Pledge Week

Act One
(The episode begins with the Tiny Toon Adventures rainbow logo, with the Words, TINY TOON above the center ring and the word, TELETHON below it. Buster appears in the center ring, holding a microphone in his right hand)

Buster: "Before we start this rollicking episode, we'd like to inform you loyal viewers that it's Pledge Day here on Tiny Toons.

(The camera cuts to a view of Mary Melody, Hamton, Fifi, Montana Max, Babs, Plucky, Sweetie, and Shirley, who are all sitting in podiums marked, PLEDGE, taking phone calls. The camera then cuts to a zoomed-in view of Babs)

Babs: "That's right, it's because of your donations that our wonderful cartoons stay on the air."

(The camera zooms out as Buster appears on the right side of the screen, holding the microphone in his right hand)

Buster: "Let's cut to the big board for our first grand total."

(The camera cuts to a view of the grand total board as a Vanna White lookalike pulls the lever, causing the reels to spin. Buster walks over to the board, and the reels stop to reveal that the first grand total is $0,000.00. The camera cuts to a close-up of the empty grand total, then to a view of Buster)

Buster (nervously) "Okay. Uh... Hey! I see Elmyra's got a call!"

(Buster runs over to Elmyra's podium. The camera cuts to a view of Elmyra in her podium, on the phone with a prank caller)

Elmyra: "Gee, I don't know, I'll check. Is there a 'Bill Loney' here?"

Buster (dejected): "Hang up."

(Babs appears on the right side of the screen)

Babs: "Keep those calls coming!"

(The screen fades to black)

It's All Relatives
(The title card is shown, which shows an angry Babs with her back turned. Afterwards, a zoomed-out view of a barn with a herd of sheep is shown. The camera moves downwards to an overhead view of Babs' Burrow, then cuts to a normal view as Babs jumps out, spinning like Taz the Tasmanian Devil. She stops, and poses)

Babs: "Da-da-da-dah!"

(The camera cuts to a view of Babs' Burrow as she looks down to it)

Babs: "Mom, your gorgeous gifted daughter is leaving now!"

(The camera focuses on Babs as she tries to walk away, but is stopped by her Mom)

Mrs. Bunny (heard offscreen): "Babs, you can't go now!"

Babs: "Mothers."

(The camera focuses on Babs as she walks back to her burrow, and looks down to it)

Babs: "I've got a date with Buster, remember?"

(The camera focuses on Babs as she tries to walk away again)

Mrs. Bunny: "Yes, dear. But I think you've forgotten something. Your Grandma's visiting today."

(Babs stops in shock. The camera cuts to a view of the road, with Babs standing on the right side from it as a car drives up and stops next to her. It then cuts to a view of the car as the door opens and Grandma "Nana" Bunny steps out, followed by a view of a rather nervous Babs, whose ears drop. It then cuts back to Grandma as she locks her car door and closes it, then back to Babs, who is still very nervous)

Babs: "Nana?"

Grandma Bunny: "Barbara Anne! You grew!"

(Grandma grabs Babs, picks her up, kisses her, and sets her down. Babs' lips are now covered in Grandma's saliva)

Babs: "Hello, Nana."

(Babs wipes the saliva off her lips. The camera cuts to a view of Grandma as she pulls a box of fig dough out of her sewing bag)

Grandma Bunny: "I brought some of my yummy fig dough."

(The camera cuts to a view of Babs as Grandma puts the fig dough in Babs' mouth. She picks Babs up by her left arm, and walks away. The screen transitions to the next scene, where Babs is sitting on the couch in between her Mother, who is on the left side of the screen, and her Grandmother, who is on the right. On the table in front of them are a teapot, teacups, and a plate of biscuits. Babs' Mother and Grandmother are having tea as they talk to each other)

Mrs. Bunny: "And on Babsy's first day of preschool, she came out of her room with no clothes on and said, 'I'm ready for school!'."

(The camera cuts to a close-up of a rather embarrassed Babs, then back to the previous view as Babs' Mother and Grandmother both laugh. Babs hides under the couch cushion, then the camera cuts to a view of the left side of the couch as Babs tries to crawl away, but her Mother grabs her tail.)

Mrs. Bunny: "Oh, Babs, show Nana that funny thing that you do!"

(The camera cuts to a view of Babs as she stands up)

Babs: "Mom!"

(The camera cuts to a view of Babs' Mother and Grandmother)

Mrs. Bunny: "You're gonna love this. Oh, it is so funny!"

Grandma Bunny: "Go ahead, dear."

(The camera cuts back to Babs. She walks away, and the camera cuts to a view of the living room as she stops in the middle of the screen, takes a bow, and reaches offscreen, pulling out a box of costumes. She jumps inside the box, and the camera focuses on her as she jumps out, dressed like Homey the Clown)

Babs (Imitating Homey the Clown): "You want me to exploit my talent for your maternal amusement? I don't think so. Babsy don't play that."

