mr. Hitcher's face)

Mr. Hitcher: "Let go!"

(The camera cuts back to Baby Plucky)

Baby Plucky: "It's my turn! It's not your turn! It's my turn!"

(Baby Plucky pushes the '12' button, then the camera cuts to a zoomed-out view as the elevator begins to move. Mr. Hitcher pushes the '1' button, then the camera cuts to a view of the elevator doors as he tries to walk out. It then cuts to Baby Plucky, who is standing next to the buttons)

Baby Plucky: "My turn! I push the button!"

(Baby Plucky pushes the '10' button, then the camera cuts back to the elevator doors as they close on Mr. Hitcher's foot and Mr. Hitcher yells in pain. The camera then cuts to an opposing view as Mr. Hitcher pulls his foot out. He lands on the floor, then the camera cuts to a view of the elevator doors as they open. It then cuts back to Baby Plucky)

Baby Plucky: "I push the button!"

(Baby Plucky turns around and presses the '1' button, then the camera cuts back to the elevator doors as Mr. Hitcher tries to escape, but the doors close and he crashes into them, leaving a Mr. Hitcher-shaped dent in them. The camera cuts to the two guards as they release themselves from the rope, then to the office door as they open it and run out. The camera then cuts back to Baby Plucky as he presses the 'EMERGENCY STOP' button, then to a close-up of Mr. Hitcher, followed by the bottom of the elevator as he leaves another Mr. Hitcher-shaped dent in it. The camera cuts back to him as he pulls his face out of the dent, and the elevator begins to move up, then to an opposing view as Baby Plucky presses the 'EMERGENCY STOP' button again)

Baby Plucky: "I push the buttons again!"

(The camera cuts back to Mr. Hitcher, this time as he hits the ceiling of the elevator, then to a view outside the elevator, focusing on it as it goes down)

Baby Plucky: "Elelator go down, elelator stop!"

(The camera cuts back to the inside of the elevator as Mr. Hitcher hits the floor again)

Baby Plucky: "Elelator go up,"

(Baby Plucky pushes a button. The camera cuts to a view outside the elevator doors as the Up and Down arrow buttons flicker and the elevator goes up and down)

Baby Plucky: "Elelator stop! Elelator go down, elelator stop!"

(The camera cuts back to the inside of the elevator as Mr. Hitcher hits the floor again, and Baby Plucky pushes the buttons again)

Baby Plucky: "Elelator go up, elelator stop!"

(The elevator goes up and stops, and Mr. Hitcher hits the ceiling again. The camera cuts to a view outside the elevator doors as the two security guards walk up to them, then to an opposing view as they push the customers out of the way, then back to the previous view as the fat guard pushes the down arrow. The elevator stops, then the camera cuts to a close-up of the doors as they open, revealing Baby Plucky sitting on top of a defeated Mr. Hitcher, with the red box open and the stolen money spilt on the floor. The camera cuts to an opposing view of the two guards as the skinny guard picks up the red box, then to an opposing zoomed-out view as Mrs. Duck returns)

Mrs. Duck: "Plucky!"

(The camera cuts to a zoomed-in view of the guards' bodies as Mrs. Duck walks past them, then to a view inside the elevator)

Mrs. Duck: "Thank goodness! I was so worried!"

(Mrs. Duck picks up Baby Plucky and carries him out of the elevator. As he is being carried out, he pushes the 'BASEMENT' button)

Baby Plucky: "I push the button!"

(The camera cuts to an opposing view as the elevator doors close, trapping Mr. Hitcher inside, then to a view of Baby Plucky looking at the elevator goes down)

Baby Plucky: "Elelator go down the hole!"

(Baby Plucky giggles, then the cartoon irises out on him, ending Act Two)

Act Three
(The third act begins with Buster and Calamity traveling forward through a time portal. The machine moves up to the camera so that Buster and Calamity can face it)

Buster: "Next up, a trip all the way back to last Thursay, and Hamton and Sneezer encounter the age-old childhood fear..." (Buster hugs Calamity, then talks in a scared voice) "The closet monster!"

