Batman Begins

BLACK. A low KEENING which becomes SCREECHING that BUILDS and BUILDS until- RED flickers through black as the screen BURSTS into life: Clouds of REELING BATS silhouetted against a blood red sky, bolting away from camera, MASSING in the sky... FORMING a density the shape of an enormous BAT-LIKE SYMBOL. More BATS mass, swamping the symbol, DARKENING the screen to- BLACK. Distant children’s LAUGHTER which comes closer as- SUNLIGHT flickers through black. Sunlight through trees running through a SUMMER GARDEN. A BOY. Chasing a GIRL. The Boy reaches a Victorian GREENHOUSE. Stands in the doorway catching his breath. This is Bruce Wayne, aged 8, and we are1 EXT. GARDENS, WAYNE MANOR -- DAY 1 YOUNG BRUCE peers down rows of plants on long trestle tables. YOUNG BRUCE Rachel? No response. Sunlight streams through wrought iron and glass. Young Bruce advances, cautious. He is GRABBED from behind and pulled under a table by a young girl, aged 10. This is RACHEL. She puts her hand over Young Bruce’s mouth. FEMALE VOICE (O.S.) Rachel?! Master Bruce?! A woman STRIDES past the windows: MRS.DODSON, Rachel’s mother, housekeeper of Wayne Manor. YOUNG BRUCE (whispering) What’re you doing?! RACHEL (matter-of-fact) Kidnapping you. They” pay a lot for precious Brucie. Young Bruce stares, wide-eyed. She SMILES. He relaxes. Young Bruce BOLTS out from under the trestle table - SPRINTS for the back door. Rachel TEARS after him. 2 EXT. DISUSED KITCHEN GARDEN, WAYNE MANOR -- CONTINUOUS 2 Young Bruce crouches in the mouth of a DISUSED WELL, peering over the stone wall at Rachel, who searches for him. (CONTINUED) CONTINUED: (2) 2. RACHEL Bruce, I can see you. Young Bruce suppresses a giggle- the BOARDS beneath him GIVE WAY and he PLUMMETS into... 3 INT. OLD WELL -- CONTINUOUS 3 Young Bruce DROPS thirty feet- LANDS painfully on the rubble strewn bottom of the shaft. 4 EXT. KITCHEN GARDEN, WAYNE MANOR -- CONTINUOUS 4 Rachel, hearing, RUNS to the well. RACHEL BRUCE?!! 5 INT. OLD WELL -- CONTINUOUS 5 Young Bruce lifts his head from damp dirt and rocks, groaning. 6 EXT. KITCHEN GARDEN, WAYNE MANOR -- CONTINUOUS 6 Rachel SPRINTS towards the house. RACHEL MOM!! MISTER ALFRED!! 7 INT. OLD WELL -- CONTINUOUS 7 Young Bruce, in shock, groans. He hears SQUEALING- freezes, PEERING into the DARKNESS of an OPENING between rocks... BATS EXPLODE from the darkness, filling the air. HE SCREAMSCURLS against their flapping, squawking, fluttering BLACKNESS. A JOLT: OLDER GREEN EYES FLICK OPEN, WAKING... in DARKNESS. Filthy, sweating darkness... and we are in- 3. 8 INT. BHUTANESE JAIL -- MORNING 8 The eyes belong to a bearded, weathered, young man’s face. BRUCE WAYNE aged 28. An OLD ASIAN MAN sits staring at him. OLD MAN A dream? WAYNE A nightmare. OLD MAN Worse than this? Their cell is a tin box. Light seeps through gaps in the roof. Shouts ECHO. Wayne shrugs. 9 EXT. PRISON COURTYARD -- LATER 9 Wayne and the Old Man line up for gruel. PRISONERS are scattered in small groups. All eyes on Wayne. OLD MAN They are going to fight you. WAYNE I fought them yesterday. OLD MAN They will fight you every day. Until they kill you. Wayne holds out his plate. Watches gruel dribbled onto it. WAYNE Can’t they kill me before breakfast? Wayne turns from the table. His path is blocked by an ENORMOUS MAN, backed by six aggressive prisoners. The Enormous Man SMASHES his plate away. ENORMOUS MAN (broken English) You are in hell, little man... He PUNCHES Wayne- Wayne goes down hard. ENORMOUS MAN (CONT’D) ...and I am the devil. Wayne picks himself up. Dust himself off. (CONTINUED) CONTINUED: (2) 4. WAYNE You’re not the devil... The Enormous Man SWINGS again- Wayne CATCHES his fist, KICKS the big man’s knee out an, as he goes down, BOOTS his face. WAYNE (CONT’D) ...you’re practice. Six Prisoners RUSH Wayne all at once... Wayne fights skillfully and hard, FLIPPING one prisoner into another, KICKING as his arms are held... several Prisoners hit the deck before- GUNFIRE- two GUARDS break it up, shooting into the air... they GRAB Wayne. GUARD Solitary! WAYNE (indignant) Why? GUARD For protection. WAYNE I don’t need protection. The Guard points angrily at the unconscious prisoners. GUARD Protection for them. 10 INT. SOLITARY, BHUTANESE JAIL -- MOMENTS LATER 10 Wayne is tossed into the dark cell. The door SLAMS. VOICE (O.S.) I often wonder at the riches to be found in dark places. The voice is mellifluous. European. It comes from the shadows of a deep corner of the cell. WAYNE I thought the point of solitary confinement was the solitary part. Wayne can make out the profile of a MAN seated in the corner. (CONTINUED) CONTINUED: (2) 5. MAN These men have mistaken you for a criminal, Mr.Wayne... Wayne reacts to his name. The Man steps into the light: powerfully-built, distinguished, in a well-cut SUIT AND TIE. WAYNE Who are you? MAN My name is merely Ducard. But I speak for Ra’s Al Ghul. Have you heard the name? WAYNE I’ve heard the legends...master warrior, international mercenary, feared by all the underworld... some even swear he’s immortal. DUCARD (smiles) Ra’s Al Ghul uses theatricality and deception as powerful weapons. Ducard approaches Wayne. Looks deep into his eyes. DUCARD (CONT’D) You have not escaped his notice- a man like you is here by choice... or because he is truly lost. Wayne’s eyes flick away from Ducard’s penetrating gaze. DUCARD (CONT’D) Ra’s Al Ghul and his League of Shadows offer a path to those that are capable of upholding our code. WAYNE Code? Aren’t you criminals? DUCARD A criminal is simply a man that someone else thinks... (gestures around them) ... should be put in jail. Wayne nods, conceding the point.