(The camera focuses on Babs as she jumps back into the box, then jumps out, dressed like Madonna. She is standing in the middle of a spotlight, and as she performs, an anthropomorphic letter M walks up to her and puts a sign that says, CENSORED over her, which she then ties the M in and kicks it offscreen)

Babs (Imitating Madonna, singing): "I can justify my life with my stardom and fame, I need to justify my life, it's all a big game."

(The camera cuts to a view of Babs' Mother as Babs slides on her knees on the floor to her)

Babs: "Ta-da! Can I go now?"

Mrs. Bunny: "No, that's not it."

(The camera cuts to a side view)

Mrs. Bunny: "You know, honey, the other funny thing you do."

(Babs' face turns red with rage. She pulls on her ears)

Babs: "Oh." (Laughs nervously) "The other funny thing I do."

(The camera cuts to a view of the piano, then focuses on Babs as she walks behind the chair, then walks out, dressed like a rapper, then walks to a graffiti-laden background, with the words, 2 Live Babs)

Babs (Sining, to the tune of a certain song, which for the sake of this wiki shall remain nameless): "People think I'm funny with my ears and big feet, but that don't bother me, cause' my rap can't be beat."

(The camera cuts to an underhead view, revealing several colored lights above Babs)

Babs (Singing): "I'm a mammal with fur, my rap is so funny,"

(The camera cuts back to the previous view, then to a zoomed-in view)

Babs (singing): "My tail is like cotton, cause' me so bunny."

(The camera cuts to a view of a different background, as Babs, dressed in a blonde wig, a blue shirt, a black skirt, and pink and white shoes, performs several different dance moves, with the last one being in mid-air)

Babs (singing): "Oh, me so bunny, oh, me so bunny, oh, me so bunny, me hop a long time!"

(The song ends, and the background fades to the living room, and Babs' clothes fade back to her normal attire. She lands on her feet, then the camera cuts to a close-up of her Mother)

Mrs. Bunny: "No, that's not it, either."

(The camera cuts back to Babs, who at this point, is getting tired of having to do impressions)

Mrs. Bunny (heard offscreen): "You know, it's that really really funny funny thing you do!" (Laughs) "Oh, it makes me laugh just thinking about it."

Babs: "That really really funny funny thing I do? Well, why didn't you just say so?"

(Babs walks away, then the camera cuts to a view of the living room as she comes back, pushing a stage cart filled with speakers, a spotlight, and a microphone. It then cuts to various view of her living room as she prepares to set up a stage, places a tape cassette into her stereo, then turns off the lights. Various colored lights appear onscreen, then the camera cuts to a zoomed-out view of concert seats and moves down to the stage, where Babs can be seen dressed like a rock star. The camera then cuts to a view of her, and focuses on her as she walks across the stage)

Babs: "Do you wanna rock?"

Audience: "Yeah!"

Babs: "Do you wanna roll?"

Audience: "Yeah!"

(The camera cuts to a view of Babs' backside)

Babs: "Do you wanna laugh?"

(The audience cheers. The camera cuts back to Babs' frontside.)

Babs: "All right!"

(The camera cuts to a zoomed-in view)

Babs: "We present Babs Bunny as Babs Bunny doing the cartoon superstars!"

(The camera cuts to an overhead view as the audience cheers and various smoke effects go off on stage. It zooms out, and when the smoke clears, the background seen is that of a Hanna-Barbera-esque forest. Babs runs onscreen, dressed like Yogi Bear)

Babs (Imitating Yogi Bear): "I'm smarter than the average rabbit!"

(Babs runs offscreen, then various christmas ornaments fall onto the tree in the background. Babs falls onscreen, dressed like Charlie Brown)

Babs (Imitating Charlie Brown): "Can't anyone tell me what Christmas is all about?"

(A wave of water appears from the right side of the screen and splashes Babs away. Babs, dressed like Popeye, appears rowing a boat)

Babs (Imitating Popeye, starting with his laugh): "I am what I am and that's all that I am."

(The camera cuts to a view of a background that resembles Toontown from Who Framed Roger Rabbit?. Babs appears, dressed like Roger)

Babs (Imitating Roger Rabbit) "P-p-p-please! Make it stop!"

(A background resembling the Simpsons' living room drops down. Babs appears, dressed like Marge Simpson)

Babs (Imitating Marge Simpson): "I know, let's all have some cupcakes! Yummy and nutritious!"

(Babs spins, and when she stops spinning, she is dressed like Bart Simpson)

Babs (Imitating Bart Simpson): "Cupcakes. Cool, man!"

(Babs spins again, and this time, when she stops, she is dressed like Maggie Simpson. She imitates Maggie's pacifier sound effect, then falls, splatting her face into the cupcakes. She then runs off, leaving her blue romper behind, and the camera cuts to a view of the living room as she slides on her knees and sighs. Her Mother and Grandmother both applaud.)

Babs: "Ta-da!"

Grandma Bunny (heard offscreen): "Oh, isn't that adorable?"