(Calamity holds up a sign that says, LEAVE THE LIGHTS ON, MA!. The machine moves offscreen, then the screen fades to black)

Nothing To Sneeze At
(The title card is shown, which Shows Li'l Sneezer standing under the silhoutte of a monster. The screen fades to black, then to a view outside Hamton's house late at night. Evil laughter can be heard as the camera zooms in on the house, then the screen transitions to a view of a pair of curtains flapping in the wind. The camera moves to the right side of the screen, past some books on Hamton's nightstand, until it reaches Hamton, who is sleeping in his bed. The camera then cuts to an opposing view and moves to the right side of the screen, until it reaches Hamton's closet, with the door open. A light glows in the closet and Oogie crawls out and growls. The camera focuses on him as he walks his way to Hamton's bed, then cuts to a view of him, zooming out on him as he tries to scare Hamton, but with no success. He pokes Hamton)

Oogie: "Yo, pig kid! You awake?"

Hamton: "Beat it! I'm trying to sleep!"

Oogie: "Hey! You're not playing by the rules here; I'm the terrifying closet monster, and you're the hapless kid scared to death of me! Like, that's the deal, you know."

(Hamton wakes up and grabs Oogie)

Hamton: "Look, there's no suck thing as closet monsters."

(Hamton gets back under the covers. The camera cuts to a view of Oogie, focusing on him as he walks back to Hamton's closet)

Oogie: "Aw, nuts! Oh, well. Back to the Unemployment line."

(The camera cuts to an overhead view inside the closet as a trap door opens, revealing a glowing light that Oogie jumps into. The camera then cuts to a view of the unemployment line, where Count Blood Count is reading off a sign, and Witch Hazel and Hugo the Abominable Snowman are sitting at a bench. It then moves to the right side of the screen, past several other monsters, including a miniature version of Gossamer, a Gremlin, one of Marvin the Martian's alien birds, the Sneezing Dragon from the Bugs Bunny cartoon, Knighty Knight Bugs, a ghost, and a mummy holding up a sign that says, HELP! NEED WORK!. The Mummy is standing next to the doorway with a sign that says INCOMING above it. Oogie slides down the doorway and bumps into the Mummy, pushing him offscreen. Oogie is laying on the floor with stars spinning over him)

Witch Hazel (heard offscreen): "Oh, look, it's Oogie!"

Oogie: "Hi, guys!"

(Oogie stands up and walks to the right side of the screen. The camera cuts to a view of Witch Hazel and Hugo sitting on the bench next to a water cooler filled with red liquid. Oogie walks up to the cooler)

Witch Hazel: "Don't tell me the little pig boy stopped believing."

(The camera cuts to a side view of Oogie as he sighs, then takes a cup and pours some red liquid from the cooler into it)

Oogie: "Yep. I had him pegged as a lifetime monster-phobic for sure."

(The camera cuts to a view of Hugo)

Hugo: "It's a changing world."

(The camera cuts to a zoomed-out view of Oogie, then zooms out as he goes into a room that says, MONSTER ROOM, with a spider in between the text. The camera then cuts to an opposing view of the receptionist as she looks at a card and opens a window, then to an opposing view of her calling for the monsters)

Receptionist: "We just had a closet monster job open up."

(The camera cuts to a view of some more monsters, one of which is Melvin the Monster from the episode, Hare Raising Night. The monsters gasp in delight and run to the left side of the screen. The camera cuts to a view of the receptionist, then moves to the right side of the screen as she tosses the card and the monsters race to catch it. They all fight over the card in a cloud of dust, and Witch Hazel catches it. She looks at the card, only to find out who the victim is)

Witch Hazel: "Hopping gila monsters! Not Sneezer!"

(The dust clears and the monsters stare in shock. The camera cuts to a close-up of Hugo)

Hugo: "Run for your life!"