(The camera cuts to a view of Babs' Mother and Grandmother sitting on the couch. Mortimer, Babs' baby brother, is sitting on the table in front of them)

Mrs. Bunny: "Look, Babsy! Mortimer sat up all by himself!"

(Mortimer waves to Babs, then falls off the table. The camera cuts back to Babs, who is in a seething rage. She screams, fire explodes from her head, and the camera focuses on her as she throws a humongous tantrum, bouncing around the living room, breathing fire, and exploding. When the smoke clears, she is now lying on her back in an apocalyptic wasteland background)

Babs: "I've fallen and I can't get up."

(The camera cuts back to Babs' Mother and Grandmother, who both laugh and applaud as her Mother points to her)

Mrs. Bunny: "Oh! That's it! That's the funny thing that you do!"

(Mrs. Bunny continues laughing and applauding. The camera cuts back to Babs and zooms out on her as she stands up, reaches offscreen, and pulls out Elmer Fudd)

Babs: "Shoot me! Shoot me now!"

(Babs falls down. Elmer looks at the camera, confused, and the cartoon irises out on him, ending Act One. A gunshot sound effect can be heard as the cartoon finishes irising out.)

Act Two
(The second act begins with a view of Shirley, Fifi, Calamity, Dizzy, Plucky, and Elmyra at their podiums, taking phone calls. Calamity is holding up a sign that says, HELLO, Dizzy is eating something, and Plucky has fallen asleep. The camera moves over to Buster and Babs, who are both holding microphones in their left hands)

Buster: "Let's take another look at our tote board."

(The camera cuts to a view of the Vanna White lookalike, who is sitting in a chair, reading a VOGUE magazine. She stands up, kicks the chair behind her, and hides the magazine behind her back. The camera moves over to the total board, revealing the grand total, which is still at $00,000,000.00)

Buster: "Uh, you know, Babs,"

(The camera cuts to a view of Buster and Babs)

Buster: "I don't think our viewers are aware of the quality programming their support brings them."

Babs: "That's right. Programs like,"

(The camera cuts to a view of the wall, which has the WB logo and the words, TINY TOON ADVENTURES next to it. Mr. Ruegger, who is smoking a cigarette and holding a newspaper in his right hand, walks across the hall, and the camera focuses on him)

Babs: "Mr. Ruegger's Neighborhood."

Mr. Ruegger: "Yeah, yeah, it's a beautiful day in my neighborhood. So?"

(Mr. Ruegger goes into the Men's bathroom. The camera cuts back to Buster and Babs)

Babs: "Not to mention all these wonderful cartoons!"

(The camera cuts to a close-up of Buster)

Buster: "And speaking of which, here's another one!"

(The camera cuts to Elmyra, who is sitting at her podium. She has gotten another phone call from the prank caller)

Elmyra: "Is there a 'Pepi Roni' in here?"

(The camera cuts to a view of Buster and Babs as Buster slaps his head with his right hand)

Buster: "Hang up."

(The screen fades to black)

Lifeguard Lunacy
(The title card is shown. It features Arnold the Pit Bull wearing a whistle and the title and writer and director credits as the tattoos. The screen fades to black, then transitions to the Tiny Toon Adventures logo as Calamity, dressed in a red bathing suit, falls into it. The logo splashes as the camera zooms out to an overhead view of the pool, revealing Calamity was jumping into the pool from the high dive, as Buster is about to jump from it next. The camera then cuts to a side view of the pool as he lands in it, then a beach ball gets tossed across the screen. The camera then cuts to a beach blanket near the pool, where Drooley Davey, Mortimer, and Sneezer, are playing with the beach ball by tossing it back and forth to each other. The camera then cuts to a view of the lifeguard station and zooms in on a door with a sign that says, LIFEGUARD LOCKER as Arnold the Pit Bull, dressed in a red bathing suit, kicks the door, and jumps out, posing. The camera moves over to a door with a sign that says, JUNIOR LIFEGUARD as Calamity walks out, also posing in a way similar to Arnold. The camera cuts back to Drooley Davey, Mortimer, and Sneezer as Davey tosses the beach ball and Mortimer hits it, causing it to fly into Calamity's path. The camera cuts back to Calamity as his bathing suit falls down and he pulls it back up, also missing the beach ball before it can hit him. The beach ball bounces back and hits him from behind. The camera cuts to a view of the bottom of Arnold's lifeguard tower as Calamity flies into it, then moves up to Arnold, who is applying suntan oil to his skin)

Arnold: "Whoa, whoa, hey!"

(Arnold drops the suntan oil, and the camera cuts to a view of it as it hits the floor. It then cuts to an overhead view of Arnold)

Arnold: "That stupid wimpy junior lifeguard, always doing something wrong!"

(The camera cuts to a side view of Arnold as he picks up Calamity by his ears)

Arnold: "So, the first day on the job, and you're playing with silly sissy stinky baby toys, yeah?"

(The camera cuts to a close-up of Calamity, who is about to speak, but Arnold clamps his hand over Calamity's mouth. The camera then cuts back to the previous view)

Arnold: "Don't you argue with me, you scrawny little nothing person!"

(The camera cuts to a close-up of Calamity as Arnold drops him)

Arnold: "The swimmer's safety always comes first!"

(The camera cuts to a view of the lifeguard chair as Calamity lands on it and Arnold Jumps out, then to a view of three female animals of an indeterminate species as Arnold sits in a chair near them. They all woo over him)

Arnold: "Hi, girls."

(Arnold makes poses for the three girls, then the screen fades to black. It then fades to a close-up of Calamity and the camera zooms out on him as Arnold pokes his nose)

Arnold: "Now, make sure you keep the kinder children off the high dive!"

(The camera cuts to a view of Arnold as he points to the high dive, then walks away. It then cuts to a view of little children as Calamity walks to them, followed by a close-up of him as they point upwards)

Children: "Look!"

(The camera cuts to an overhead view of the children, and focuses on the ladder as it goes up. Midway through is a yellow balloon that says, REALLY HIGH ISN'T IT? in red letters. When it does reach the top of the diving board, it is revealed to be in space. The camera cuts to a view of the diving board high above the earth as Li'l Sneezer walks to the end of it)

Sneezer: "I'm a little lergic' to heights. Aaaah, aaah, aaah..."

(The camera cuts back to Calamity, who is standing on the left side of the screen, looking up at Sneezer with a pair of binoculars. Elmyra appears on the right side)

Elmyra: "Ooh."

(Elmyra turns around, and notices a button that she doesn't know what it does. She walks toward the button, and Calamity turns his attention to her. The camera cuts to a zoomed-out view)

Elmyra: "Gee, I wonder how this thing works."

(The camera cuts to a close-up of the button, which is revealed to be on a box, underneath the words, AUTO DRAIN PLUG CONTROL and above the word, WATER LEVELS, which itself is above a water meter. Elmyra presses the button, and the camera cuts to a view of the drain plug as a chain suddenly pulls it as a result of Elmyra pressing the button. The camera cuts back to Calamity, who drops his binoculars as Elmyra walks back to him.)

Elmyra: "What's that funny noise?"

(Calamity slaps his head with his right hand, and the camera cuts to a zoomed out view of the pool as it drains the water, as well as Plucky and Hamton, who are in inner tubes. It then cuts to an opposing view as Elmyra watches the water drain)

Elmyra: "Water go down the hole!"

(The camera cuts to a view of the drain and zooms in on it as it finishes draining the water. It then cuts back to Calamity, who looks up, followed by Sneezer, who is still at the top of the diving board)

Sneezer: "Aaah, aaah, aaah... CHOO!"

(Sneezer falls off the diving board, and the camera focuses on him as he falls. It then cuts back to Calamity, who watches in shock, then decides to catch him before he meets a nasty landing. He runs off, leaving his pink shoes behind, but strangely still wearing the as the camera cuts to a view of Mary Melody on a beach blanket, reading a book while resting her head on her inner tube. Calamity picks up the inner tube and takes it, running off, and causing Mary to bump her head)

Mary: "Huh? Oof!"

(The camera cuts to a view of one of the pool's ladders as Calamity runs to it, then to an opposing view as he puts the inner tube on it. The camera then cuts to a view of the drained pool as Calamity stretches the inner tube from one of the pool's ladders, to the other one. The camera cuts to a view of the other ladder as Calamity secures the other end of the inner tube, then runs to the low diving board. The camera then cuts to a view of the pool as Calamity jumps off the diving board and onto the stretched inner tube, which he bounces off like a trampoline. The camera then cuts to him and focuses on him as he flies upwards and catches Li'l Sneezer. After he catches him, they fall together, then the camera cuts to an angry Mary finding her inner tube lodged to the ladders. It then cuts to a zoomed-in view as she dislodges it)

Mary: "Now who put this here?"

(The camera cuts to a zoomed-out view as the inner tube is dislodged, then to Arnold as the inner tube lands in his face. The camera then cuts to a close-up of a frightened Calamity, followed by the pool's drain as he and Sneezer land in it. Calamity jumps out, with his body now in a cylindrical shape, as the camera cuts to a close-up of Arnold, who removes the inner tube from his face. The camera then cuts to a zoomed-out view as he tosses the inner tube, then to a view inside the drained pool as the inner tube bounces off its wall, then to Calamity as the inner tube pushes him out of the pool and lands near the drain. The camera cuts to a view of Arnold's feet as Calamity and Sneezer land near them, then to a zoomed-out view as Arnold takes Sneezer from Calamity with his right hand. The three girls laugh as he does this)

Arnold: "Smell my words, and hear my breath, wimpy pool person."

(The camera cuts to a close-up of Arnold as he picks up Calamity with his left hand)

Arnold: "Make yourself useful and refill the pool!"