(The camera cuts back to the previous view as the Monsters run to the right side of the screen, leaving the card behind, then to a view outside the Monster Room Door as Oogie opens it and the Monsters run past it. Oogie walks out, then the camera cuts to the Receptionist as she picks up the card)

Receptionist: "Hey, Oog, you want a job? You get to scare a harmless little mouse."

(Oogie walks up to the Receptionist and takes the card from her)

Oogie: "Gee, thanks."

(Oogie walks away, then the camera cuts to a zoomed-in view of the Receptionist as she files her nails)

Receptionist: "I just hope your insurance is paid up."

(The camera cuts to Oogie, who briefly stops and turns his head towards the receptionist. He turns around, shrugs what she just said off, and walks to the right side of the screen. The camera then cuts to a view of a rectangular pipe with a glowing light inside, obviously leading to Sneezer's apartment. Oogie jumps inside the pipe. The camera cuts to a view of the top of Sneezer's apartment building and moves down to the door, zooming in on it. It then cuts to a view inside Sneezer's bedroom, where Sneezer is sleeping in his crib, and moves over to the closet. A light glows inside the closet and the doors open. A trap door in the closet opens, then the camera cuts to a zoomed-in view as Oogie emerges from it)

Oogie: "Rackin-frackin' underground, oomph!"

(The camera cuts to a zoomed-out view as the light dims and Oogie scratches his head. He looks around, then the camera cuts to a zoomed-out view of Sneezer sleeping in his crib and zooms in on him, followed by an opposing view of Oogie)

Oogie: "This is gonna be great!"

(Oogie laughs and walks up to Sneezer. The camera cuts to a side view of Sneezer sleeping in his crib as Oogie sneaks up on him, then to another side view as Oogie gets closer. Oogie growls, then the camera cuts to a zoomed-in view of Sneezer as he awakens, unscared. He pulls the covers over him off, then yawns and stretches. He looks at Oogie happily, then the camera cuts to an opposing view of Oogie as he tries to scare Sneezer and moves in closer)

Oogie: "Oooh!"

(The camera cuts back to Sneezer, who is not scared)

Sneezer: "Hey, that's pretty good. I can make scary sounds, too. Uh-huh, uh-huh, yep, I sure can!" (As he imitates Oogie) "Oooh!"

(The camera cuts to a view of Sneezer's backside as Oogie looks over him. Needless to say, Oogie is not amused)

Oogie: "Eh, knock it off, kiddo. I'll do the scary stuff here." (As he tries to scare Sneezer) "Yagga, yagga, yagga!"

(The camera cuts to Sneezer, who imitates Oogie)

Sneezer: "Yabba yabba yabba!"

(The camera cuts back to the previous view of Oogie and Sneezer as Oogie tries to scare Sneezer again, this time holding out his lips)

Oogie: "Eebie eebie eebie!

(The camera cuts back to Sneezer, who imitates Oogie, even going as far to hold out his lips)

Sneezer: "Eebie eebie eebie! Aaah! Aaah, aaah...

(The camera cuts to an opposing view)

Sneezer: "Aaah... CHOO!"

(The force of Sneezer's sneeze pushes Oogie across his bedroom and into a mouse hole. The camera cuts to a view of the other side of the hole as Oogie is pushed out, then to a view of a nightstand with a goldfish bowl on it. The goldfish bowl lands on Oogie's head, then the camera cuts to a close-up of Oogie with the goldfish bowl on his head as the fish tries to swim away)

Oogie (gargling): "I definitely picked the wrong kid."

(The screen wipes to the next scene, which takes place outside the mouse hole. Oogie taps his foot impatiently as Sneezer walks out)

Oogie: "Listen, you juvenile rodent! I am Oogie! A really scary type monster! I'm like, the living embodiment of your darkest nightmares!"

(Oogie's face turns into that of a cat's. Sneezer looks at Oogie in shock, not because he's scared, but because he's allergic)

Oogie: "What do you say to that, kid?"