(Arnold tosses Calamity, and the camera cuts to the pool hose controls as Calamity lands near them. On the water meter are the words, TRICKLE, GUSH, and NIAGRA. Calamity picks up the hose and walks to the pool with it. Elmyra hides behind the wall, spying on him, then the camera cuts to a close-up of her)

Elmyra: "Oooh! I wanna help the cute puppy-face-head!"

(The camera cuts back to the previous view as Elmyra walks to the pool hose controls, holding her arms out like airplane wings)

Elmyra: "Look at me, look at me, I'm helping!"

(The camera cuts to a zoomed-in view as she turns up the water level)

Elmyra: "I'll give him more wa-wa!"

(The camera zooms in on the water meter as the needle moves from TRICKLE to NIAGRA, then cuts to a zoomed-out view as a large burst of water travels through the hose. The camera cuts to a view of the pool floor and focuses on the burst of water as it continues to travel through the hose, eventually causing Calamity and the hose to fly though the air. The camera cuts to different views of Calamity as he and the running hose fly into the Pool equipment shack. Calamity flies out, wearing a scuba suit, then the camera cuts to an overhead view of three tables with umbrellas as Calamity bounces off the umbrellas, followed by an overhead view of the empty pool. It then cuts to a view of Babs and Shirley's backsides. They scream in horror as Calamity inadvertenly sprays them with the water from the hose as he flies past them, then the camera cuts to a view of Hamton about to eat a tall sandwich at the snack bar. Calamity inadvertently sprays Hamton and his sandwich with the water from the hose as he flies past him. The camera then cuts to an overhead view of Arnold as the three girls are giving him a manicure, then they run away as Calamity inadvertently sprays Arnold with the water from the hose. Arnold grabs Calamity with his right hand and the hose with his left, then the camera cuts to a zoomed-in view as Arnold ties Calamity in the hose, then to a view of his backside as he tosses him, followed by a view of a brick wall as Calamity slams into it, leaving a big hole. When Calamity peeks out of the hole, he finds out the hose is now caught in the scuba suit. The camera cuts back to Elmyra, still at the pool's controls, who has witnessed the entire incident)

Elmyra: "That had to hurt."

(The camera cuts to a zoomed-in view as Elmyra starts up the water again at NIAGRA. She turns her head to the camera and winks, then the camera cuts to a view of Calamity as he tries to take the hose out of the scuba suit, but is too late, as the hose has already started to fill the suit with water. The camera cuts to an overhead view of the pool, as Calamity's engorged scuba suit stands next to it, then to a zoomed-in view as Arnold walks up to the suit, followed by a further zoomed-in view, revealing Calamity is swimming inside it)

Arnold: "I told you to fill the pool!"

(The camera cuts back to the previous view, followed by a close-up of a button underneath the words, PRESSURE RELEASE. Arnold pushes the button, and the camera then cuts to an overhead view of the pool as the scuba suit releases the water, which refills the pool, as well as Calamity, who rides a wave. The camera cuts to a view of the snack bar, where Hamton is once again, eating a tall sandwich as Calamity continues to ride the wave and lands near him. Arnold arrives in a cart and stops outside the entrance to the snack bar. The camera then cuts to a zoomed-in view of Calamity's backside)

Arnold: "Since you are here, don't let this pig eat like a pig and then swim and cramp up!"

(The camera cuts to a view of Arnold as he picks up Calamity, telling him what to do, then drops him and walks away. It then cuts to a view of Hamton's backside as he watches Arnold drive away. Hamton, having just eaten, walks up to Calamity, wanting to go swimming)

Hamton: "I guess I'll take a little dip." (Burps)

(Calamity runs after Hamton. The camera cuts to a view of the pool as he stops in front of him, then to a close-up of him as he holds up a sign that says, WAIT 30 MINUTES!. Hamton walks right past him)

Hamton: "Oh, I'll be all right, Calamity."

(The camera cuts to an opposing view of the pool as Hamton dips his toe in. He suddenly flies up into the air. The camera cuts to a view of him in the air and focuses on him as his legs, arms and tail cramp up)

Hamton: "Oh! Cramp! Cramp! Whoa! Cramp!"

(The camera cuts to a view of Calamity near the pool. He watches Hamton as he falls into the water, then runs to get a life preserver. The camera cuts to a view of the Acme Club as Calamity runs to the equipment shack, then back, carrying a life preserver to rescue Hamton. The camera then cuts to a side view of him running. As he runs, Elmyra catches up to him, jumps on him, and grabs the life preserver, tying Calamity in the rope in the process)

Elmyra: "Save him, save him, save him!"

(Arnold walks up to Elmyra and Calamity and snatches the life preserver from Elmyra)

Arnold: "Give me that, you puny, stupid, weakling!"

(Arnold tosses Elmyra and runs to Hamton with the life preserver. However, Calamity is still tied is the rope and is dragged along. The camera cuts to a view of Arnold and focuses on him running, followed by Hamton treading water while Elmyra watches)

Hamton: "Save me! Save me!"

(The camera cuts to a close-up of Elmyra)

Elmyra: "Save him, save him, save him, save him!"

(The camera cuts to a view of Arnold as he tosses the life preserver, followed by Calamity, who tries to untie himself from the rope, but to no avail, as the rope pulls him away. The camera cuts to a view of Hamton as the life preserver is tossed into the pool, followed by a view of Calamity being pulled by the rope. It then cuts to a view of Arnold's backside as Calamity bumps into him, knocking him into the pool, followed by a view of him underwater, and after that, a view of Calamity (who is strangely barefoot) standing next to Elmyra. They both witness Arnold's fall, and the camera cuts to a zoomed-out view as Arnold rises from the water, treading it)

Arnold: "Help! I can't swim!"

(The camera cuts to a close-up of Calamity and Elmyra as she grabs him)

Elmyra: "Save him! Save him! Save him!"

(The camera cuts to a view of Hamton and focuses on him as he runs over to them with the life preserver)

Hamton: "Save him! Save him! Save him!"

(The camera cuts to a view of Elmyra and Calamity on the right side of the screen as Hamton stops next to them on the left side)

Elmyra and Hamton: "Save him, save him, save him, save him!"

(The camera cuts to a view of Arnold as he treads water)

Arnold: "Save me, save me!"

(The camera cuts to a view of Elmyra and Hamton and focuses on them as they run, carrying Calamity)

Elmyra and Hamton: "Save him, save him, save him!"

(The camera then cuts to a view of the pool as Elmyra and Hamton toss Calamity inside. Calamity lands on top of Arnold, and they both sink. The camera cuts to a view of one of the three girls, Buster, Babs, Plucky, and Shirley, who all wonder if Calamity will be able to save Arnold, followed by a view of some bubbles, which the camera focuses on as Calamity (who is strangely barefoot again) lifts Arnold out of the pool. When he reaches the shallow end, the camera cuts to a view of Babs, Plucky, Buster, Shirley, and Hamton)

Babs, Plucky, Buster, Shirley, and Hamton: "Yay!"

(The camera cuts to a view of Arnold and Calamity as they both gasp for air. Calamity walks away, and the camera cuts to a view outside the snack bar as he walks to it, exhausted, followed by a view of Arnold, then the three girls)

Pool Girls: "Oh, poor baby!"

(The camera cuts to a zoomed-out view as the three girls run, then to Arnold, who at first, thinks they're gonna give him more attention, but they run right past him, much to his chagrin. The camera cuts to a view of the three girls as they turn their attention to Calamity for rescuing Arnold. The camera cuts back to Arnold and zooms out, revealing Elmyra is standing next to him)

Elmyra: "Oh, is the poor puppy-wuppy lonely?"

(Arnold runs away, and the camera cuts to a view of some hills with a path as Elmyra chases him down them)

Arnold: "Save me, save me, save me, save me!"

(The cartoon irises out on Arnold, ending Act Two)

MORE COMING SOON

Act Three
(The third act begins with a view of Buster looking at the total board, which is still at $0,000,000.00. He turns to face the camera)

Buster: "Let's face it, folks."

(The camera cuts to a view of the podiums, revealing Barky Marky, Furrball, Calamity, Dizzy, Fifi, Shirley, and Monty all lying down. Shirley and Fifi are holding flowers, there is a flower pot and a gravestone in the otherwise empty podium, and a wreath with a label that says, R.I.P. is in front of Shirley's podium)

Buster: "We're dyin' here! We need your membership support!"

(Babs appears on the right side of the screen)

Babs: "With a single membership,"

(Babs holds a green tote bag in her right hand)

Babs: "You'll recieve this designer Tiny Toons tote bag."

(Babs puts down the tote bag and picks up a sport bottle shaped like Furrball)

Babs: "Two memberships will get you this lovely Furrball sport bottle."

(Babs squeezes the sport bottle, squirting water from it. The camera then cuts to a view of Plucky sleeping at his podium as Babs walks up to him and grabs his head with her left hand, pointing to him with her right)

Babs: "And for a family membership, we'll send you Plucky."

(Babs drops Plucky)

Babs: "Not a toy, not a video, but the real thing! Heck, make us an offer!"

(The camera cuts to Buster at the grand total board)

Buster: "That should bring those donations dancin'!"

(Buster looks at the total board, which now reads $000,000.07. He turns around and slaps his head with his left hand. Elmyra walks across the screen, carrying the phone. She has one last call from the prank caller)

Elmyra: "I have a call here for 'Ima Yutz'. 'Ima Yutz'?"

Buster: "Just run the last cartoon!"

(Buster's left foot gets caught in the phone cord, which pulls him away.)

Buster: "Oh."