(The camera cuts to a close-up of Sneezer, then to a zoomed-out view as Oogie turns around in fear)

Sneezer: "Aaah, aaah, aaah... CHOO!"

(The force of Sneezer's sneeze pushes Oogie away again. The camera cuts to a close-up of Sneezer as he wipes his nose and sniffles)

Sneezer: "I'm lergic' to nightmares."

(Sneezer looks over at the destruction. The camera cuts to a view of the room as an Oogie-shaped hole is left in the wall. Sneezer walks up to the hole, then the camera cuts to a close-up of the hole, moving to reveal several similar holes in the following walls. It then zooms in as Oogie picks himself up)

Oogie: "Someone get that kid an anti-histamine."

(The camera cuts to an opposing view as Sneezer laughs)

Sneezer: "That was fun! Scare me again, Oogie!"

(Sneezer walks up to Oogie, laughing. The camera cuts to a view of Sneezer and Oogie together as Oogie walks up to Sneezer and growls at him. It then cuts to an overhead view of Sneezer, followed by a zoomed-in view as he prepares to sneeze)

Sneezer: "Aaah, aaah, aaah... CHOO!"

(The camera cuts back to Oogie and Sneezer as Sneezer's sneeze strips Oogie of his spots)

Sneezer: "Aaah, aaah, aaah... CHOO!"

(Sneezer's sneeze strips Oogie of his fur, leaving him bald and in his underwear. Sneezer laughs, while Oogie blushes and tries to cover himself)

Sneezer: "More, more! Oooh, I'm so scared! The monster's after me!"

(Sneezer grabs Oogie's underwear and laughs, then the camera cuts to a close-up of him)

Sneezer: "The monster lost his pants!"

(The camera cuts back to the previous view as Sneezer lets go of Oogie's underwear, and a paintbrush appears and paints Oogie's fur and spots back on. Oogie pulls his fur down over his underwear)

Oogie: "I like, quit!"

(Oogie jumps away. The camera cuts to a close-up of the mouse hole as Oogie goes through it, then to a view inside Sneezer's bedroom as he goes inside the closet. The trap door opens and a light glows, sending Oogie down. Sneezer walks up to the closet, then the camera cuts to an opposing view of him looking in the trap door)

Sneezer: "I lose more closet monsters that way."

(The screen transitions to a view of Oogie's house, which is revealed to be a haunted mansion in Heck. The camera zooms in on the house, then cuts to an overhead view of Oogie's bedroom as a light glows in his closet. Oogie opens the doors, walks out, and closes them)

Oogie: "I've got to find me a new line of work."

(Oogie walks over to his bed and collapses on it, landing on his belly. The camera cuts to a zoomed-in view of him on his bed)

Oogie: "Maybe I can go to night school and learn how to be a tooth fairy, or an Easter bunny, or some other kind of imaginary being who doesn't take so much abuse."

(Oogie turns over so he can sleep on his back. The camera cuts to an opposing view of his bed)

Oogie: "Oh, well. I'll sleep on it."

(Oogie turns off his lamp, pulls the covers over his body, then turns around. The camera moves over to the closet as the doors open, then it moves back to Oogie and cuts to a close-up of him. He awakens as a silhouette of a pair of hands appears over him)

Oogie: "Huh? No!"

(The camera cuts to a zoomed-out view)

Oogie: "It can't be!"

(The camera cuts to a zoomed-in view of Oogie)

Oogie: "Please! Anything but that!"

(The camera cuts over to the closet, revealing Sneezer)

Sneezer: "Hey, Oogie! Guess what?"

(The camera cuts to a zoomed-in view of Sneezer as he slowly walks up to Oogie)

Sneezer: "I'm back!"

(The camera cuts back to Oogie as he pulls off the covers and runs away, screaming, leaving an Oogie-shaped hole in the wall. The cartoon irises out on the hole, and the credits roll)