(The camera zooms in on the $000,000.07 grand total, and the screen fades to black)

The Kite
(The title card is shown, which shows Buster flying a kite and the moth flying next to it. After the title card is shown, the screen fades to black, then to the next scene, at the F.A.T. KATZ toy store. The camera zooms out on a butterfly-shaped kite as Hamton picks it out from the store window. It then focuses on him as he walks across the street, carrying the kite. As he crosses a crosswalk, two cars screech to a halt so as not to hit him. When he reaches the other side, he passes by a sign that says, NO FIRES DOGS CAMPING KITE FLYING in red letters. The camera cuts to an opposing view as he walks down the stairs, and when he reaches the bottom, he is on the sand of the beach. It then cuts to different views of him as he starts flying the kite. When the kite reaches a clothesline at the top floor of an apartment building, the camera zooms in on a purple moth preparing to eat a purple sheet. The kite flies past him, and he stops. He looks at the kite, and thinks it is a giant butterfly. The camera focuses on him as he flies up to the kite. He moves in front of the kite, but aside from just flying, the kite doesn't really move. The camera cuts to a zoomed-out view as The Moth laughs. The kite them moves into The Moth, and the camera cuts to a view of the dizzy Moth. It then focuses on him as he regains his consciousness, then backs up to try to fly into the kite. Unfortunately, the Moth backs into a Seagull. The Seagull wipes his beak with his tongue, indicating that he plans to eat the Moth. The Moth climbs onto the Seagull's beak and stares in shock. The camera focuses on both the Moth and the Seagull as the Seagull chases the Moth to try to eat him. Eventually, the Moth pants heavily, relieved that he lost the Seagull, or so he thinks. The Seagull continues to chase the Moth, then the Moth moves past the kite, which the Seagull bumps into. The camera then cuts to a zoomed-out view as the Seagull falls, then to a view of the Moth, who is still flying away. The Moth stops to look at the kite, then the camera cuts back to the kite as the Seagull walks in mid-air, clenching his fists to indicate him challenging the kite to a fight. The Seagull tries to punch the kite, but misses, as the kite moves out of the way. The kite then hits the Seagull, and the camera cuts to a view of the Moth, who is rooting for the kite. It then cuts back to the Seagull and the kite as the Seagull pounces at and wrestles the kite, but to no avail. The kite then wraps up the Seagull in its tail and spins him. The kite then flies into the dizzy Seagull, and the camera focuses on the Seagull as he falls, cutting to a view of Hamton when the Seagull lands in the sand next to him. The camera then cuts back to the Moth, who is happy for the kite's victory. It focuses on him as he flies up to the kite to give it a hug, then the camera moves down to Hamton and cuts to a view of him as he walks backwards into the Seagull, who is still buried in the sand. He sits on top of his feet, then gets off and spins the feet. After the feet are spun, he sits back down on them. However, spinning the Seagull's feet was a big mistake for Hamton, as when he sits down, the feet spin him. The camera cuts back to the kite, which is now spinning, then to the Moth, who is holding onto the kite for his life. The camera then cuts back to Hamton as the Seagull's feet stop spinning, and Hamton is dizzy. He falls over, then the camera cuts to an overhead view of the kite, which has broken free from its string as it continues spinning. It then cuts to a view of the Moth, who lets go of the kite, and the kite flies away. The camera then focuses on the kite as it flies downwards, then it cuts to the Moth, who decides to chase after it. The camera cuts to a view of the kite as it flies downwards, and the Moth tries to catch it. It then cuts to a view of the moth, who has finally caught up to it as they float downwards, and focuses on him when the kite flies past him, but he catches up to it anyway. It then cuts to an overhead view of a fishing boat, then back to the kite as The Moth tries to get it to fly again by flapping its wing. This, of course, doesn't work. The Moth then goes under the kite to try to lift it, but he is not strong enough. The kite continues to float downwards, and the Moth grabs its string. The camera then cuts to various view of the waves as the Moth and the kite fly over them. The Moth holds onto the kite's string for his life. The camera then cuts to an overhead view of the city and focuses on the kite as it flies upwards. It then cuts to a view of the kite making a u-turn, followed by a view of two apartment buildings. It then cuts to a view of the Moth, who is now holding onto the kite's tail, and is very scared, followed by various views of the kite flying past the clotheslines hanging between the two buildings. The camera continues to focus on the kite as it flies past the apartment buildings, one of which has a cat who tries to grab the Moth, but to no avail, and another of which has a lady dumping out a bucket of water, which misses the kite and the Moth. The camera cuts to a view of the road and continues focusing on the kite as it flies lower, eventually flying under a truck. The kite's string gets caught on the truck, then the camera cuts to an opposing view at the truck pulls the kite across the road, followed by a view of the truck's backside as the kite weaves from side to side, dodging acar going in the opposite direction. The camera then cuts to an overhead view of the truck as it continues pulling the kite, with the Moth continuing to hold onto its tail for his life. It then cuts to a view of a red traffic light, then moves downward as the truck screeches to a halt. The kite hits the back of the truck, then the camera cuts to a zoomed-in view of it as it falls, revealing the Moth, who is flattened, but still alive, on the back of the truck. The camera then cuts to a zoomed-out view as the kite falls, with its string surrounding a nearby fire hydrant, then to a view of the traffic light, which turns green. It then cuts to a view of the back of the truck, which drives away, but since the kite is tangled up in the hydrant, the string breaks. The camera then cuts back to the Moth, who regains consciousness again, then stares in shock. The camera then cuts to a view of the kite as a human man in a green shirt and blue jeans walks over it, trampling it. A Fat lady in a pink coat and a dark-skinned man in a brown jacket and blue jeans follow him, also walking over the kite and trampling it. The camera then cuts back to the Moth, who manages to get himself off the back of the truck, then flies away. It then cuts to a view of the trampled kite as the Moth flies back to it, narrowly avoiding a human in a red shirt and blue jeans who also walks over it and tramples it. The Moth pulls the kite away before another human in purple jeans can trample it, and the camera focuses on him as he pulls the kite away, avoiding having him and/or the kite being trampled by the walking humans, until he reaches an air vent. The camera then cuts to a view of the air vent as the Moth pulls the kite over and gets on top of it. The wind from the air vent pushes the kite upwards, then the camera cuts to a view of some dark storm clouds as the kite flies away. It then focuses on the kite as it flies out of the city and into the forest, then cuts to a view of the Moth, who is once again, holding onto the kite for his life. Thunder booms and lightning flashes, then it starts to rain. The camera cuts to an overhead view of the countryside, then focuses on the kite as it and the Moth fly over it. It then cuts to a side view of the kite and focuses on it as it continues to fly through the forest, followed by a view of its backside as it and the Moth fly past some scary-looking trees, which have lost all their leaves. Thunder booms and lightning flashing, then the camera cuts to a view of the kite and focuses on it as t starts to fly downwards again, with thunder booming and lightning flashing as it does. The camera then cuts to a view of the kite in the forest and focuses on it as it flies past more scary-looking trees, one of which has a branch that resembles an arm with a hand trying to grab it, but to no avail. The camera then cuts to a view of the kite's backside as it flies past more scary-looking trees, some of which have leaves with patches in them that resemble scary pairs of eyes, and more branches that resemble arms. The camera then cuts to a view of wooden planks forming the shape of a house. Thunder booms and lightning crashes as the kite flies over it, then the camera cuts to a view of a mud puddle as the kite finally lands in it. The Moth gets out of the mud puddle, but the kite falls over him. The camera zooms in on the Moth as he pulls the kite up to recover himself, then cuts to an opposing view as the Moth finds a cardboard box that they can take shelter in until the rain stops. Thunder booms and lightning flashes, then the camera cuts to a view of the moth as he pulls the kite into the box. It then cuts to a zoomed-out view as the Moth continues to pull the kite, and thunder booms and lightning flashes again, followed by a view inside the box as the Moth finishes, followed by an opposing view as the Moth pulls the kite over his head like a blanket. Thunder booms and lightning flashes again as the Moth climbs over the kite, then the camera cuts to a zoomed-in view as the moth notices a big hole in the kite. He tries to patch the hole, but the kite's patch pushes him away. The camera then cuts to a zoomed-out view as the Moth falls over, followed by a zoomed-in view and an opposing one, the last of which shows the Moth crying, sure that the kite did not survive its adventure. The Moth cries, then the camera cuts to an opposing view as thunder booms and lightning flashes yet again. The camera zooms in on the storm, then eventually, the storm passes. When the sun is out, the camera cuts to a view of the box as Buster walks up to it. He looks inside and sees the kite)

Buster: "Wow!"

(The camera cuts to a view inside the box as the Moth has fallen asleep. Buster takes the damaged kite)

Buster: "A kite!"

(The camera cuts to a view of Buster as he sets the kite down on the box)

Buster: "All it needs is some tape..."

(Buster puts tape on the kite to patch it up)

Buster: "And some paint..."

(Buster pulls out a paintbrush with pink paint, which he uses to paint the kite)

Buster: "And it'll be good as new!"

(Buster picks up the kite, and continues painting it)

Buster: "There! All fixed and ready to go!"

(The kite now has a pink face with a smile on it. Buster walks away, carrying the kite, then the camera cuts to a view of him, focusing on him as the flies the kite across the forest. It then cuts to a view of the kite flying in the sky, then moves downwards to the box, then cuts to the Moth, who is still sleeping inside. When he awakens, he is shocked to find the kite missing. He flies out of the box, then the camera cuts to a view outside the box as he continues looking for the kite there, followed by a view of the kite flying in the sky. It then cuts back to the Moth, who is glad to see the kite looking good as new, then cuts to an opposing view of him, focusing on him as he flies upwards towards the kite. It then cuts to a view of the kite, focusing on it as it continues to fly in the sky, then it cuts to different views of the kite, one of which has the Moth giving it a hug. The camera then cuts to a zoomed-out view as the Moth and the kite fly off together. The screen irises out on the kite, and the credits roll)